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Dan Bailey's Adventure Photography Blog

Exploring the World of Outdoor Photography with Tips, News, Imagery and Insight

Dan Bailey's Adventure Photography Blog
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Tag Archives: Reviews and Recommendations

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A Look at the New AI Structure Tool Inside Luminar 4

Dan Bailey's Adventure Photography Blog Posted on October 1, 2019 by DanOctober 1, 2019

 

Luminar 4 is right around the corner, and as I mentioned in my recent post, it’s coming with some brand new tools, including the much talked about AI Structure tool.

In addition, Luminar 4 has reworked the user interface on the main editing screen, and they’ve made it even easier to grab the tools you need and make the necessary adjustment to make your photos stand out even more.

In this post, I’ll show you a few image examples that show off the new AI Structure tool and highlight the easy-to-use technology that’s become a signature aspect of the program.

1. Cyclocross Racing

In this first image below, I made use of the AI Enhance tool, which offers two sliders, AI Accent and AI Sky Enhancer, to lighting the overall photo and bring up the shadows. Then I used the new AI Structure Tool to bring out the details in the background, without over sharpening the main subject.

I see AI Structure as being an incredibly useful tool for a wide array of subject matter. It solves the problem that you often have when making global sharpening and clarity adjustments.

In most cases, your global adjustments will apply an equal amount of sharpening and edge contrast to your foreground subject, and this doesn’t always look very good, especially if your main subjects are people.

AI Structure analyzes the entire frame and applies sharpening and clarity to your background, while mostly leaving your foreground subject alone. This prevents artifacts and other weird looks, and it helps keep you subject isolated nicely against the background.

After that, I boosted some of the blues with the Vibrance tool. Overall, it’s just three simple slider adjustments in order to add a slight, but noticeable bump to the visual effect of the image.

2. Mountain Bike Racing

For this shot, I took the opposite approach. Instead of sharpening the background, I went the other way with the AI Structure slider. My main subject was already razor sharp, with lots of muddy detail, so I want the background to compete with that.

By applying a negative amount of AI Structure, I softened the background textures, so that the trees and foliage become more of a wash of color and less of a distracting puzzle. This helps the rider stand out much more clearly in the frame.

Since the overall image is pretty dark, I also made an AI Accent adjustment and used the Dodge and Burn tool to lighten up her face. The result is a much more dramatic and clear photo that took just a few minutes to tweak.

3. Landscape

In this third example, I used AI Accent again, and Luminar’s Landscape Enhancer tool, which include the Dehaze slider, as well as Golden Hour and Foliage Enhancer. That’s one nice thing about the Luminar 4 interface, they’ve grouped tools together in a logical way instead of having every tool be separate. This reduces the amount of time you’ll spend looking for adding tools to your workspace.

Using the AI Structure again allowed me to bring out the glacier details without over sharpening the small bush in the foreground. Even with a landscape subject, the algorithms that this smart tool uses does an effective job of isolating the foreground and applying just the right amount of definition. 

Conclusion

There’s no question, Luminar’s new AI Structure tool is a powerful new brush in an already capable box. It allows you to achieve a very pleasing amount of separation between foreground and background, and it with most instances, there’s a miniature amount of halo-ing and other artifacts that often show up when you make large moves with the clarity and sharpening tools.

In addition, the new interface in Luminar 4 is very easy to navigate, and as I mentioned, it smartly groups commonly used tools together. In Skylum’s continuing mission to make Luminar a very easy-to-use program, I think this new interface makes some pretty good compromises and it looks very clean.

And, with the power of Luminar’s smart AI tools, which I find myself using quite often, Skylum has further expanded on their mission of giving people a way to make their photos look great in a minimal amount of time.

If you want to see examples of the other new tools that are coming, including AI Skin Enhancer, AI Portrait Enhancer and the radical new AI Sky Replacement tool, read this recent post. 

Luminar 4 is due to be released this fall. It works as both a standalone program or as a plug-in for both Mac and PC: You can either use it with the Library module to organize your entire photo library, or use it inside Adobe Lightroom, Photoshop and Apple Photos. It works great either way.

