31 Days to Build a Better Blog ebook by Darren Rowse

Over the past year, my own blog traffic has increased dramatically. My visitor numbers are actually up 600% over last year and my highest traffic day this month was twenty times higher than any other day during the past three years.

Although I’ve been working really hard lately at writing good content that I think you’re interested in reading and reaching out to other photographers on Twitter and Facebook, I can’t take all the credit for the increased success of this site.

I’ve been working with a very effective program called “31 Days to Build a Better Blog,” which is a downloadable ebook by blogging expert Darren Rowse.

This 188 page workbook lays out 31 detailed steps that you can do to improve your blog. Darren tells you why each step works and then he prompts you to do one of those things every day for an entire month.

In those 31 days, you’ll learn a variety of different posts types and styles, see techniques for coming up with effective new posts and regular content, how to build relationships and stay connected with your readers, and how to promote your blog with good SEO once you’ve ramped up your content.

By then, you will have started to transform your blog into a feature rich online publication that will get found and read by people on the web.

Just as the world as an unquenchable thirst for images, it also has an unending hunger for information, which is plainly evident by the sheer amount of written content on the web. In the end, people always want to read stuff. You’re reading this post, right?

As a photographer, your blog can actually be a good marketing tool. By putting your knowledge out there on a well written blog, you can drive more traffic to your website, and from there, it’s a simple numbers game. The more people visit your blog, the more likely they are to see your photos, and the more people who see, the more people will buy, or at least refer you to potential customers.

Of course, with so many ebooks out there, you have to be selective about which ones you buy, just like you are at the regular book store. That said, there are some ebooks that are definitely worth purchasing, and this one absolutely falls into that category.

I can attest with wholehearted endorsement that 31 Days to Build a Better Blog works. It definitely helped me make my blog better. 600% better. The ebook costs $29.95, which is a moderately small, yet worthwhile investment when you think about what you’re getting. That’s essentially a buck a day for one month. Check out the 31DBB website here.

If you’re serious about improving your blog and taking it to the next level, then 31 Days to Build a Better Blog will provide the road map and instruction. Download it today. I promise, if you have any writing skills at all and can follow directions, you’ll start seeing your own traffic climb almost immediately. It even comes with a 60 day guarantee and a track record of 19,000 other successful bloggers who have used it with great success.

Please note that this workbook is designed for those who already have a blog and/or are fairly knowledgable about blogging.

If you’re new to blogging, you might want to check out Darren’s Print book, ProBlogger. In some ways, it’s a companion to his 31DBBB program, but it also lays out how to design and start a blog from the ground up. It’s a great resource for those who want to learn about what it takes to build and run a successful blog.

Guess when I started using the info from 31 Days to Build a Better Blog?
November 15, 2011
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31 Days to Build a Better Photography Blog

The winner of the Going Fast With Light gift card contest is Oregon photographer Matt Koenig!

Matt wins a $500 spending spree at B&HPhoto on me. What will you buy, Matt?

My thanks to everyone who bought and downloaded my new off-camera flash eBook during the last two weeks. I sincerely appreciate your support and positive comments about the book.

Visit Matt’s website at www.mattkoenigphotography.com

Have a great weekend!

November 11, 2011
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And The Winner Is…
Ryan Miller backcountry skiing, Cameron Pass, Colorado

Sometimes you sit there at your desk, mousing and pounding away on the keyboard, writing blog posts, editing images, surfing the web, tweeting, reading Facebook and generally racking your brain about how to improve your photography.

How do I know you do that? Because I do it too.

However, that’s not where creative ideas come from. They don’t live at your desk, They live out there in the world, hiding in all the places where you love to be, and in the places where you’ve never been before.

They’re out there waiting for your to come find them, and the only way to discover them is to get away from your desk and go outside, where you’ll feel the wind on your face and the sun on your back.

So, next time you feel bogged down with your creativity, just get up and head into the outdoors. Go take a walk, get on the bike, or clip into a pair of skis. Don’t even take your camera. Just take your empty, tired brain, and I promise you, by the end of your little excursion, it will be full of new ideas and creative inspiration again.

November 9, 2011
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Creative Ideas Don’t Live At Your Desk

Here are a few great posts that I stumbled upon this week. They’re definitely worth reading, so sit back, pour another cup of hot delicious beverage, and soak in these informative and insightful articles.

