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Dan Bailey's Adventure Photography Blog

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Tag Archives: Topaz Adjust

Tutorial: Interpreting The Moment With Topaz Adjust 5

Dan Bailey's Adventure Photography Blog Posted on November 23, 2011 by DanNovember 23, 2011

Digital Imaging Tips by Dan Moughamian

Introduction

Topaz Labs recently announced Topaz Adjust 5 plug-in for Photoshop, so I thought it would be useful to follow up on the prior Adjust 4 tutorial to show another example of how it can help improve our digital workflows. Aside from some performance tweaks, and the updated user interface, there are also new filters and controls for creating precise results.

For this tip we’ll take a look at working around a common problem: taking an image that was shot under overcast or partially overcast light (because there was no other alternative), and using what the scene gives us to enhance or re-create the emotion of the place. Sometimes just photographing an interesting place isn’t quite enough to convey the meaning of the place. Seen below, the original shot was taken this fall at Niagara Falls under less than ideal lighting conditions.

The original photograph: not bad but the power of the place gets “lost in translation”.

There are things that I like about this shot, even though it’s been taken a million times before. Sometimes we take pictures not to floor people with something brand new but to remember the unique places that we pass through during this short life. Maybe the shot is for others, maybe it’s just for the photographer; the “who” is not really important. What is important is that we can use selective techniques with apps like Topaz Adjust to add some emotional impact back into the shot.

The Goal

To me, this moment was about the blustery weather, being surrounded by water in many forms (and famous Buffalo Wings and Duff’s!). Summer was gone and there was a sort of surreal moment, trying to understand “big nature” in the context of a mob of people and a row of cheesy looking hotels and casinos on the Canadian side of the falls. I chose only to capture a bit of the man-made here, just to give a hint that it is there. So, how could I help the photo “define” some of the thoughts that I experienced at the time? For one thing I think this is a perfect example of a shot where the small details don’t matter. By that I mean how sharp the trees in the distance are, how sharp the eddies are, etc. We have a tendency to always sharpen, even when it doesn’t suit the scene. For another thing, there was more color here visible to my eye than the camera captured. We can get some of that back in spots.

The Workflow

First, in Photoshop choose Filter > Topaz Labs > Topaz Adjust 5. The user interface is similar to the one I described in the earlier Adjust 4 tutorial; the main difference is that the presets are now broken into categories, making it easier to find the type of preset you need. Use the Effects category list to choose the type of workflow you want. As you mouse over each preset, the preview at top left will give you an accurate idea of how your image will look with the preset applied. Down the right side there are three primary groupings of controls; we’ll focus on the Global Adjustments.

The Stylized preset category offer mostly heavily illustrative looks, but there are a few that can also be useful in photographic workflows.

To follow along for this tutorial, you can scroll down the list of Stylized presets and click the “Simplify” option for your photo. Note: to speed up performance, turn off the Enable Auto Update feature in Preferences (accessible via menu at bottom left). This will ensure that the main preview area is not constantly updated (which takes a second or two each time), as you mouse over different effects. Once this preset is applied you can see right away what its purpose is: all of the image details get heavily smoothed over. This is a good starting point to make a few simple corrections and achieve the objective of accenting the water details as well as the contrast.

The default Simplify effect creates a very soft focus or smooth look.

Next, open the Global Adjustments, then open the “Adaptive Exposure” subgroup. What I needed to do first was make the entire image slightly brighter and then make the darker areas on and below the falls contrast with the surrounding areas more, because the water tones were not so uniform as they are here. To make a uniform change in brightness, increase the Brightness slider by a modest amount. Next I increased both the Adaptive Exposure and Regions settings slightly to create localized pockets of contrast (they work in tandem). Note that some experimentation is needed because their effect is not perfectly linear; the bright and dark spots can fluctuate a bit depending on the photo. Specifically these two sliders helped bring back some of the darker streaks in the falling water and on the river.

Adaptive Exposure and Regions work together to create local areas of contrast.

