I recently passed my ten year mark for being a full time professional adventure sports and travel photographer, and being a momentous occasion for me, I find myself reflecting on what the past decade has meant for me as a photographer, and wondering what now lies ahead.

I’m often asked the question: How would I best illustrate my job? What is the job of an adventure photographer anyway? Is it to document the success and events of expeditions that test the limits of human determination? To create a visual record of the distant places in the world that most people will never see? To chronicle and archive the traditions and cultures on the planet that are quickly disappearing as the world moves forward? Yes, those are apt definitions, and they are certainly some of the goals that drive me with my photography. However, to me, those goals allude to a more fundamental concept that is intrinsic to all of us, which is that we humans are inspired by the mere notion of adventure. We may not all like to go on adventures, after all, they can be dangerous, scary and uncomfortable at times, but we all have a place in our soul that is fascinated by the concept of the exotic and the unknown.

The word adventure is defined as being “unusual, unexpected and exciting experiences.” As an adventure photographer, I feel that is it not my job to just document the physical process of adventure, but to convey the idea and spirit of adventure itself. My vision is to create images that spark our innate excitement about the mystical unknowns in the natural world, and that inspire the dreams of potential achievement that we all possess in our core.

Photography is my own vehicle for adventure, and in reverse, my drive for adventure fuels my photography. Together, they take me to the places that fascinate me in the world and allow me to create imagery that reflects my own definitions of adventure. I am driven by what I aspire to experience in life, and by the unexpected ways that it turns out to be slightly different from what I had anticipated.

As a professional photographer, this translates into nearly all aspects of my work. I get up each day, having no idea if a client might call with an image request or a potential assignment offer, or if my marketing efforts will pay off with a new job. Outside, I hang on the end of climbing ropes high above the ground, hike, bike and ski miles into the mountains, always with a pack full of heavy camera equipment on my back, and spend enormous amounts of physical energy, time and sometimes money, working to put myself into remote destinations and intersting vantage points. All so that I can get “The Shot.”

However, just as inside, I never really know what is going to happen. The weather might turn, the sun might not break free from the clouds in time, I might miss being in the right place at the right time. Sometimes it just doesn’t come together like I want, but those incredible moments when I’m able to produce a great image keep me motivated and inspired during those times when my hands are freezing, when the phone doesn’t ring, or when the scene isn’t unfolding like I want it to. I keep working. I keep thinking about ways to improve. I keep imagining new and different types of shots and new locations and subjects that I’d like to shoot. I always remain inspired.

I look back on my ten years, remembering well that fateful day when my boss let me go and I decided not to look for another job. I remember the beginning, when I hustled my name and portfolio around to the outdoor magazines and gear manufacturers as I struggled to find work. Each stock photo sale made a difference, every assignment was an important stepping stone, and every day I learned something new about the business and about myself. What I knew all along, though, was that I wouldn’t quit, and I didn’t.

Then two years became five, and by then I had made enough money to put together bigger trips and buy more equipment. My name was out there and I had a steady income and a growing client list, and I continued to meet new opportunities with the same enthusiasm as I did from day one. The difference was that I was now an “experienced professional.” I was now approaching the same status as those photographers who I looked up to when I first started. Suddenly I had people looking up to me, and asking me for advice. I’ve always tried my best to share the same kind of knowledge and encouragement that I received from the experienced photographers who helped me during my first years.

Now that five years has become ten, I look back with excitement at where my photography career has taken me. During the past decade, I have traveled to some of the most beautiful and awe inspiring places on Earth. I have had countless adventures and I have cultivated numerous and rewarding friendships with wonderful people, many of whom I share these adventures with. I have had the opportunity to work for many great clients who believed in me and my skills and vision. I am proud to have had my images published in so many distinguished publications and I am honored to be associated with the companies and organizations who have hired me or licensed my work over the years. To all my past clients, and to all of my friends, I can simply say thank you.

Now that my first decade is behind me, I look forward with equal excitement. To me, ten years is just the beginning, and although it is a major milestone, I view it as the first step up to a solid foundation of recognition, accomplishment and experience; the first step towards my future. In my eyes, I have only begun to define my photographic style and my place in the world of photography, and I try to imagine where my vision, my imagery and my energy can take me from here. I feel that I have enormous shoes to fill, both professionally and artistically if I am to follow in the footsteps of giants light George Hurley and Galen Rowell, two of the most accomplshed adventure photographers that the world has ever known. That both frightens me and inspires me, and although I do not know what lies ahead, I know that it will be exciting, unexpected at times, and worth every challenge that I face along the way.

