PDN PhotoPlus Expo happens this week in New York City. Who’s excited?

I’ll be there checking out all the new gear and making my wish list, and I’ll also be The Photoletariat‘s man on the ground. I’ll be blogging right from the show floor, tweeting, posting Facebook updates with photos, interviews, videos and news each day. In addition I’ll try to share what I learn at some of the many great seminars that I’m able to pop my ears into.

Like and watch The Photoletariat Page on Facebook all week and keep your Twitter ear tuned to @photoletariats to stay up on the latest photo industry blitz!

And if there is anything that you’re dying to know about regarding new gear, comment below and I’ll try to bring you what info I can.

October 25, 2011
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Catch Me at PDN Photo Expo 2011 This Week

One year ago, I made some big changes in my photography business. After having been at this game for fourteen years, I felt that it was time to shake things up. While I’ve enjoyed tremendous success in my career during that time, I begun to recognize the impending possibilities of stagnation in some areas.

So, in the interest of keeping things fresh and staying up to date, I pulled lots of triggers. I bought a brand new computer, upgraded or bought new software titles for image editing, archiving, billing, writing, design, email marketing, (basically every major task that I do) and I revamped my workflow to speed up efficiency.

I also bought the book Fast Track Photographer by Dane Sanders. I’d seen the book on the shelf over at my neighborhood Barnes and Noble, and after flipping through it, fifteen bucks seemed like a small investment for a book that was supposed to help me “leverage [my] unique strengths for a more successful photography career.”

I certainly have unique strengths and traits… heck, we all do, but it’s not always easy to figure out how to make them work of us.

Dane Sanders is a pro wedding photographer and career coach, and although his style of photography is vastly different than mine, he’s got some outstanding ideas about how to boost your photography career.

Once home, I started read through it and I took the 150 question online pDNA test that Dan has designed to help you identify those strengths. Going over the detailed analysis of my results proved very insightful because it outlined with alarming clarity a number of things that I already knew about myself, but wasn’t sure how to articulate how exactly they could benefit me in my business.

Sure, I already know I’m brimming with energy, ideas, enthusiasm, creativity, an adventurous spirit and that I have a pretty good head for marketing and business. That’s how I’d made it this far. I also knew that I’m somewhat a total control freak when it comes to my work. I’m reluctant to let anything go or delegate major tasks or ideas. I have to do everything myself, which is not always the path to efficiency.

However, finding ways to combine personal strengths with the “less strong traits” so that they help you create success in your niche is the hard part. Ask anybody.

One of the ways that Fast Track Photographer really helped me outline some potential paths for building on my own successes was through the self directed activity that you do after you take the pDNA test. That’s where you’re supposed to combine ideas and traits on paper, analyze where they fit or don’t fit and ultimately come up with new traits, ideas pathways and concepts that could lead to new successes.

This works. I’ll say it again. This highly creative and self-directed process works big time.

Some of the notes and methods that continually popped up in my own notebook had to do with improved personal branding and creative marketing, continually investing in new training, stretching out my skills, increasing efficiency, designing new products and services and focusing more of my time on education.

So one year later, how have I fared? Assignment work is up. I’ve expanded my client base. I have more income streams than ever before. Thanks to you, my blog and my writing have taken on prominence in my overall business model. I just released my third eBook, which is proving to be as popular as my other two titles, and I continue to drive my imagery and creative ideas to new heights.

I still struggle with efficiency, though, and my methods for finding new clients are ongoing and constantly being reworked. I also spend energy on ideas that don’t always pay off, but that’s all part of the process. Overall, I feel that I gained a great deal of personal insight from Fast Track Photographer; insight that has helped me transition my photography business into a new age. I’d say that it was fifteen bucks incredibly well spent.

Dane Sanders has helped thousands of photographers advance their careers and I feel that my added success in the past year is just another positive testimonial to this great little book and to his coaching methods.