1. Why You Should Buy The Nikon D5100

Yesterday I ran a comparison between the Nikon D5100 and the D7000 and voiced my opinion why the D7000 might be the better choice for most outdoor photographers who are serious about their craft. However, I don’t have a monopoly on opinions, so here’s a take by PhototographyREVIEW.com editor John Shafer, who tells the other side. I got to meet John at PhotoPlusExpo last month. He’s a great guy and he really knows his stuff. Give his post a read and definitely bookmark the site.

2. What’s Your Photography Superpower?

A tongue in cheek look at all the “powers” that successful photographers have, this one’s just fun. Check it out.

3. What I Have Learned In My First 10 Years Running A Successful Business.

A collection of ideas, observations, tips and insight from a self employed creative who has been in business for 10 years. Lots of awesome points in this one, and it’s a very easy read.

November 8, 2011
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3 Great Blog Posts I Found This Week

The Nikon D5100 has been out for a few months now, and its price range and list of features makes it an attractive DSLR for those photographers who are looking for a budget camera body. It’s certainly a capable offering, packing in more imaging technology that any previous Nikon camera in its class.

However, when stacked against the immensely popular Nikon D7000, how does it compare? If you’re thinking of buying a new camera, how do you decide which one you should you get? Let’s review the essential features of each model and see which one might be right for you.

The D5100

Nikon’s newest “Prothusiast” camera, the D5100 is loaded with many great features that will help you drive your photographic creativity. It’s got a 16.2 MP DX-Format CMOS sensor, which is the same one inside the D7000. It also shoots in 14 bit RAW, so, when it comes to image quality, D5100 will deliver with outstanding results.

Low light performance is good, with ISO capabilities up to 6400. Not as good as the higher end DSLR’s from Nikon, but way better than any of their other lower end models.

It also has 11 point 3D Tracking AF. However, the body doesn’t have an internal AF motor, so focusing speed is largely lens dependent. This also means that AF-S lenses are required for the autofocus to work on this camera. You can use older AF lenses on the D5100, but you’ll have to focus manually with them. You’ll find that some lenses will be “snappier” than others. Overall, the AF system will get the job done, but it’s not a pro system, so you can’t expect it to perform like it’s a higher end DSLR.

The D5100 fires at a respectable 4 fps. Not awesome, but certainly faster than many consumer bodies which top out at 2.5-3 fps.

Video: 1080p HD H.264 moves with full-time autofocus and stereo sound. One very nice feature of the D5100 is the Vari-angle LCD monitor, which opens up and rotates to your desired viewing angle. This makes shooting movies a little more convenient, especially if you’re playing around with interesting angles.

The D5100 also packs in a number of other creative software features, like EFFECTS mode and an HDR setting, plus all the exposure presets that you find on most prosumer cameras, like “Landscape, portrait, action, closeup and silhouette” mode.

It’s got a built in pop-up flash that with a sync speed of 1/200. You can use any of the modern Nikon Speedlights, (SB-700, SB-800, SB-900) but it does not have a commander mode. However, you can control other flashes with any of those compatible flashes, as well as with the SU-800 Wireless Commander.

Overall, the D5100 is a great camera for the novice photographer who wants to get into a Nikon body for under $1,000. It’s a great introduction to photography. Body only for the D5100 is $749. A $100 rebate until November 19 makes it $649. Body with an 18-55mm lens is $849. ($749 right now w/ rebate)

If you can accept the fact that it’s not a “high performance” DSLR, the D5100 is a very lightweight camera that will give you excellent, professional looking images, and it will certainly give you enough features to experiment and grow with your photography. Essentially, the D5100 gives you the exact same image sensor as the D7000, but for $400 less.

If you’re an enthusiast who loves shooting photos, but doesn’t need a pro-caliber body, then the D5100 is probably the right camera for you.

Compared to the D7000

The D7000 is an outstanding camera body. The best way to differentiate between the two is with this statement: While almost no pro shooter out there would use a D5100 as their main camera, the D7000 is the number one body for many working photographers.

Why? Because when compared to the D5100, it has better AF, it’s compatible with a much wider selection of older Nikon non AF-S lenses, it shoots at 6 fps, it has better low light/high ISO capabilities, it’s a little more rugged with better weather sealing, it has a more advanced image processing system, twin SD card slots, and it’s pop-up flash can be used as a wireless commander.

Overall, the D7000 is a lightweight pro grade, much higher performing camera body. While not as rugged as the top shelf Nikons, the D7000 is a fantastic tool that offers awesome flexibility and professional capabilities for many outdoor photography options.

