Assignment Photos: Merrell Winter, for Sportmaster Ltd.

MerrellWinter-1Earlier this year I shot an assignment for my Moscow based client, Sportmaster Ltd., who is the leading sporting goods retailer client in Russia and eastern Europe. Sportmaster is official dealer of a number of outdoor brands, including Merrell, who was one of the brands that we shot during this job.

MerrellWinter-3The images we made during the Merrell winter brand shoot were designed to portray the kinds of extreme conditions and mountaineering activities that Merrell outerwear is designed for. They’ll primarily be used for the website and in-store displays.

This was a large scale production that was run through Assassin’s Creative, a Los Angeles Ad Agency, and it was just one of the locations and brands that the entire job entailed covering.

From a photography standpoint, I felt that it was the quintessential job for me, as it required a high degree of technical, action adventure photography skills and equipment that would withstand extreme conditions, as well as the outdoor skills and gear to comfortably move around in this kind of mountain environment.

For most of these scenes, I used a Nikon DSLR and the 24mm f/2.8D wide angle lens. I’ve always loved the 24mm for shooting adventure subjects, because it’s wide enough to show environment, but not too wide that it blows out perspective too much, and it doesn’t distort very much at the edges.

It’s a camera combo that I’m highly familiar with and comfortable using in any kind of setting, and I figured for a large scale ad agency production, I’d go with with what I know best. I also brought along my Fujifilm X-T1, which I had just started using, and it also saw heavy use during the course of this assignment.

I’m very excited about the way these images came out. To me, they accurately represent the kind of environment and extreme look the client was going for. When I compare them to the initial comps that the art directors showed me during the preproduction phase, I feel that we nailed it.

Of course, one of the coolest aspects to the shoot was the helicopter ride to the location! Anytime you’re getting paid to ride in a chopper, you’re having a very good day.

MerrellWinter-2

MerrellWinter-4MerrellWinter-5

Watch an Interview with Me on the jpeg2RAW Podcast

jpeg2raw-back-lightYesterday I was the featured guest on the jpeg2RAW Photography Podcast. Run by Mike Howard, jpeg2RAW is a blog, forum and weekly podcast that’s aimed at helping photographers of various skill levels to improve their skills and further enjoy their craft.

A few months ago, Mike invited me to be on the show, so yesterday we spent about an hour and a chatting about outdoor and action photography, cameras, lenses, Alaska, bears, bush planes, shooting in winter and a few other things.

I really like their approach, because Mike and co-host Tim Kemperle are just regular guys who love photography, and they’ve created a fun and informative outlet that they share with other photo enthusiasts. With over 125 shows under their belt, they’ve featured a diverse selection of guests on the show and have apparently become the #1 photography podcast on iHeartRadio. Keep up the good work, guys!

I’ve always said that just because I earn my living with photography, that doesn’t mean I love it any more than people do it as a hobby. Passion is passion whether you make money at it or not.

Mike and Tim and the rest of their writers do this all for free, but you can show your support their efforts by using their Amazon link and their Topaz Labs link if you’re shopping for new gear. This helps them cover the costs of hosting and producing their podcast.

You can also subscribe to the jpeg2RAW podcast here. In the meantime, enjoy the feature interview with me below and feel free to comment or contact me if you have any questions!

4 Tips for Shooting Better Natural Light Portraits

Learn Photography Online with the Pros

_DSF0389Photographing portraits with off camera flash is awesome. Even with a single flash and a small soft box, you can bend, shape and wrangle the light in any number of ways to accentuate your subject matter and get some very cool results.

However, there’s something to be said for going fast and light with minimal gear. You can move more much more quickly and grab moments that you’d otherwise miss if you had to worry about trying to set up your equipment, do test shots, and fiddle the buttons on your flash.

The reality is that we often find ourselves out in the world with only a camera around our necks and no flash gear. It’s important to know how to create compelling portraits using natural light so that you don’t have to rely on a flash in order to get great shots of people. Here are three very simple tips that you can try the next time you’re out.