If you order through this link, you’ll get a special discounted price on either the new version, or the upgrade. 

Follow @Danbaileyphoto
Posted in Reviews and Recommendations | Tagged creativity, landscapes, Luminar, outdoor photography, photography, Reviews and Recommendations, software | Leave a reply

Luminar 4 is Coming This Fall with Some Exciting New Tools

Dan Bailey's Adventure Photography Blog Posted on September 18, 2019 by DanSeptember 18, 2019

Skylum software has announced the next generation of Luminar and they’ve given us a sneak peek at some of the amazing new tools that will be included in the program. (You can preorder the software for a special discounted price here)

I’ve loved using Luminar since the first day it launched, and it’s been a real joy to watch the software progress over the past three years. I’m amazed at where they’ve taking things, but I guess I shouldn’t be surprised. I’ve met three of the lead developers, and there all brilliant engineers with backgrounds in science and technology. Really smart guys.

They’re also dedicated to making sure that Fuji users are well supported. All the Fuji models work with Luminar and the program does a great job with the X-Trans RAW files, which, as we know, is something that not every software can boast. Images retain a high level of detail and don’t produce the kinds of false colors and “snuggles” that are often seen in Adobe programs.

What I like most about the programs that it allows me to work the way I want to, which usually translates to: “I don’t want to spend a lot of time on this editing stuff…” In other words, I want great results and wide creative flexibility with a minimal amount of time, and with Luminar I get both of those.

I’m kind of a quick thinker and I tend to go with my gut much of the time. I typically don’t like to dwell on decisions; when I get an idea, I’ll usually run with it and not overthink the process. With photography, I like to run with the creative ideas and excitement that come to me right when I’m right there experiencing the scene.

While some people very much enjoy the editing process, I just don’t like to spend a lot of time sliding sliders and doing computer processing work. If I do want to tweak my photos and give them a bit more life, I prefer to do it quickly rather than get lost in the rabbit hole of a nearly infinite combination of possible adjustments.

With Luminar, I can eyeball the palette of possible looks at the bottom of the screen, and if one strikes my fancy, I’ll select and dial it in until I get the results I want. If I need to adjust even more, or if there’s a specific look I’m going for, I can use up one of the many creative filters/tools, many of which are made up of just one or two simple adjustments. 

In addition, each tool also has a little thumbnail image example and description that shows you exactly what it does. This makes it even easier to find, select and apply the right tool to match the problem you’re trying to solve, or achieve the creative look you’re going for.

Advanced AI Tools and Custom Workspaces

One of Luminar’s signature feature are their AI (artificial intelligence) tools. These tools use complicated algorithms to analyze your image so that you can use a single slider to adjust the entire photo.

It’s amazing how well these tools actually work. Often times, a simple AI adjustment is all that’s needed in order to give your photos the boost they need to make them look awesome. Imagine how much time this can save in your workflow.

Of course, if you want to dig in and spend a lot of time editing, you can do that too. With a collection of 70+ presets (called Looks) and over 50 professional-grade adjustment tools, including Crop, Denoise, Structure, Details Enhancer, Sharpening, BW Conversion, HSL, Adjustable Gradient and LUT Mapping, as well as Masks and Layers, Clone, Erase and a powerful RAW engine, you can fix, edit, tweak, refine, process, restore and add brilliance in whatever way you want.

Add in the option of using Custom Workspaces, and you can personalize your workflow or set up different tool combinations to match specific types of images or your own editing preferences.

Coming in Luminar 4

Now, as they march forward and improve the program even more, Skylum software has announced the next generation of Luminar and they’ve given us a sneak peek at some of the amazing new tools that will be included in the next update.

AI Structure

The one I’m most excited about inside the forthcoming Luminar 4 is the new AI Structure Tool. Expanding on the power of their existing AI processing tools, the AI Accent Filter and the AI Sky Enhancer, the new AI Structure gives you the power to boost details and add definition to your photo without compromising in the areas where you don’t want it.