The final step was to reintroduce some detail on the water’s surface to ensure it still looked like a photograph and not a painting or illustration. To do that you can zoom in a bit and then open the Details subgroup. For this shot there was only one control I needed to tweak: the Detail Boost slider can turn an image from pure glass into the grungiest looking shot you’ve ever seen and vice-versa. You don’t need to move it very far; a little nudge goes a long way. Here I bumped up the value until I could see the turbulent details on the water (just above the falls) and then decreased it again until those eddies became small white streaks – rather than having them disappear which is basically what happens with the default setting. The shot below shows the final filter settings applied.

The final look of the filter, after modifications were made.

The filter having been applied, the obvious issue was that certain parts of the waterfall and the foreground (i.e. the grass in the corner) didn’t fit with the rest of the shot. They were too saturated for one thing. If you’ve already applied the filter and find “trouble spots”, you can easily handle this by using the History Brush to “paint back” some or all of the original tone, color or texture in specific spots. This technique will be covered along with another “texture recovery tips” in a future tutorial. The final shot is shown below.

The final styled shot. Compare to the original; note the differences in the sky, and the falls, mist and river.

Hopefully you can see from just a few settings how powerful this plugin can be; I encourage you to download the Topaz Adjust 5 Demo if you haven’t already. If you’d like to discuss this other Photoshop techniques, I hope you’ll join me over on Google +. -Dan

————–

Dan Moughamian is an experienced photographer and educator, and has worked
with Adobe Photoshop since the early 1990s. He also has extensive
experience with Photoshop Lightroom, Photoshop Elements, plugins from Nik
software, and many other digital imaging products. As a long-time member
of their testing programs, Dan has collaborated with Adobe Systems to help
enhance many of the core functions in Photoshop, Lightroom, and Elements.

He is the Author of Adobe Digital Imaging HOW-TOs- 100 Essential Techniques for Photoshop CS5, Lightroom 3 and Camera RAW 6, and his work has been also been published in Photoshop User Magazine and Photo Techniques Magazine.

As an educator, Dan’s focus is to help photographers at all levels get the
most from their digital workflows. Tips on raw editing, layer masking,
alpha channels, image adjustments, HDR photography, focus and lighting
effects, and perspective correction, are just a few examples of the topics
he covers. To learn more, you can visit Colortrails.com, and follow Dan on Twitter, and on Google Plus.

Posted in Digital Imaging Tips, Guest Post | Tagged articles, Creative Tips, digital imaging, instruction, outdoor photography, photography, Photoshop, software, Topaz Adjust, tutorial | 1 Reply

HDR Quick & Easy, Method 2 – Using Topaz Adjust 4

Dan Bailey's Adventure Photography Blog Posted on February 25, 2011 by DanNovember 21, 2011

Digital Imaging Tips by Dan Moughamian

For this second HDR tutorial we’ll take a look at the color workflow with Topaz Adjust 4 by Topaz Labs.

If you enjoyed these these tutorials, please head over to Colortrails.com to see more free tips and learn about my Photoshop and Lightroom book. Also feel free to post suggestions below!

And in case you missed it, here’s Working with HDR Efex Pro.

Background

Topaz Labs is the creator of numerous popular Photoshop plugins, ranging from noise reduction software to black and white processing and everything between. For this segment though, we’ll show you how easy it is to create HDR looks using Topaz Adjust 4.

Ease of Use

If you’re a Mac user, the Topaz plugin interface may take a little getting used to but it’s easy to use and offers a lot of control over the creative process. Similar to what you find in other plugins from Nik, Topaz plugins use a list of presets (left side), tabs for displaying the original image and preview image (center), and a collection of collapsible control “panels” (right). You can use the menu at bottom left to specify preferences, access online help, check for updates, and more.

Topaz Workflow

For HDR, we already have a couple of presets made for us, and one of them makes it very easy to create an HDR look from a single photograph. My recommendation is to use an exposure that is slightly over-exposed so that you have more data available for the plugin to work with. You shouldn’t have any issue recovering the highlights in most cases. Once you’ve processed the raw file and opened it in Photoshop, choose Filter > Topaz Labs > Topaz Adjust 4. Next choose your preset (HDR – Pop in this case).