My advice is this: If you can come up with $849 for a Nikon D5100, and you even think that you’re going to get serious about photography, then save your latte and scone money for two months and spring for a D7000. You’ll have a much more versatile camera and you won’t look like an amateur when you bring it out of the bag.

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November 7, 2011
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Comparing Nikon DSLRs: The D5100 vs. The D7000

Field guides are great, aren’t they? Handy little reference books that you can keep right in your bag, and that give you tons of practical information right at your fingertips.

The Landscape Photography Field Guide by Carl Heilman II, published by Focal Press, is one of the best little resources for outdoor photography that I’ve seen in a long time.

No, it’s not a big, pretty coffee table book that you’ll feature prominently in your living room. It’s not even written by one of the big names like Rowell, Shaw or Wolfe. However, it’s filled with an unbelievable amount of usable information on shooting, processing and editing landscape and general outdoor photos. It’s a book that you’ll keep by your bed stand, in your camera bag or in the glove box of your car. It’s a book that you’ll read, dog-ear and wear out from use.

Starting with basic equipment, Carl covers cameras, accessories, sensors, formats, and all the custom functions and features that you’ll want to set on your DSLR body for ideal use in shooting landscapes.

He then moves on to discuss technical matters, such as aperture, shutter speed, ISO, shooting motion, exposure, white balance, histograms, shooting for post production and more. There’s even a complete hyperfocal distance chart and exposure value EV+/- table for reference.

Then he gets into the creative stuff. He talks visualization, composition, shooting video, panoramas and image blends, and light, emotion, sense of place, translating three dimensional subjects to two dimensional imagery, closeups, energy, working with wildlife, aerial and underwater photography, photographing people and shooting in different season, locations, lighting situations. Enough ideas to both teach and inspire.

The last part is full of creative effects, such as selective focus, panning and motion blur, time lapse, multiple exposures, using flash, as well as editing your images in Photoshop, digital workflow and the best ways to store and backup your images. The editing section is actually quite detailed, covering things like sharpening, color enhancements, working with HDR, RAW and JPEG images.

There’s even a quick reference chart that lists common formulas and tips for quick shooting in a variety of situations, and a full glossary that lists all the DLSR and digital photography terms you need to know. And, of course, the book is packed full of images to illustrate every single concept and idea.

At 188 pages, this little postcard sized manual, which only costs around $10-12, depending on where you buy it, is actually an awesome reference book for the beginning and intermediate landscape and outdoor photographer. There is as much, if not more information packed in here than just about any other book on the subject, information that is sure to teach you the craft of photographing landscapes and inspire your creativity.

In fact, for it’s price, size and weight (only 4.5″ x 6″), The Landscape Photography Field Guide is probably the best book in it’s class. If you’re somewhat new to photography, I’d definitely give this book a serious look.

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November 4, 2011
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Book Review: The Landscape Photography Field Guide, by Carl Heilman II

Last year, I wrote a practical comparison of two Nikon telephoto zoom lenses, the 80-200mm f/2.8D vs. the newer Nikon AF-S 70-200mm f2.8G ED VRII. Today I’ll run a similar comparison of two comparable Canon telephoto zoom lenses, the EF 70-200 f/2.8L USM and the EF 70-200mm f/2.8L IS II USM.

Before we go any further, I’ll come right out and say that this comparison won’t feature any graphs or even sample images. Instead, I’ll simply list the features of the two lenses and give you my practical real world advice on which one you should buy. You don’t need graphs to figure this one out, they’re both great lenses. As far as images go, I promise you, either one will give you awesome results.

Canon EF 70-200mm f/2.8L USM

Canon EF 70-200mm f/2.8L USM Telephoto Zoom Lens

The Canon EF 70-200mm f/2.8L USM is an outstanding lens. It’s built to professional standards with 18 elements in 15 groups, it features an Ultra Sonic Motor for internal focusing and it’s got a fast f/2.8 aperture.

For all purposes, it’s a pro lens. It will absolutely give you sharp, high contrast imagery and let you shoot action, sports, portraits, or anything else for that matter, in a wide variety of lighting conditions, inside and out. The large aperture lets in a lot of light and it so it will let you freeze your subjects, even if they’re moving.

Autofocus on this lens is great, just like all pro line Canon autofocus lenses. There are reasons why many sports shooters shoot with Canon gear, they make great cameras and lenses and they’re fast at capturing the moment. At PhotoPlus Expos this year, stopped by the Canon booth and was really impressed by their lineup.