Things aren’t the way they used to be in the photo publishing and art buying world, and in a few years, they’ll be different again. Photography, the business and the media are constantly changing, and as creative types, we’re constantly being bombarded by all the ideas that bounce around in our brands.

Fast Track Photographer made a difference for me. I’m pretty confident that it can also help you define your focus so that don’t become overwhelmed by your own creativity or your competition. In fact, I think I’m going to pick it up and read it again. I encourage you to give it a try as well. For just a few bucks, what do you have to lose?

Dane also has a companion book called The Fast Track Photographer Business Plan, which details how to execute your vision and formulate a business plan specifically geared towards success. I’ll let you know what I think of this one after I finish reading it.

For additional insight, tune into Dane’s weekly and informative videocasts. You can find info on the “Join the Conversation” link at www.danesanders.com.

October 24, 2011
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Fast Track Photographer, Revisited

What are the chances? Two off-camera flash eBooks released on the same day? Yesterday Craft and Vision released the Making Light 2, the second in a series of off-camera flash titles by Belgian photographer Piet Van den Eynde.

And yes, as you’ve been reminded about 827 times on Twitter and Facebook, I released my own flash eBook, Going Fast With Light. I’ve already written enough about mine in the past few days, though, so I’ll let somebody else do a comparison between the two if they like. Actually, that would probably be a good idea. Who wants to get on that?

I’m not too proud to give some room to the competition, though, so today we’ll look at Piet’s book. Making Light 2 continues off where Making Light 1 left off, which dealt mainly with using one remote flash, one umbrella, and a small softbox. Making Light 2 covers advanced lighting techniques and some new light modifiers that go beyond the basics.

He starts by explaining High Speed Sync in more depth, and then moves on to working with multiple flashes. Piet comes at this from a classic studio approach and he outlines how to build a lighting scheme for a subject from the ground up, starting with no light and then putting together a mix of speedlights that all compliment each other in the final shot.

Going further, Piet explains using multiple flashes for more power, such as when shooting in exceptionally bright sunlight. He even goes into the realm of using bigger lights, like the Elinchrom Ranger Quadra set, which puts out the equivalent of 4 SB-900 units into a small, battery powered kit.

The next section deals with light modifiers and other gear. Small softboxes. Big softboxes. Even bigger softboxes. Grids. Snoots. Flags, gels, brackets, clamps and more. All gear that you can use to affect the quality of the light that you bring to your scene.

The meat of the book, deals with ten specific images, or case studies as Piet calls them, where he details the specific lighting scheme and approach that he took to solve problems and create each image. There’s a real variety of photography in this section, from bright, sunlit action (skateboarding at noon), conceptual high speed sync to freeze water droplets, motion, gelling for effect (India portrait), clamshell lighting (high key soft portraiture), combining flash and HDR and more.

Piet closes with interview/case studies shot by four other photographers. Each one is in a different style and so each person comes at it with a different approach. There’s a good mix of material in this section, and it’s a great way to end the book.

My overall impression? I just wrote and published an 83 page book on flash and I actually learned quite a bit of new stuff while reading through Piet’s book, Making Light 2. You will too. He’s a great photographer, a very clear writer and his book is full of great information, very good illustrations and lots of insight. Makes me want to go back and read Making Light 1 now.

My point is that no one single person has all the info you need to be a great photographer, especially when it comes to flash. Not me, not Piet, not Joe, not anybody. We all have different shooting and teaching styles and you the more sources you gather for information and inspiration, the more well rounded you’ll be as a photographer.

I’d definitely recommend Piet’s book, whether you buy mine or not. Heck, buy all of them! Together, they still cost less than a half tank of gas and will fill you with enough creative ideas and knowledge to keep you busy for quite awhile.

October 20, 2011
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Making Light 2: Off Camera Flash eBook by Piet Van den Eynde

I’m releasing a brand new eBook today that will change your photography.