My next adventure has begun.

Daniel H. Bailey
March 30, 2007

Dan Bailey adventure photographer Dan Bailey adventure photographer Dan Bailey adventure sports photographer Dan Bailey Adventure travel photographer Dan Bailey self portrait Dan Bailey photographer, shooting

March 30, 2007
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Ten Years as an Adventure Photographer, a retrospective.

Skiers near Young's Peak, Rogers Pass area, Selkirk Mountains, Canadian Rockies(Skiers near Young’s Peak, Rogers Pass area, Selkirk Mountains, Canadian Rockies)

During the beginning of March, I accompanied two hardcore Fort Collins, Colorado skiers, Heath Mackay and Brian Gardel on a week long backcountry ski expedition to Rogers Pass, British Columbia. The highest point on the Trans-Canada Highway, Rogers Pass lies in the heart of the Selkirk Mountains on the edge of Glacier National park, between Golden and Revelstoke, which is where many of the well known heli guiding services are based. Home to the world’s largest mobile avalanche control system, (the area is maintained with heavy artillery by the Canadian Army), Roger’s Pass hosts excellent backcountry and glacier ski opportunities for expert and experienced skiers and mountaineers.

Heath Mackay telemark skiing below Terminal Peak on The Illicilliwaet Glacier, Rogers Pass area, Selkirk Mountains, Canadian Rockies, British Columbia, Canada
(Heath Mackay telemark on The Illicilliwaet Glacier, Canadian Rockies)

Put simply, the terrain is enormous, the views are spectacular, the approaches are long, the runs are endless and the powder is deep. However, the weather can also by incredibly nasty, the avalanche danger can be terrifyingly high, the descents can be exhasuting, the snow conditions can be awful, and the winter days can be very short. In other words, true backcountry in all forms.

Brian Gardel skiing on the Asulkan Glacier, Rogers Pass area, Selkirk Mountains, Canadian Rockies, British Columbia, Canada
(Brian Gardel skiing on the Asulkan Glacier, Canadian Rockies)

We spent nearly half of our week, on the Asulkan Glacier, staying at the Asulkan Hut and spent three good weather days making two-thousand foot ski runs on the Seven Steps to Paradise and on the terrain below Asulkan Pass. Another blue sky day was spent skinning over five-thousand feet in elevation gain up to the base of Terminal Peak on the Illicillewaet Glacier. As is typical for the Canadian Rockies, though, the weather did not last and three days were spent skiing in marginal snow, sometimes in near whiteout contitions, with one day cut short by the scary sound of slides coming down around us.

Heath Mackay telemark skiing on the Asulkan Glacier, Rogers Pass area, Selkirk Mountains, Canadian Rockies, British Columbia, Canada
(Heath Mackay telemark skiing on the Asulkan Glacier, Canadian Rockies)

Photographing a trip such as this holds special challenges. Aside from having to carry the extra weight of camera gear (I typcally skied with a Nikon D200 digital camera body and three or four lenses, plus memory cards and spare batteries), metering in the intense white snowy environment can be tricky. Fortunately, the D200’s 1,005 segment, 3D Color Matrix exposure meter and digital image processor are incredibly accurate, and gave good results nearly every time. As any ski photographer knows, the sheer speed and dynamics of the sport makes it difficult to capture good ski photos, and combined with everyones’ desire to spend more time making turns and less time photographing, shooting skiing is never easy, but I think that we did an excellent job balancing the two elements.

Skinning in whiteout conditions, Rogers Pass area, Selkirk Mountains, Canadian Rockies, British Columbia, Canada
(Skinning in whiteout conditions, Rogers Pass area, Selkirk Mountains, Canadian Rockies)

Overall, the trip was a great success. I’m very pleased with the images that I recorded during the week, and I’m glad to have spent seven days making incredible turns in such an amazing location with two great people. I also continue to be impressed and amazed by the capabilites and results of the D200. Image quality is excellent, its electronics and processing are top notch and it’s easily the most rugged and best ergonomically designed camera body that I have ever used. It has performed flawlessly for me in every condition and has prooved to be an invaluable tool with which to practice my craft.

Heath Mackay telemark skiing on the Asulkan Glacier, Rogers Pass area, Selkirk Mountains, Canadian Rockies, British Columbia, Canada
(Heath Mackay telemark skiing on the Asulkan Glacier, Canadian Rockies)

Click here: to see more Rogers Pass ski photos from this trip.