The Canon EF 70-200mm f/2.8L USM would undoubtedly be an awesome addition to your kit. It’s comparable to the Nikon 80-200mm f/2.8D lens that I’ve been using for years with excellent results. You simply cannot go wrong with this lens. (Street price is $1,399.)

Canon EF 70-200mm f/2.8 IS II USM

Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens

Enter the Canon EF 70-200mm f/2.8 IS II USM. This is the latest telephoto Zoom from Canon and it features the Extra Low Dispersion UD Glass and, of course, their latest generation of Image Stabilization. Effectively, it lets you gain 4 stops of stabilization.

This lens is an incredible performer when it comes to shooting quick action and sports. Focusing is fast, it also features the Ultra Sonic Motor, and like the model above, it has a fast f/2.8 aperture. Combined with the IS, this lens lets you shoot in an extremely wide variety of settings.

If you shoot action and sports photography, this would potentially be your first choice lens for a telephoto zoom. However, it costs a thousand dollars more than the 70-200mm f/2.8 version Non-IS version above. (Street price is $2,374.)

So, which one should you buy?

As I said in my Nikon review last year, unless money is not a big factor and you definitely need the IS feature, then it’s a no brainer. Get the newer IS version of this lens.

However, money is a big factor for most of us, and so with that in mind, I’d recommend getting the non IS EF 70-200mm f/2.8L USM. Here’s why.

The non IS version is still an awesome, all around zoom telephoto for a variety of outdoor photography, sports, landscapes and portraits. And when it comes to Image Stabilization, what I’ve found is that most people don’t really need it.

I often hand hold my bigger lenses, and and with the higher ISO performance of modern DSLR cameras, I just don’t see that I’d use the VR often enough to justify the 2X cost, especially for general outdoor photography use.

The reality is that much of the time when you’d need the IS feature, your subject is moving, so it won’t make that much of a difference. If your subject is not moving, then you’d do better to stick it on a tripod anyway. You’ll probably get better results that way.

Here’s my real world advice: Buy the EF 70-200mm f/2.8L USM, and save the extra thousand dollars. You can always use it to buy one or two more lenses, or save up for a 1DS Mark 4. Or you can put it towards a plane ticket to some exotic land where you can take awesome photos with your new 70-200mm lens. I guarantee, for the money you save, you’ll still shoot professional quality imagery with that lens, and have an extra grand in your pocket.

Another Option: The Canon EF 70-200mm f/4L IS USM lens

Canon EF 70-200mm f/4L IS USM lens

Another option is the Canon EF 70-200mm f/4L IS USM lens. It runs about the same price as the Non-IS EF 70-200mm f/2.8, ($1,249) but it has some distinct advantages for the outdoor and travel photographer.

It’s a little smaller and lighter, and it does offer Image Stabilization. As one reader pointed out below in the comment section, if you shoot landscapes or travel subjects, the IS will definitely come in handy. And, in reality, f/4 is only one stop slower than f/2.8, which doesn’t make that much difference in most situations. (I often my own 80-200mm f/2.8 at f/4.) This still makes it a great option for general outdoor use for things like people, wildlife, and action.

With this lens, you’ll still get professional quality results, sharp, high contrast imagery and great bokeh. And many photographers report that this lens actually has faster autofocus then the EF 70-200mm f/2.8L.

So forget what I said above. If you don’t need that one extra stop and want to save on weight, the Canon EF 70-200mm f/4L IS USM just might be the right lens for you. Read a full review of this lens by outdoor and nature photographer, Michael Russell, who uses it for landscapes and wildlife.

——–

If indeed the stars align and you find yourself in position to drop some cash for either of these lenses, consider odering it here at B&H Photo. Doing so will throw a tiny bit of cash my way and it won’t add any additional cost to your order. It’s your way of saying,

“Thanks for taking the time to write this review, Dan!”

November 3, 2011
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Comparing Canon Zoom Lenses: 70-200mm f/2.8L USM vs. 70-200mm f/2.8L IS II USM

I went to PhotoPlus Expo this year with nothing but some clothes, my phone and an iPad. It allowed me to go light and fast and still be able do all my work.

But what if I’d wanted to access my images at home?

If I’d had the Western Digital My Book Live sitting on my desk back in Alaska, I could have pulled them right up on the iPad. And if I had a RAW viewer/editor app on my iPad, I could edit, resize, adjust and export them for upload or email to a client or to a social media site.

I checked out the Western Digital My Book Live Network Hard Drives at the show, and I have to say, I’m pretty impressed.