To start the edits, open the panel that says Exposure. Experiment with the Adaptive Exposure and Regions controls, which work together to modify brightness and local contrast. The higher the values, the more illustrative and painterly the look, the lower the values the more natural looking a result you’ll tend to get. Note that will all of the controls in Topaz Adjust, if you mouse over them you will get detailed help text, which is useful since there are only subtle differences between some controls. Below I reduced the default values of both to get closer to the original look of the scene. Here as with the prior example [link to Method 1 article], I paid attention to the highlight details in the clouds to avoid clipping them.

Next, as you boost the Contrast setting, you will notice the stark halos and other characteristics of over-cooked HDR shots will decrease. It will also tend to sharpen the edges of your subjects, which is usually desirable to maintain an element of realism. In the screenshot above, I also increased the Highlight value (which protects the lightest tones from clipping) and decreased the Shadows value (which prevents them from clipping). I did this to make the scene more realistic — the trees were not that bright and the clouds were not pure white. The final steps involve tweaking the details and colors.

Open the Details panel. Generally, if you took the shots with a tripod and have sharpened the details from of your raw editor, only modest amounts of change are needed to the Strength, Boost and Sharpen sliders IF the objective is to maintain realism, as it was here. The Strength slider and Boost slider work together to enhance both global and localized (or small detail) contrast. Zoom in again and experiment by moving both sliders to extremes (individually) and watch what happens to various areas of detail. For Boost, a very small change will go a very long way! Below I increased the values of each control only slightly.

For the color enhancements I like to zoom back out to get a feel for the overall look of the photo. Here again we have an Adaptive control and a Regions control for handling saturation on a localized basis. As with the prior controls you’ll find a small change can make a big difference so don’t over-do it! What I typically find with shots that were taken under relatively darker light, is that a modest adjustment to Adaptive Saturation, Regions and Saturation Boost will achieve the look I want. (Note at lower magnifications, the previews can be a little blurry with this plugin; at least that seems to be the case on recent versions of Mac OS X.)

When finished, click OK and the image will process and open in Photoshop. Within the span of 8 or 10 minutes, you should be able to create realistic and dramatic HDR looks from a single well chosen photograph using Topaz Adjust 4.

————–

Dan Moughamian is an experienced photographer and educator, and has worked
with Adobe Photoshop since the early 1990s. He also has extensive
experience with Photoshop Lightroom, Photoshop Elements, plugins from Nik
software, and many other digital imaging products. As a long-time member
of their testing programs, Dan has collaborated with Adobe Systems to help
enhance many of the core functions in Photoshop, Lightroom, and Elements.

As an educator, Dan’s focus is to help photographers at all levels get the
most from their digital workflows. Tips on raw editing, layer masking,
alpha channels, image adjustments, HDR photography, focus and lighting
effects, and perspective correction, are just a few examples of the topics
he covers. To learn more, you can visit Colortrails.com, and follow Dan on Twitter, and on Google Plus.

He is the Author of Adobe Digital Imaging HOW-TOs- 100 Essential Techniques for Photoshop CS5, Lightroom 3 and Camera RAW 6, and his work has been also been published in Photoshop User Magazine and Photo Techniques Magazine.

Posted in Digital Imaging Tips, How To, instruction | Tagged Adobe, digital imaging, HDR, instruction, photography, Photoshop, software, Topaz Adjust | 5 Replies

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Dan Bailey
YouTube Video UCMJFgbkSR_jqohmOksHc6Fw_ih4e9J-uwls Today’s photography tip is a Photography Public Service Announcement to make sure you’re starting your year off on the right creative foot and not getting too wrapped up in things that ultimately don’t make your photography any better.