Going Fast With Light- A Flash Guide For Outdoor Photographers is an 83-page manual that will show you to use off-camera flash in the context of active outdoor photography.

In Going Fast With Light, I show you lighting techniques you can use to bring your imagery alive, and a selection of flash gear and light modifying tools that will still let you pack fast and light.

I break off-camera flash use down into a simple checklist and workflow that makes it easy to understand and apply to your own subjects. I show you how to make your photos really pop with the use of a single flash, as well as with multiple flashes.

Essentially, I’ve taken all the flash knowledge and strobist-style lighting techniques that I’ve learned over the years and boiled them down to a style that fits with my own active outdoor photography methods. I’m betting that many of them will apply to your style as well.

Whether you shoot action, sports, adventure, exotic locations, portraits or your kids playing in the park, your imagery can benefit from the occasional use of flash. Even just one well placed strobe can make a huge difference. However, the key to all this is learning how to build a diverse set of gear and skills so that you can shoot in bad light with speed and confidence.

The key is learning how to Go Fast With Light.

Download this book today, jump on a new creative path with your photography and see why good light doesn’t have to slow you down.

[Lumiquest Promotion: The awesome folks at Lumiquest have kicked in a special offer to help with this launch. The first 50 people who purchase a copy of Going Fast With Light will receive a coupon code worth $5.00 off orders over $25.00. This offer is ON TOP of whatever other discounts they have on the site right now. (They’re currently offering free shipping on orders over $35.00 and 20% off specialty items.)]

When you read the book, you’ll see that I recommend a Lumiquest gear and use a number of their products in my off camera flash photography. It’s especially made for going fast with light.

Going Fast With Light: 83 pages

$12.95 (Use discount code FAST20 to save 20% through Friday night.)

Add to Cart

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October 19, 2011
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Brand New eBook: Going Fast With Light

Yes, those are my feet.

I shot this image a year ago and recently posted it up on Google+. Got some great response over there, as well as a few calls from readers for details on the “How to.” So here are the details about how I crafted this image.

I’ve actually shot a few variations of this image over the years, but this is one of my favorites. One that I shot over a decade ago has done really well as a stock image through one of my agencies; hopefully this one sells as well.

For this setup, I placed the Nikon D700 on the end of a small tripod (I use the Manfrotto 732CY Carbon Fiber) with a 14mm f/2.8 lens and scoped out a good spot on the trail during a late September afternoon in the foothills of the Chugach Mountains.

After doing some test shots to experiment with different shutter speeds and focus points, I preset the focus on the camera so that I’d get my front foot sharp. Final camera settings were 1/160 sec at F/11, which gave me enough depth of field on the super wide lens to fudge sharpness on my foot, and the right combination of subject sharpness and motion blur on the background.

To actually make the image, I timed how long it would take from my starting point to the ideal spot on the trail where my right foot would be after a designated number of steps. (I think it ended up being about 5 seconds.) Then, when everything was set, I hit the shutter, stuck the camera pole out in front of me and started walking really fast. (I’m sure that I looked pretty silly.) I actually used the pop-up flash on the D700 just to help freeze the sharpness of that front foot.

It took me awhile to get it timed perfectly. I shot over 150 frames in order to nail just the right framing, foot position and sharpness, and those passes when I goofed something up, accidentally kicked the camera or tripped on one of those rocks and nearly careened into the brush on the side of the trail.

Never said that adventure photography was safe. In fact, most of the time, I’m really only a danger to myself.

Be safe out there and have fun. And of course, stay tuned for tomorrow when I launch my brand new off-camera flash ebook, Going Fast With Light.

October 18, 2011
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Breaking Down the Shot: Trail Running Self Portrait

While editing a shot from yesterday’s photo shoot, I hit ‘zoom’ on the Loupe function to check sharpness. This is what was suddenly staring back at me from the second monitor when it magnified the image. I immediately hit export and saved this version. How could I not?

