May 28

9 comments

Why I Love Shooting with the Fujifilm XF35mm f/2 Lens

By Dan

May 28, 2019

My first lens was a manual focus 50mm f/1.4, and from day one, it was true love. It went everywhere with me, attached to my shiny, chrome body Nikon FM2. We shot everything together, mostly because that was the only lens I had.

Then I bought a 28mm wide angle, and shortly after, a 70-210mm. I was drawn to those lenses because they showed the world in very different ways than my eye saw it. As my style developed with action and adventure photography, this “normal lens” view fell out of favor and my poor 50mm got shoved into my camera bag where it sat, neglected and rarely used for a long time.

However, as the years have passed and my style continues to evolve, my excitement for the “normal lens” has been rekindled, and I’ve come to see just what a versatile tool the regular old normal lens is. Today, my normal lens of choice is the little tiny Fujifilm XF35mm f/2. If you look inside my camera bag, you’ll see that my 35 f/2 is fixed to my main X Series camera body much of the time.

I’m just wild about the form factor of this sexy little lens, and I’ve fallen in love with that “normal view” once again. Over time, I’ve learned how to use it to its full potential.

Normal lenses are called normal because they see he world in a similar perspective and angle of view as the human eye. The beauty of this kind of lens is that if you get in close, it will blur the background and make your subjects stand out beautifully against a soft wash of color. This makes it an amazing choice for shooting portraits or details out in the world.

Move in even closer and your depth of field becomes extremely shallow. This gives you an ideal effect for closeup photography and shooting still life subjects. It won’t get you as close a macro lens, just close enough to isolate your subject matter against a very soft background.

Back up a little bit and you’ll show more of the environment. Not too much, just enough to help flesh out the story of your subject. I love shooting landscapes with my little 35 lens, because it allows me to narrow down the world and create a nice, concise and focused scene.

Normal lenses do have one big limitation, they’re not always the best choice at medium and longer distances. They simply can’t bring distant subject in very close. Also, since depth of field begins to widen out, you end up with what I call the classic “postcard look,” where the subject matter is all presented in the same, flat perspective.

For this reason, when shooting subjects that are far away, normal lenses tend to produce rather amateur looking imagery. This makes them tricky to use for shooting adventure, sports and events, because further than about 20-30 feet, you can’t isolate your subjects from the background anymore. Everything ends up being in focus.

However, if you’re able to move in relatively close, you start to get those shallow depth of field benefits back. And you can always shot how they relate inside the bigger world. This is how I use them for landscapes and adventure; as I said, I try to create a nice focused scene that tells an abbreviated story of the greater environment.

The ease of shooting with a lens like this is that it shows the world in a very familiar view. It sees the scene as your own eyes see it, without distracting you with all that stuff in the peripheral areas of your vision. Your approach with normal lenses is pretty much “look, see and shoot.”

In today’s photography world, fixed lenses are often cast aside in favor of zoom lenses, which obviously allow you to change your focal length and adjust your framing without moving your feet.

However, I like moving my feet. I also love the simplicity of having one look with prime lenses like the Fujifilm XF35mm f/2, and I believe that it forces you to work your creative muscles a bit more. By removing any possibilities for changing focal length, your compositional and framing skills get a better workout, and you limit the number of choices you have to make when you’re shooting. 

In addition, I feel that if you use a fixed lens on a regular basis, you’ll really get to know how it sees the world. This can dramatically increase your confidence and efficiency with composition. In the end, there’s something really cool about having a tried and true piece of photography gear that you know so well.

The Fuji system in general perfectly matches my fundamental “fast and light” approach to photography, and the little 35 f/2 fits right into the kit. For a guy who often depends so much on wide angles and zooms, I’m sometimes a little surprised at how much I love this little normal prime, but I guess that’s how love works.

Even if you don’t shoot Fuji, I encourage you to embrace the challenge of using normal lenses and explore the creative benefits they can offer you.

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About the author

Hi, I'm Dan Bailey, a 20+ year pro outdoor and adventure photographer, and official FUJIFILM X-Photographer based in Anchorage, Alaska.


As a top rated blogger and author my goal is to help you become a better, more confident and competent photographer, so that you can have as much fun and creative enjoyment as I do.


  • My first Fuji lens was the 35mm f1.4 and except for the WR aspect of the f2 lens, I don’t see any advantage for swapping. I now have 17 lenses, but the 35mm still has a soft spot in my heart. At f1.4 I have used it to take some lovely portraiture.

  • I’ve always felt that the itty bitty pancake Fuji 27mm lens is one of the real sleepers in the lineup. Yes, with the slightly wider angle of view, it matches the human visual perspective even more, and it has very fast autofocus. Aside from not being weather sealed, the tiny, yet capable 27 2.8 is a fantastic lens.

  • I am borrowing a 35 F1.4 and really enjoy the shallow dof. A bit on the noisy side and a little slow focus but not a big deal. Why the F2 over the 1.4 other than cost. Like the fov and for more width I just do a verticle pano. Thanks for the article

  • Hi Tom- Why the f2 vs the 1.4? A couple reasons, but it mostly comes down to preference. They’re both awesome, but I love the tiny form factor of the f2, plus it’s weather sealed and the AF is faster than the 1.4. That said, with the faster processor on the X-T3, the 1.4 version is much faster with regards to AF than it used to be. It’s definitely a cool lens, but the smaller f/2 is just so darn cute!

  • Nice!
    I likethe 35mm F2 also, but now (after a period) I do have the 27 mm on my camera- that’s different, a bit wider and a new challenge

  • I do like the 27mm, I’ve had that for longer than I’ve had the 35. It does offer a slightly wider viewpoint, it’s razor sharp, and it has the benefit of being tiny!

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    Terry Bourk

    I have read you new book “Behind the Landscape.” I could not “put it down” meaning that I kept at it because each photo you presented/analyzed was interesting and informative. I am trying to develop an eye for composition (both the scene and the light).

    Thank you! The examples you present and the suggestions are very helpful. Purple Mountains, McKinley River and Wonder Lake are fascinating.


    Roger Sinclair

    You have done it again! Another triumph.

    Your generosity to share, the clarity of thought and concise explanation thereof is brilliant. Perhaps I should also mention the beautiful photos and the talent necessary to produce them.

    Thank you, Dan.