Check out my eBook, BEHIND THE LANDSCAPE and use discount code BEHIND20 to save 20% on the title. https://danbaileyphoto.com/blog/product/behind-the-landscape-ebook/

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Today’s photography tip is a Photography Public Service Announcement to make sure you’re starting your year off on the right creative foot and not getting too wrapped up in things that ultimately don’t make your photography any better.

Check out my eBook, BEHIND THE LANDSCAPE and use discount code BEHIND20 to save 20% on the title. https://danbaileyphoto.com/blog/product/behind-the-landscape-ebook/

Visit me on

Patreon: https://www.patreon.com/danbaileyphoto
Instagram: https://www.instagram.com/danbaileyphoto/
Twitter: https://www.twitter.com/danbaileyphoto/
Website: https://danbaileyphoto.com
Blog: https://danbaileyphoto.com/blog/
Photography Public Service Announcement: Don't Fall Into This Trap With Your Image Making!
YouTube Video UCMJFgbkSR_jqohmOksHc6Fw_ih4e9J-uwls
We can all use a little coziness at the end of this topsy-turvy year of 2020. Here's a fun, original rock and roll holiday song to match the mood! Wishing everyone a happy and safe holiday season as we put this year to bed and look forward to 2021!

Listen on Soundcloud here: https://soundcloud.com/dan-bailey-ak/cozy-christmas
Listen or download my entire Christmas EP on Bandcamp: https://danbaileyak.bandcamp.com/releases

Dan Bailey Photo: https://danbaileyphoto.com
Twitter: https://twitter.com/danbaileyphoto
Instagram: https://instagram.com/danbaileyphoto

Video shot with following equipment:

Fujifilm X-T3 camera - https://bhpho.to/2OtBndb
Fujifilm VG-XT3 Vertical Battery Grip: https://bhpho.to/2ITMMoc
Fujifilm XF 35mm f/2 WR lens - https://bhpho.to/2nGqQQ1
Nanlite LumiPad LED Panel: https://bhpho.to/3eynhoe
Ikan Delta 7" On-Camera HDMI Monitor: https://bhpho.to/2NmHgN5
3 Legged Thing Punks Series Billy Carbon Fiber Tripod: https://bhpho.to/31QaoiV
Acratech GXP Ball Head: https://bhpho.to/2yxKt5G
Elgato Green Screen: https://amzn.to/2VI5u5w
Fender electric guitars: https://www.fender.com

----------------

Lyrics: 

Christmas this year looks a whole lot different
'cause we all gotta be a little socially distant
Can't go shopping, can't get on a plane
I miss my family, it just don't seem the same
I'm stuck at home with the one I love
It's been the way for the past nine months
Just you and me, this year we're laying low
Watching holiday reruns of our favorite shows

We'll make some new traditions and call 'em our own
dance beneath he mistletoe
this year we'll have a very very cozy Christmas.

We'll hang our stockings by the chimney with care
Get a little tree and put it right over there
Santa will know just where to put our stuff
But as long as you're here I don't need very much 
Our scaled down Christmas will be better than fine
Cause we have each other and our favorite wine
They'll be love all around and lots of new toys
This small celebration will be full of joy!

We'll make some new traditions, call 'em our own
Dancing beneath he mistletoe
You and I will have a very very cozy Christmas

No holiday parties, and nowhere to go
At least we've got plenty of snow
Some fresh cut logs in burning in the stove
And Brian Setzer Christmas on the radio!

We'll make some new traditions, call 'em our own
Dancing beneath the mistletoe
You and I will have a very very cozy Christmas

Playing outside when it's 20 below
Drinking hot cocoa decorating our home
This year will have a very very cozy Christmas
"A Very Cozy Christmas" Music Video
YouTube Video UCMJFgbkSR_jqohmOksHc6Fw_zf8xUpiH2PM
In this video I take you behind the scenes for one of my favorite images and share the approach, gear and creative craft, and the story that went into bring this image to life. 