Sometimes a crop makes all the difference. Even when it’s unintentional. Of course, I’d like to say that it was all me. It wasn’t. Lightroom just framed it that way. Inspiration often comes when you least expect it.

 

 

 

 

 

 

October 14, 2011
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Sometimes A Crop Makes All The Difference

In one week, I’ll be releasing my brand new eBook called Going Fast With Light. It’s an 82 page manual that will show you how to apply strobist-style lighting techniques and off-camera flash to active outdoor photography styles.

In it, I discuss the lighting gear and techniques that will help you dramatically improve the quality of your imagery, but that won’t slow you down. Whether you shoot action, adventure, sports, travel, portraits or your kids playing in the backyard, this book will change your photography.

As I write in first chapter, the reality is that we photographers often face is that the best light is often the most challenging light to work with. Also, the best subjects are not always lit by the best light. Having some control over the light can make all the difference.

I look around today, and see a growing number of outdoor shooters like me who are interested in exploring the use of off-camera flash, but who haven’t quite figured out a workable system for effectively using these techniques outside. This is where I can help.

If you’ve a regular reader, then you’ve seen the kind of work that I do. You’ve seen that it’s indeed possible to go light and fast in the outdoors and still be able to throw light from one or more flashes, light that makes a difference and that really brings the imagery alive. That’s because over the years, I’ve developed systems that work for me and my adventurous quick moving style, and this book is where I share all that with you.

As I said last week, good light doesn’t have to slow you down. In one week, you’ll find out why. In one week, you’ll learn how to Go Fast With Light.

Oh, and I’ve got some special deals that will coincide with the book release. Subscribe to my newsletter to find out more.

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October 12, 2011
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New Off Camera Flash eBook Coming Next Week!!

Shot another cyclocross race here in Anchorage over the weekend. Great fall day with lots of sunshine and warm temperatures!

The first two photos were shot with the 80-200mm f/2.8D lens, using straight ambient light. I love this lens for sports and could have shot with it all day. However, it’s always good to shake things up, so after only a few frames, I packed it up and brought out some other gear.

The third shot was made with a 24mm f/2.8 lens, and two Nikon SB-800 flashes on a stand placed just to my left at the edge of the course. I underexposed the background by almost two stops and then exposed the rider at 1/160 sec. f/22 as he rode by.

The last shot was made with the 50mm f1.8 lens, same setup on the flashes. I don’t often use the 50mm for sports and action, but it’s fast and works great with shallow depth of field if can get close enough to your subject.

I was definitely close enough, in fact, almost got run over a few times. My apologies to the riders if I seemed like I way as you drove your bikes across the beach.

October 10, 2011
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More Cyclocross!

Steve Jobs changed the world.

No, let me rephrase that. Steve Jobs MADE the word as he imagined it.

When we talk about the life of one single man, that’s as remarkable a thing to say about anyone who’s ever walked this Earth. Few people in the history of this planet have had as much an impact on the way we live as Steve Jobs did.

That’s all I’m going to try and say about Steve’s innovation, history and legacy. It almost seems too big a subject for me. If you’re a Mac user, and my guess is that you probably are, then you already know. My friend Dan Moughamian wrote a nice piece that echoes my professional sentiment as a creative professional, called Why Steve Jobs Mattered So Much. Check it out.

So, instead of trying to eulogize any more, I’ve decided just to list my own history and experience with Apple Computers. That’s my way of saying goodbye.

 Apple II

My first time ever using an Apple computer. They had one in my 8th grade computer lab and I used it to learn BASIC. And just like everyone else did, I wrote a game on it. Blackjack.

 The Mac

My first roommate in college moved into the dorm and brought with him this cute little computer called a Mac. Actually, this was 1986, so I think it was a Mac Plus. Having been more into guitars, girls and hot rods in high school than computers, I had never seen one. For the next few weeks, my dormmates and I all sat around watching each other do Mac Paint on it. I had no idea what lay in store for me…

 Mac Classic

My dad gave me his old black and white Mac Classic in 1994. It had 1MB RAM and a 10MB hard drive, and I used it to run my fledgling photography business for the next few years with programs like Word, Filemaker Pro and Cradoc Captionwriter. I also had Chuck Yeager’s Air Combat on it. Innocent, uninhibited fun. You just had to sit really close.