Global tools such as Clarity and Structure work really well to enhance details and increase the drama to your image, except when they don’t.

While these tools work great with certain types of subject matter in your image, they can also present real problems by adding halos, artifacts and distortion in some areas, and they don’t always look great when used on people.

These problems are magnified when you’re including people in your photos. Making big moves with the Clarity and Structure slider can look great for the background, but they often look horrible on people. Solving these problems often requires using masks or adjustment layers… which takes time.

Luminar’s new AI Structure Tool uses “content-aware” technology to determine which parts of the photo should be left out of the sharpening process, and which should be enhanced.

The result, is that your backgrounds are accentuated with added richness and definition, but your people and other vital subjects are not overprocessed. They’ll still look natural, and you won’t have to go in and try to fix problems and cover up artifacts.

And, as with any of Luminar’s other slider-based tools, you have precise control over the entire effect, because you can apply as much or as little as needed for the look you’re going for in your image.

AI Skin Enhancer and AI Portrait Enhancer

After you fix bump up the background, you can use the new AI Skin and Portrait Enhancer to refine the people in your shot. As with their other AI tools, these new additions use “Human-Aware” algorithms and adjustments to dramatically speed up the process of improving portraits.

These tools let you perform the exact same kinds of retouching functions that wedding and portrait photographers have been doing manually for years, but, in much less time.

Automatically removing slight skin blemishes, smoothing, and adding contrast to eyes and eyelashes, the AI Skin Enhancer lets you apply these corrections in a fraction of the time, and dial in the exact amount of adjustment to fit your image.

The AI Portrait Enhancer is an set of eight tools that allow you make a variety of adjustments and improve the overall look of your portraits with just a few sliders. Again, with customizable options like Face-Aware Lighting, Eye-Improvement, Eyebrows, Lips and Teeth Advancement, this lets you make the kinds of adjustment that studio and portrait photographers have been doing for years inside Photoshop.

Instead of having to resort to complicated selections, layers and masks, or outsourcing these task to outside retouching services, as many photographers do, these tools let you accomplish the tasks in seconds and potentially save you hours of extra work and money.

Apparently, these kinds of tools have been high on the list of requested features from Luminar users, so it’s awesome to see the company respond with such useful additions to the software.

AI Sky Replacement

Ok, I’ll say it right up front, this is usually not something I’m interested in doing. Replacing the sky in my photos is just not in my vernacular. However, I’ve have clients do it to my photos, and I know that there are a lot of photographers, both pro and amateur, who do this. The reality is that if you’re trying to sell your photos, they need to look as good as possible, and sometime that means doing some major doctoring.

At any rate, the technology is pretty amazing. Luminar already has the AI Sky Enhancer Tool, which is pretty cool. I’ve used that one on numerous occasions. This just takes it one step further.

Let’s say, for whatever reason, you do want to replace a sky. Normally, you’d have to draw a pretty complicated selection and mask the area. That takes time, and depending on how busy your foreground is, it might end up looking sloppy.

Then there’s the matter of lighting. So you replace a drab sky with a brilliant sunset. Suddenly, you have a horrendously obvious mismatch of light between the sky and the foreground.

Luminar’s new AI Sky Replacement doesn’t just add in the new sky, it does a variety of complicated analyzation and under-the-hood refinement, including making the initial mask, detecting the horizon line, and using tools like Smart Selection, Luminosity Masking, Overlaying, Layers, Masking and Color Range to detect and correctly match the lighting on your scene.

It’s even smart enough to match the depth of field, which makes it usable for a variety of situations and styles. The end result is a photo that looks remarkably accurate, and it only took you a couple of mouse clicks instead of hours of extra time that you don’t have.

Artificial Intelligence and Machine Learning are nothing new, they’ve been around in photography for years. Back in the 90’s when cameras start to get really smart, things like Matrix Metering used pre-programmed databases and algorithms that analyzed your scene and applied the best possible exposure. Continuous Autofocus does a similar thing, but with distance and movement.