Check out my eBook, BEHIND THE LANDSCAPE and use discount code BEHIND20 to save 20% on the title. https://danbaileyphoto.com/blog/product/behind-the-landscape-ebook/

Visit me on

Patreon: https://www.patreon.com/danbaileyphoto
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Website: https://danbaileyphoto.com
Blog: https://danbaileyphoto.com/blog/
How I Got The Shot - "Glowing Iceberg." The Story Behind The Image
YouTube Video VVVNSkZnYmtTUl9qcW9obU9rc0hjNkZ3LllvNm1WMlo4VmJR
In this two part lesson, I show you the basics of how to use Photo Mechanic Software. Part 2 covers how to copy, save, move, manage, export and upload your photos, how to add watermarks, and how to open your photos in an external editing program, like Luminar or Capture One.

You can download Photo Mechanic to demo and/or purchase the program here:
https://home.camerabits.com

View the full Photo Mechanic online user manual here:
http://wiki.camerabits.com/en/index.php?title=User_Manual_Flat_View


Visit me on

Patreon: https://www.patreon.com/danbaileyphoto
Instagram: https://www.instagram.com/danbaileyphoto/
Twitter: https://www.twitter.com/danbaileyphoto/
Website: https://danbaileyphoto.com
Blog: https://danbaileyphoto.com/blog/
Photo Mechanic Basic Tutorial Part 2 - Copying, Saving, Uploading Images, & Using an External Editor
YouTube Video VVVNSkZnYmtTUl9qcW9obU9rc0hjNkZ3LkpYdlpucUdkcC0w
In this two part lesson, I show you the basics of how to use Photo Mechanic Software. Part 1 will cover how to import (ingest) your images, browsing, sorting, rating and tagging images, and how to add captions, keywords and other metadata. 

You can download Photo Mechanic to demo and/or purchase the program here:
https://home.camerabits.com

View the full Photo Mechanic online user manual here:
http://wiki.camerabits.com/en/index.php?title=User_Manual_Flat_View


Visit me on

Patreon: https://www.patreon.com/danbaileyphoto
Instagram: https://www.instagram.com/danbaileyphoto/
Twitter: https://www.twitter.com/danbaileyphoto/
Website: https://danbaileyphoto.com
Blog: https://danbaileyphoto.com/blog/
Photo Mechanic Basic Tutorial Part 1 - Importing, Browsing, Sorting, Adding Captions & Keywords,
YouTube Video VVVNSkZnYmtTUl9qcW9obU9rc0hjNkZ3LlUwMXFMOHJiVlM0
Photo Mechanic Plus software offers a complete catalog/image database solution and photo management system for photographers. Photo Mechanic has long been the center of my own photography workflow, and I highly recommend the program to any and every photographer. It offers incredibly fast image browsing and comprehensive search, filter, catalog and management tools that will help speed up your photography life. 

Here is my review of the Photo Mechanic Plus: https://danbaileyphoto.com/blog/new-photo-mechanic-plus-offers-full-catalog-functionality/

You can visit the Camera Bits Website to see more information about Photo Mechanic and Photo Mechanic Plus: https://home.camerabits.com
A Look at Photo Mechanic Plus: An Excellent Image Catalog and Photo Management Software Solution
YouTube Video VVVNSkZnYmtTUl9qcW9obU9rc0hjNkZ3LlVGZ3hsUXV6UjBv
The XF90mm f/2 is an incredible and highly versatile, fast prime lens that offers excellent image quality and razor sharp imagery in a relatively compact design. It gives you that classic telephoto look without the size and weight of a big lens. Here's a look at some of the reasons I love this lens and photo examples to show you how you can use it in your photography.