 PowerMac 7300

My first experience with color Macs. I used one everyday while working as a Photo Editor at Light Sources Stock in Boston between 1994-1995. Also my first experience with Photoshop, digital imaging, Quark XPress and The Internet. Sometimes I’d play Chuck Yeager on it during my lunch breaks. Eventually, I bought a 7300/200 for myself when the Classic died.

 PowerMac G4

I skipped the whole G3 era and went straight to the G4. What an cool machine that was, all sleek, cool and blue! Bought it with the Apple 17” flat panel monitor. In addition to running photo photo business, this was the first machine I used for computer based music recording. (Yep, finally started using that college degree again!) Wrote and recorded a number of multitrack pieces on it with Cubase software. Also played Tomb Raider and Madden NFL 2K on it. Those were my single years. Also, my first introduction to OS X.

 White iBook

My first laptop. Bought it in 2002. Used it until it became unbearably slow and then sold it for $200 on eBay. Loved it, though. My sister still has one; I get a bit nostalgic whenever I visit her.

 PowerMac G5

In 2003, after four and a half years on the G4, I upgraded to the G5. Whoa!! Speed, power and a really heavy aluminum tower. Ran OS X Tiger, Photoshop CS3, Photo Mechanic and In Design and recorded songs with Apple Logic Pro. Unmatched power for the creative professional.

 MacBook Pro

Replaced the iBook with this in around 2006. With 2G RAM, and an Intel chip, it has as much power as my old G5 did Just gave it new life with an install of OS X Snow Leopard and still use it every single week.

 Mac Pro

Major upgrade one year ago. After nearly five years on the G5, I moved up to this bad boy. 12GB RAM and terabytes of storage spread across multiple drives. Photoshop CS5, Lightroom, Logic Pro, unbelievable guitar amp modeling with IK Multimedia Amplitube software and flight simulation with X-Plane 9. Creativity. Fun. Life. I spend way too much time in front of this thing.

Of course, I also have an iPod, an iPhone and an iPad. My mom has as Mac Mini and my sister has an iMac. How many Macs have you owned? Let me know in the comment section.

Steve Jobs, I have no idea who will ever be able to fill the sleeves of your proverbial mock-T as we hurl ourselves forward from here. Thanks for all the Macs and thank you for your brilliant vision, imagination and unwavering dedication to moving us all officially into the future. May you rest in peace in the great iCloud in the sky.

October 6, 2011
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So Long Steve, Thanks for All The Macs.

It’s Cyclocross season, everyone, so let’s get ready to ride!! Or photograph, if you prefer. Pick your poison. Biking hills and tight curves is way fun, but it’s also a great sport to hit with the camera; lots of options for action, motion and experimenting with different techniques. Great opportunity to really input your own style into the work.

Here are a couple of shots from a series I did last weekend here in Anchorage, Alaska. (Click the image to see it bigger.) In some ways, they’re in the same line as my Trail Runner Portrait from the other day; both shoots employ the subtle use of off-camera flash to boost the life and pop of the imagery. I’ve got bare bulb Nikon SB-800s throwing light at the wide angle shot on the left, and a single SB-800 inside a Photoflex Octodome NXT for the portrait on the right.

Like I said the other day, using light outside doesn’t have to slow you down, not if you have the right gear and techniques at your disposal. Here’s the same scene without flash. See the difference? Overcast. Dark forest. No ‘pop.’

Learn more about using off-camera flash in the outdoors in my new 83-page eBook, Going Fast With Light and see how to get great light with gear that won’t slow you down.

October 5, 2011
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Cyclocross Portrait