Other types of creative software uses AI functions as well, and with excellent results. Take music software for instance:

I have a degree in recording engineer, so I know all about compression and equalization, but software presets that automatically apply the exact optimum amount of audio processing makes it really easy, and saves me a ton of time… time I can use to play more guitar or try to write more songs, instead of tweaking virtual knobs.

I’m the same way with photography these days. Even though I know how to work all those sliders in Lightroom and Photoshop, I love using the AI tools and the presets inside Luminar, which are called “Looks.” They allow me to preview and apply the exact style to my image I’m going for and dial in great looking adjustments just a few brief seconds.

Luminar’s whole approach from day one has been based the idea of making your photos look great, and letting you do it really fast. Given that most people would rather spend more time taking pictures than processing them, it’s no surprise that Luminar has won numerous industry awards and has been embraced by over half million photographers.

Luminar 4 is due to be released this fall. It works as both a standalone program or as a plug-in for both Mac and PC: You can either use it with the Library module to organize your entire photo library, or use it inside Adobe Lightroom, Photoshop and Apple Photos. It works great either way.

If you order through this link, you’ll get a special discounted price on either the new version, or the upgrade. 

Follow @Danbaileyphoto
Posted in Reviews and Recommendations | Tagged creativity, digital imaging, Luminar, photography, Reviews and Recommendations, software | 2 Replies

Why I Love Shooting with the Fujifilm XF35mm f/2 Lens

Dan Bailey's Adventure Photography Blog Posted on May 28, 2019 by DanJune 18, 2019

My first lens was a manual focus 50mm f/1.4, and from day one, it was true love. It went everywhere with me, attached to my shiny, chrome body Nikon FM2. We shot everything together, mostly because that was the only lens I had.

Then I bought a 28mm wide angle, and shortly after, a 70-210mm. I was drawn to those lenses because they showed the world in very different ways than my eye saw it. As my style developed with action and adventure photography, this “normal lens” view fell out of favor and my poor 50mm got shoved into my camera bag where it sat, neglected and rarely used for a long time.

However, as the years have passed and my style continues to evolve, my excitement for the “normal lens” has been rekindled, and I’ve come to see just what a versatile tool the regular old normal lens is. Today, my normal lens of choice is the little tiny Fujifilm XF35mm f/2. If you look inside my camera bag, you’ll see that my 35 f/2 is fixed to my main X Series camera body much of the time.

I’m just wild about the form factor of this sexy little lens, and I’ve fallen in love with that “normal view” once again. Over time, I’ve learned how to use it to its full potential.

Normal lenses are called normal because they see he world in a similar perspective and angle of view as the human eye. The beauty of this kind of lens is that if you get in close, it will blur the background and make your subjects stand out beautifully against a soft wash of color. This makes it an amazing choice for shooting portraits or details out in the world.

Move in even closer and your depth of field becomes extremely shallow. This gives you an ideal effect for closeup photography and shooting still life subjects. It won’t get you as close a macro lens, just close enough to isolate your subject matter against a very soft background.

Back up a little bit and you’ll show more of the environment. Not too much, just enough to help flesh out the story of your subject. I love shooting landscapes with my little 35 lens, because it allows me to narrow down the world and create a nice, concise and focused scene.

Normal lenses do have one big limitation, they’re not always the best choice at medium and longer distances. They simply can’t bring distant subject in very close. Also, since depth of field begins to widen out, you end up with what I call the classic “postcard look,” where the subject matter is all presented in the same, flat perspective.

For this reason, when shooting subjects that are far away, normal lenses tend to produce rather amateur looking imagery. This makes them tricky to use for shooting adventure, sports and events, because further than about 20-30 feet, you can’t isolate your subjects from the background anymore. Everything ends up being in focus.

However, if you’re able to move in relatively close, you start to get those shallow depth of field benefits back. And you can always shot how they relate inside the bigger world. This is how I use them for landscapes and adventure; as I said, I try to create a nice focused scene that tells an abbreviated story of the greater environment.