1. Shoot at Sunset

Portrait of Megan ChelfThis is an easy one. Nothing is going to make your portraits look more compelling than if you shoot in great light. As viewers, we’re so drawn to the magical warm glow of sunset light. Of course, you can get great shots at sunrise too, but you may have a harder time getting you models to meet you at 6:00 AM than at 6:00 PM.

Also, vary the angle at which the sun lights up your subject. At the very least, it should be hitting them from side, but experiment and try to move it further around to the back, until it’s creating a halo effect. In this case, it becomes more accent than direct illumination, and depending on your ambient light, you may be able to get by without any fill on your model’s face. If it’s not working, then rotate your subject just enough to bring it back.

portrait of an Alaska snow biker

2. Shoot in Overcast Light

_DSF0389Normally, midday is a terrible time for trying to create good portraits. If the sun is directly overhead, you’ll be faced with strong shadows and unflattering light. However, if you’ve got full cloud cover, you don’t have all those shadows do deal with, and you won’t be fighting squinting models, hot spots and blown out highlights on foreheads and noses.

Overcast light is soft and dreamy and it’s perfect for shooting close up. A couple things to keep in mind, though. Heavy clouds can make the ambient light considerably darker, so you’ll probably want to break out your fast glass. I shot this photo at 1/1,000 @ f/1.8 with my Fuji XF 56mm f/1.2 lens which is has an ideal focal length for shooting portraits with delicious out of focus backgrounds. The full frame equivalent for a lens like this would be an 85mm, although I also love the 100-105mm range.

Also, remember that overcast light has a blue cast, so you’ll want to adjust the white balance a little bit in post to warm up any shots you capture under the clouds.

3. Search Out Dramatic Light

Portrait of Jim Kohl

As photographers, we’re always searching for the most dramatic light. That’s pretty much our job, right? Often times, we find it at Magic Hour, but that’s not the only place it lives. If you look hard enough, you can find dramatic light in the most unexpected places, like inside a dark roadside bar next to a window, like in this shot above.

Of course, you may not always know where to look, so that’s why you should always have a camera with you. That’s when compact cameras are great. They’re easy to carry, and they offer way more features than your mobile phone. I shot this with my Fuji X10, which I had slung around my neck in case an opportunity like this presented itself.

4. Don’t Be Afraid to Add Some Style

MBK-AK-01368Sometimes it helps to add a little bit of style. If I’ve got a good subject but I don’t have great light, I’ll shoot in one of the film simulation modes like black and white, or even set up one of the other creative modes like miniature, toy camera or sepia. I don’t see this as cheating, I see it as using some of the tools that the camera gives you in order to pull off a compelling shot.

Remember, photographs are art, and you can make your art look any way you want to. Nobody says it has to be a certain way, or that you have to follow specific rules, and if they do tell you that, you probably shouldn’t listen to them. You don’t even have to listen to me.

In the end, do what makes you happy with your photography and make images that excite YOU the most. If that means using fun modes, then no one has any business judging you. If you’ve got any tips for shooting better portraits, feel free to share them in the comment section.

Chet Harris and his Maule

Fuji X Camera Survives 3 Months Out in the Elements, and a Bear Attack!

Lost-X20-1

One of my readers just shared an amazing story with me that I had to pass along. Back in early July, Claire was hiking in Colorado and lost her Fuji X20 somewhere on the trail. She didn’t elaborate on how this happened, … Continue reading

What Kind of Alaska Photo Workshop Would Interest You?

Kichatna Spires, Alaska

I’m starting to put together my Alaska Photo Treks photography workshop schedule for 2015 and wanted to get your input. There are so many amazing things to photograph up here, and I figure if you’re going to consider coming all the … Continue reading

Photographing Cyclocross – Tips for Shooting Action

Of all the action subjects that I tackle, cylcocross racing is one of my favorite sports to shoot. In some ways it’s easy. Being a circuit course with roughly an hour of laps, I can camp out at great spot and … Continue reading

My Pick for The Best Memory Card

Sandiskcard

Cameras keep getting better every year, which is awesome. Higher capacity buffers allow you to capture huge bursts of RAW files without having the camera lock up. This is crucial when shooting sports and action, even when photographing people and lifestyle. Expressions … Continue reading