Here’s how it works and my short review: Before you leave town, you load or update your master image file onto your My Book Live Hard Drive, plug it into your router, and go.

Then, you install the WD 2go Pro app on the iPad. This allows you to log into your My Book Live personal cloud storage and access all your photos and files at home right on your iPad or other mobile device. (The free version, WD 2go lets you view, but not download or modify files.)

Combine that with a RAW iPad app like piRAWnha or PhotoRAW, or just about any number of other photo apps if you only shoot JPEG, you can open, process and export any one of your images, right on the iPad.

That’s powerful mobility at a very affordable price, when you compare it to most network storage options, which don’t give you mobile device compatibility. We actually tried it right from the WD booth on an older iPad, using the rep’s personal image archive at his house. It seemed to work perfectly. Downloading and editing a RAW image takes more time and processing power, so you need to make sure you quit all the other apps that are currently running on your mobile device.

If you’re looking for a reasonably priced solution for viewing or working with your images on an iPad, I’d check these out. Western Digital has a great reputation for making solid hard drives; all of my internal drives are WD and I rely on them every single day.

The My Book Live currently comes in 1, 2 and 3 TB configurations.

See the WD My Book Live Drive at B&H Photo

See the WD My Book Live Drive at Amazon

November 2, 2011
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Access And Edit Images on Your iPad via the WD My Book Live Hard Drive

A few months ago, I attended the PDN Photo Plus Expo trade show, (hopefully you followed my coverage of last year’s show on The Photoletariat), and in addition to seeing all the great new gear, I got to meet a number of photographers who I regularly follow on Twitter, as well as some photo industry clients that I work with, but had never met face to face.

Anyway all that airplane time that it took me to get back to Alaska gave me lots of time to reflect on some of the truisms in today’s photography world and the changing economy. Here are three big fat facts of life that you need to keep in mind as a photographer.

1. Content is Still King

As photographers, we’re all excited about the digital age and about these incredible tools that we have at our disposal. Problem is, Clients Don’t Care. They care about content. Always have and always will. The reality is that if a client LOVES your photograph, they’ll find a way to use it, not matter if you shot it on your 1DS Mark IV, your Holga or your iPhone. Content is always king. Never forget that.

2. Personality Goes A Long Way

Samuel L. Jackson said it perfectly in Pulp Fiction. These days, personality matters big time. Gone are the days when you could be a brilliant creative genius, and a jerk or a cranky recluse. In today’s world, being a great photographer will only get you so far. Being someone who clients and followers find attractive, approachable and positively memorable will lead to much more success.

3. You Can’t Do It Alone

With all that’s required to being a successful photographer today, you simply do not have time to do it all by yourself. This doesn’t mean that you need to hire lots of assistants, and employees. It means that you need to outsource some things in your business, like marketing, Photoshop work, editing, printing, publishing or organizing/scheduling.

It means that you have to work with others to help get your name out there. You can still be a one man show, but you have to know when to use the right resources, whether they be software, equipment or people, to help you get it all done.

If you struggle with any of these three ideas, (don’t worry, you’re not alone!) it might be a good time to put some serious thought about where you hope to go with your photography in the coming year. I’d highly recommend checking out the book Fast Track Photographer, which can help you plan for success. You can read how it helped me, even after 15 years as a working pro.

November 1, 2011
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3 Photography Truisms In The World Today

Who wants a $500 Gift Card from B&H Photo? What could you buy with that?

An SB-900? A 580EX II? A flash AND a decent softbox? A whole mess of Lumiquest tools? A couple of Pocket Wizards?

Here’s the deal. I’m so excited about my new eBook Going Fast With Light that I’m willing wager $500 on it.

Buy Going Fast With Light in the next two weeks and you’ll automatically be entered into a drawing to win a $500 gift card from B&H Photo.

The card is on me, so basically I’m giving 500 bucks to one lucky reader just just for buying my book; $500 to spend on whatever you want at the biggest photo retailer in the entire galaxy.

Awesome informative ebook that’s literally filled with years of pro insight, AND a chance to take my checkbook to B&H Photo, all for less than the cost of a halfway decent camera strap? I don’t think I could offer any more value.

Going Fast With Light: 83 pages of-off camera flash instruction for those who light to go light and fast. Tools, tips and techniques for like to practice strobist-style photography with minimal gear that all fits in one bag. Especially geared towards active and outdoor photographers.

“Because good light doesn’t have to slow you down.”

Get it now.

$12.95

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October 25, 2011
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Going Fast With Light – $500 B&H Gift Card Contest