The ease of shooting with a lens like this is that it shows the world in a very familiar view. It sees the scene as your own eyes see it, without distracting you with all that stuff in the peripheral areas of your vision. Your approach with normal lenses is pretty much “look, see and shoot.”

In today’s photography world, fixed lenses are often cast aside in favor of zoom lenses, which obviously allow you to change your focal length and adjust your framing without moving your feet.

However, I like moving my feet. I also love the simplicity of having one look with prime lenses like the Fujifilm XF35mm f/2, and I believe that it forces you to work your creative muscles a bit more. By removing any possibilities for changing focal length, your compositional and framing skills get a better workout, and you limit the number of choices you have to make when you’re shooting. 

In addition, I feel that if you use a fixed lens on a regular basis, you’ll really get to know how it sees the world. This can dramatically increase your confidence and efficiency with composition. In the end, there’s something really cool about having a tried and true piece of photography gear that you know so well.

The Fuji system in general perfectly matches my fundamental “fast and light” approach to photography, and the little 35 f/2 fits right into the kit. For a guy who often depends so much on wide angles and zooms, I’m sometimes a little surprised at how much I love this little normal prime, but I guess that’s how love works.

Even if you don’t shoot Fuji, I encourage you to embrace the challenge of using normal lenses and explore the creative benefits they can offer you.

Follow @Danbaileyphoto
Posted in Camera Gear, Creative Tips, Featured Images | Tagged camera, creativity, fujifilm, landscapes, lenses, outdoor photography, photography, photography gear, Reviews and Recommendations, XF35mm f/2 | 7 Replies

Comparing the Fujifilm X-T3 and X-T30 – What’s Different?

Dan Bailey's Adventure Photography Blog Posted on April 24, 2019 by DanApril 24, 2019

Every time Fujifilm releases one of their “X-T” flagship cameras, they follow closely behind with the little brother/sister version. This time, the supremely powerful X-T3 has been followed with the X-T30, which by all means is an amazing little camera. … Continue reading →

Posted in eBooks, Reviews and Recommendations | Tagged camera, camera gear, fujifilm, Fujifilm X-T3, Fujifilm X-T30, photography, photography gear, Reviews and Recommendations | Leave a reply

The Best Photography Business Software – fotoBiz X and fotoQuote Pro 7

Dan Bailey's Adventure Photography Blog Posted on March 18, 2019 by DanMarch 19, 2019

This past fall, October 4, to be exact, I passed my 22-year mark for being a professional photographer. When I look back on my long, adventurous journey as a full time working shooter, I see an enormous mix of learning, … Continue reading →

Posted in Personal and Pro Insight, Reviews and Recommendations | Tagged Cradoc Software, fotoBiz X, FotoQuote, photo industry, photographers, photography, photography business, pro photographer, Reviews and Recommendations, software | Leave a reply

Luminar 3 Now Supports Fujifilm X-T3 and Nikon Z Cameras

Dan Bailey's Adventure Photography Blog Posted on February 21, 2019 by DanFebruary 21, 2019

Luminar 3.0.2 has been released, and it now adds full support for a number of new cameras, including the Fujifilm X-T3, GFX 50R and the new Nikon Z series mirrorless cameras and D3500. In addition, the latest version of Luminar … Continue reading →

Posted in Industry News | Tagged creativity, digital imaging, Luminar, outdoor photography, Photo Editor, photography, Reviews and Recommendations, software | 1 Reply

Luminar 3 With Libraries is Coming December 18

Dan Bailey's Adventure Photography Blog Posted on November 14, 2018 by DanNovember 14, 2018

Last fall, Skylum announced that the were developing a catalog module for Luminar which would make it not just an image processing program, but an asset management tool as well. Originally, this update was slated for early 2018. I was very excited to hear … Continue reading →

Posted in Industry News, Reviews and Recommendations | Tagged digital imaging, Luminar, outdoor photography, photography, Reviews and Recommendations, software | Leave a reply

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