Check out my bestselling e-guide to the Fujifilm X Series cameras, X SERIES UNLIMITED: https://danbaileyphoto.com/blog/master-your-fujifilm-camera-with-my-x-series-unlimited-ebook/

Read my full review of the FUJIFILM XF90mm lens here:
https://danbaileyphoto.com/blog/full-review-of-the-fuji-xf-90mm-f2-wr-lens/

Purchase the Fujifilm XF50mm f/2 WR Lens with the current $150 rebate savings:
B&H Photo: https://bhpho.to/3iTbH8V
Amazon: https://amzn.to/2EpewzI


Visit me on

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Why I Love This Lens - FUJIFILM XF90mm f/2 WR
YouTube Video VVVNSkZnYmtTUl9qcW9obU9rc0hjNkZ3LllEUDFYcXNNaXNz
More photography tips and the 3rd lesson in my "Exposure" series. In this video, I give you what I feel is the most important exposure rule to follow and explain the most cruicial factors you need to consider in order to achieve the best possible exposure for your scene. These are expert tips that will allow you to deal with challenging light and capture your scenes with skill and confidence.

Check out my Photography On The Brain lesson series here: https://danbaileyphoto.com/blog/photography-on-the-brain-video-mentorship-series/

Check out my bestselling photography eBooks here: https://danbaileyphoto.com/blog/product-category/ebooks/

Visit me on:

Patreon: https://www.patreon.com/danbaileyphoto
Instagram: https://www.instagram.com/danbaileyphoto/
Twitter: https://www.twitter.com/danbaileyphoto/
Website: https://danbaileyphoto.com
Blog: https://danbaileyphoto.com/blog/
The #1 Most Important Exposure Rule You Should Follow, and How You Can Apply it in Your Photography
YouTube Video VVVNSkZnYmtTUl9qcW9obU9rc0hjNkZ3LlRUa2lqUlI2cFI0
In this short film, I take you along with me during a summer hike out to an Alaskan glacier and give you a virtual adventure tour of this wild place. Set to original music.

The Lake George Glacier is one of large ice fields in the Chugach Mountains of Alaska. I've explored this area a number of times over the years, and it's always an amazing sight to behold. During this summer's visit, I was struck at how much the glacier has receded in a very short time frame. Three years ago, I was able to walk right out on the ice, but now, the edge of the ice lies hundreds of feet away from the surrounding hillsides and it's much lower in elevation.

Check out this blog post to see the dramatic difference in the ice levels compared to a few years ago: https://danbaileyphoto.com/blog/hiking-on-the-lake-george-glacier-alaska/

Most of the footage in this video was shot with the FUJIFILM X-T3 camera - https://bhpho.to/2OtBndb and the FUJFILM X100V - https://tinyurl.com/y3wvzf76. Read my full review of the X100V here: https://danbaileyphoto.com/blog/first-look-at-the-brand-new-fujifilm-x100v/

The original music in this video was recorded in Logic Pro X and the guitar solo as played on my sunburst Les Paul through IK Multimedia Amplitube software.

Visit me on:

Patreon: https://www.patreon.com/danbaileyphoto
Instagram: https://www.instagram.com/danbaileyphoto/
Twitter: https://www.twitter.com/danbaileyphoto/
Website: https://danbaileyphoto.com
Blog: https://danbaileyphoto.com/blog/
Lake George Glacier Hike - Virtual Tour of an Alaska Ice Field.
YouTube Video VVVNSkZnYmtTUl9qcW9obU9rc0hjNkZ3LmVXMHRjcm5JajJj
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danbaileyphoto

So, this is a little different... Today, I release So, this is a little different... Today, I released, what is essentially my debut album. I also started a music blog to chronicle and share my own geeky ideas about music and guitar, since those things are such enormously important parts of my life. I’ve been a guitar player for longer than I’ve been a photographer, and I studied music recording and production at @berkleecollege of music. And, with the crazy year we’ve had, I’ve decided that my life is too short to not try and make as much music as I can going forward. 

