Wintertime photography often requires some very specialized equipment and methods. I’m not talking about the ways that you keep your lithium battery packs warm or how you deal with condensation and ice on your lenses, I’m simply referring to the gear that keeps you warm and dry.

Plain and simple, keeping your body comfortable in cold weather will allow you to create better imagery, because instead of shivering uncontrollably or worrying about how to get the blood back into your hands and feet, you’ll be free to focus on your subject and the process of photography.

Although everyone will have their own setup, I’ll go from head to toe with my gear and let you know what works for me. Hopefully it will give you some ideas about how not to freeze when you’re outside with your camera this winter.

Head: Everyone knows that you lose most of your body heat through an uncovered head, so wearing a good hat is key to keeping warm. A jacket with a hood will help keep out the wind as well.

Face: Fact- cameras are made of metal and plastic. Fact- photography usually involves placing these items against your face. Take it from me, when outside temperatures are below freezing, and especially when they’re in the neighborhood of 0-degrees and below, putting a cold camera body against the bare skin of your nose and cheek is an easy way to give yourself frostbite. I learned this the hard way last year when I frost nipped the end of my nose while shooting some landscapes at 10-below.

Obviously, the easiest way to avoid this is to cover your face with a balaclava or neoprene face mask. I’ve used both types and which one works best is usually a matter of preference, and/or how cold it is outside. If you find yourself shooting outside without one of these this winter, you can always try to hold the camera back a millimeter or two away from your nose, or use the Live View feature to view your scene on the camera’s LCD screen.

Body: This is an easy one. Wear a jacket. Bundle up. If you’re shooting static subject such as landscapes or portraits, a big puffy down or fiberfill jacket is your best bet. If you’re actively photographing outdoor sports such as skiing, then dress appropriately for the specific activity. Dress in layers and make use of high tech synthetic and wool fabrics that are made by many of the outdoor clothing companies like Patagonia, Smartwool, Mountain Hardwear, Ibex, etc…

Hands: Keeping your hands and fingers warm while still retaining the dexterity needed to manipulate the camera controls can be tricky in wintertime. I’ve used chemical hand heater packs made by Grabber for years. They fit right inside your gloves or mittens and provide an easy way for you to warm up after using bare hands for short periods to adjust camera controls. Try to find handwear that is not so bulky that it won’t let you feel and press the shutter button. Fingerless gloves that fit inside bigger mittens work well, as well as lobster claw mitts that separate the index finger from the rest of your hand.

Feet: Winter photography often means tromping around for hours in deep snow. Lord knows we have plenty of that up here in Alaska! In the past I’ve used mountain boots and gaiters to keep the snow out. Insulated boots from Sorel and Kamic work great as well.

Lately, though, I’ve been rather excited about my Neos Explorers. Neos makes insulated (and non insulated) waterproof overshoes that go right over your regular shoes or boots. My Explorers are insulated and keep my feet dry and warm down to 20-below, and offer the versatility of wearing regular my street shoes underneath, which can be handy if you’re going in and out and don’t want to carry an extra pair of bulky boots. They work really well for cold weather bike riding here in Anchorage, which is typically how I get around. In fact, Neos are the choice for many of the ultra-winter and fat-tire bike riders here in Alaska.

They also work well for winter aviation, since they pack light and go on and off easily and pack light and they were perfect for that winter ski-flying photo shoot that I did last week (see previous post). They not great on ice, but they do have a STABILicers version of the Explorer if you need the extra traction.

No matter what you shoot, winter offers wonderful opportunities for outdoor photography. With all the great gear that’s available, don’t let the weather keep you from getting outside and creating some great images this year! And since it bears repeating, remember to keep that cold camera back away from your nose!

December 30, 2009
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Winter Photography Gear: Keeping Warm and Dry

I went out on Saturday with another pilot and the idea to shoot some winter bush flying and ski landings. Trying to photograph anything in Alaska close to the to the shortest day of the year is challenging, since the light levels are so dim, and combined with the high overcast and limited visibility that we had around the Anchorage bowl this weekend, well, let’s just say that the light could have been better. However, the weather doesn’t always cooperate with your schedule, especially up here, so we went for it anyway, figuring that at the very least, we’d only get to spend the afternoon flying around in an airplane.

Udo flew us over the Knik Arm towards Big Lake in his cool-looking 170, and dropped me off on Three Mile Lake. Coming in on final, we saw three moose, two adults and a calf trotting across the lake. The didn’t seem particularly interested in hanging around noisy aircraft and quickly made their way into the woods as we touched down on. After I got out with all my camera gear, Udo took off again and circled around to do some touch and go’s on the lake so that I could get a series of shots.

Temperatures weren’t quite zero while I was standing out there by myself, and I spent most of the time between passes swinging the blood into my cold hands and tromping back and forth across the lake through the 10-inch snow to find new vantage points. Each time he came in, I held the metal camera body just away from my nose, set my focus and clicked away on high speed until he was up and away again, trying to make the most of the flat light.

After a handful of passes, Udo thankfully remembered to pick me up and we headed back to Anchorage. It was over too quickly, but with the weather looming in from the north and west, we couldn’t really afford to dally. Eventually we made it back to his strip and we spend the next hour or so physically wrangling the airplane though the deep snow in order to get successfully tied down. With no rear ski, the tailwheel just wouldn’t turn very well through the deep snow during taxi and we had to keep digging out the skis in order to keep it pointed straight.

As with any of the adventure type work that I’ve shot over the years, photographing Alaska aviation seems to blend that perfect amount of excitement, passion and technical requirement. With the days getting longer now, I look forward to more bush flying photo shoots this winter.

December 21, 2009
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Winter Ski Flying Photo Shoot

I’ve been experimenting with shooting panorama landscapes lately. Essentially, that requires photographing the scene as a number of horizontal frames and then stitching them together in Photoshop. Sometimes it works, and sometimes it doesn’t. As with anything, the more you practice, the more you learn what kinds of shots works well in this format, and over time, you become more efficient with your panorama workflow.

Here are some of my recent panorama images. Click on an image, and then click again in the new page to see the full size version of the shot.

October 26, 2009
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Panoramic Landscapes