2008 Edit: Here are some images from a more recent backcountry ski trip I took to Roger’s Pass the next year.

March 20, 2007
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Backcountry Skiing Photos, Rogers Pass, Canadian Rockies

(Originally published in Outdoor Photographer magazine, June 2006.)

Fear and exiliration. That’s what Daniel H. Bailey brings to viewers of his high-action imagery. “I want the viewer’s stomach to drop when they see the shots,” says Bailey. “I want them to be able to share in the feelings of what it’s like to be doing the sports, as well as what it’s like to be taking the pictures.” Shooting this kind of actions isn’t easy, but it’s what Bailey loves to do, and he has made a career of creating stomach-dropping imagery. From his home base in Fort Collins, Colo., Bailey has access to the dramatic landscapes of the Rocky Mountains and the array of adventure sports that abound in those landscapes. Bailey describes his approach to shooting: “When I’m shooting, it’s the landscape that draws me in, but it’s the athletes who add that additional level of depth to these beautiful vistas. The two work together- landscape and athlete.”

Bailey’s interest in action imagery is a natural extension of his personal interests in the sports he shoots. As an avid adventure sportsman himself, he climbs, skis and cycles in the mountains. Anytime you want to convey the essence of a sport, it’s only natural to have an an insider’s perspective on that sport. Being athletic enough to participate in adventure sports is one thing, but being a photographer shooting the action holds special challenges. For one thing, the gear is heavy- really heavy. “I recently switched to a Nikon D200 and, thankfully, it’s pretty lightweight, plus the D200 has enabled to me lighten up on some of my other gear, but it’s still not easy.” To get the perfect shot, Bailey gets right in the middle of the action. Some of his images require special setups and clamps. “I have a variety of clamps to attach to bikes, and I experiment with Pocket Wizards,” he says. “It’s fun to figure out how to get a unique vantage point. It’s something that I’m always thinking about.”

As he works for those dynamic images, Bailey likes to move with the action. Generating motion blurs as he paces from the front or behind was a concept that came from an unlikely source. After seeing a demonstration on the use of the Steadycam motion picture device while working on a film shoot, Bailey was intrigued by the fluid mentality if moving with the action. Although he doesn’t actually use a Steadycam, he doesn’t need to, since he’s shooting one frame at a time instead of 24 frames per second.

While Bailey has been shooting pro for the past decade, his roots in the field are far from typcal. Many a pro has gone to school with a photography program, but Bailey was a student at the Berklee College of Music when he first started to get into shooting pictures. “Photography began to appeal to me with the independence and self-reliance that’s inherent in it,” he says.

Back in those early days, Bailey and OP became inexorably intertwined. “I saw an ad in an issue of OP for a trip to Nepal that Galen Rowell was leading,” he recalls. “I leapt at the chance to do it. At the time, I didn’t have a lot of money, so I pretty much maxed out all my credit cards and went into debt. The trip went into apart of the world that had just been opened up to outsiders and I had the chance to be among the first photographers to go. I learned more about photography from Galen and from the experience of being there that I ever could have in any photography class.” Bailey picked Rowell’s brain for information on how to make it as professional photographer shooting adventure sports, and rowell was generous enough to share his knowledge.

With a desire to make photography his career, Bailey moved to Fort Collins, where he worked at a digital imaging lab. Between that job and earlier work at a small stock agency in Boston, he had an opportunity to see a lot of images from a widely varied group of shooters. He began to see what made for a more successful shot and what was a dud. When the position at the digital lab was eliminated due to cutbacks, Bailey struck out on his own and hasn’t looked back.

Says Bailey, “I maxed out my cards again to buy a full pro camera setup and just started hustling for work. There have been some hard times and some easier times, but so far, it’s working out. For me, it’s the best job I could hope for. I’m outside all the time doing what I love do do. What could be better?”

Into The Action

Written by Christopher Robinson, managing editor, Outdoor Photographer magazine.

March 16, 2007
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“Into the Action!” An article about Dan Bailey

Welcome to my adventure photography blog, the companion site to my website, www.danbaileyphoto.com. On this weblog, I’ll post entries about my latest trips and expeditions, new images, and a variety of topics, thoughts and information related to the world of outdoor photography. I’ll do my best to keep content fresh, so please bookmark this page and visit often!

Heath Mackay skiing, Canadian Rockies
(Heath Mackay tele skiing fresh powder, Canadian Rockies)

March 16, 2007
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Welcome!