My brand new album, “Seven Years” is a collection of newly remastered guitar oriented instrumentals I recorded between 2000-2007. Those seven years represent the evolution, and the beginnings of my experiments and learning experience with songwriting and digital recording. You can listen and read my music blog in my profile link.
Those sweeping views of the mountains is what’s Those sweeping views of the mountains is what’s sometimes needed to help calm the sound from that while ails us. #choosemountains #optoutside #neverstopexploring #fujifilmx_us #awesome_earthpix
There’s a lot of stuff out there in the world to There’s a lot of stuff out there in the world to photograph, and some of it is pretty fleeting. I feel pretty lucky, I’m or fortunate, or blessed, or whatever it is when I’m able to line up a scene like this in my viewfinder, let alone witness it with my own eyes. #landscapelovers #choosemountains #fujifilm_xseries
Yesterday’s flight was a wonderful and cathartic Yesterday’s flight was a wonderful and cathartic way to begin the new year. I hardly flew in 2020, so I’m looking forward to getting my rhythm back and spending more time chasing good light in my little Cessna. This was shot with the #Fujifilm #X100V using the awesome Classic Neg. film simulation. Falling love with this camera/color combo was one of the good parts of 2020. @fujifilmx_us #mountainlife #aviationlovers
Not a bad start to 2021! So far, so good. I look f Not a bad start to 2021! So far, so good. I look forward to more good days ahead as we slowly crawl back into the light. Happy New Year, everyone! #getoutdoors #choosemountains #Alaska @fujifilmx_us
At precisely 12:12pm EST on 12/12/20, it was still At precisely 12:12pm EST on 12/12/20, it was still dark as night here in #Alaska. With jammies still on underneath my pants, I stepped out onto my front porch to capture a few photos of our little string of half-buried string of holiday lights! #fujifilm1212 @fujifilmx_us #x100v #fujifilm_xseries #fujix100v #myfujifilmlegacy #createeveryday #creativity #photographyislife
Woke up to new snow falling from the sky this morn Woke up to new snow falling from the sky this morning, so when it finally got light enough outside, I tromped around with the camera in my backyard and shot some photos of our Japanese maple. Made this with the new @7artisansofficial 60mm f2.8 macro lens. #natureshots #alaska #winterwonderland #fujifilm_xseries #earthfocus #fujifilmx_us #7artisans60mmf28
Cook Inlet sunset. Cook Inlet sunset.
Nothing beats the great light and yummy sherbet co Nothing beats the great light and yummy sherbet colors of late fall in the Chugach. #Alaska #earthfocus #fujifilm #fujifilm_xseries #thegreatoutdoors
Looking back to one of my most memorable images, s Looking back to one of my most memorable images, shot during a brisk autumn evening a few years ago while airplane camping all by myself out at the Knik Glacier. This glowing iceberg photo is the subject of my latest video tutorial, where I take you behind the scenes and share the specific approach, gear, techniques and story behind the image. You can watch the video on my YouTube channel. Link in profile. #landscapephotographer #fujifilm_xseries #adventureawaits #neverstopexploring #alaska #earthpix @fujifilmx_us @fujifilm.focus
Rainbow Peak, donning its lightweight fall blanket Rainbow Peak, donning its lightweight fall blanket of snow and getting ready for colder weather ahead. #fujifilm_xseries #landscapephotomag #choosemountains #alaska #greatnorthcollective #mountainlovers
Fall doesn’t always last very long here in Alask Fall doesn’t always last very long here in Alaska, but we’ve been lucky to have a beautiful display of autumn colors this year and no huge wind storms to blow it all away. #myfujifilmlegacy #myfujilove #x100v #landscapephotography #naturephotos #autumncolors
The most memorable evenings I’ve had in a long t The most memorable evenings I’ve had in a long time. #cessna #sunsetlovers #natgeo #fujifilm_xseries
Certain landscapes bathed in magical light really Certain landscapes bathed in magical light really put my imagination in overdrive. The Knik glacier from this viewpoint has such a powerful impact on my drive for creativity and exploration; especially in early fall as the earlier sunsets light up the peaks above this magnificent river of ice. #Alaska #glacier #myfujifilmlegacy #myfujilove #landscapephotography
A random glimpse of sunshine on a cool and cloudy A random glimpse of sunshine on a cool and cloudy evening in the Chugach. #alaskalife #landscapephotography #fujifilm_xseries
The last days of another amazing Alaskan summer. # The last days of another amazing Alaskan summer. #fujifilm_xseries #Alaska #landscapephotography
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