April 21


The Fuji X-T1 as a Pro Action Assignment Camera

By Dan

April 21, 2014

_DSF3236I just finished shooting a week-long assignment for a new client here in Alaska. The job involved a variety of challenging locations, weather and subject matter that ranged from fast action, outdoor lifestyle, portraits, running kids, extreme mountain terrain, and a host of other photographic situations that pushed both my skills and my gear.

Of course, I took along my Fujifilm X-T1, figuring that I’d shoot it side by side with my Nikon D700. It seemed like a perfect opportunity to further test its capabilities in a very high demand assignment situation where weather, speed, image quality and quickly changing conditions were all huge factors.

Halfway through the first day, we were shooting a scene where the helicopter was hovering and blowing a virtual snowstorm around me and the subject, and that’s when my D700 failed. First time ever.

I got an FEE error message, which means that the camera stopped communicating with the aperture ring. I was suddenly unable to use any of my D-series prime lenses, which make up 80% of my glass. I’m thinking that water seeped in underneath the aperture ring on the body, which is odd, because the D700 is supposed to be weather sealed.

Outventure-Fall-1742Without hesitation, I pulled out the Fuji and shot the entire rest of the job with the X-T1. Nearly 10,000 images. I even got it wet while shooting a “pouring rain” setup where we were spraying water over the entire scene, including me, and it kept working without a hitch. I did my best to protect if from the water and dried it off between each run, but it didn’t fail. (The X-T1 body is built with 80 points of weather sealing.)

I shot by looking through the EVF 90% of the time, but the tilt screen proved incredibly useful for a number of the low and high angle setups, and the Continuous 8 fps was perfect for shooting the action scenes, as well as capturing quickly changing expressions on the lifestyle and portraits.

For some shots, I triggered off-camera flashes and a battery powered strobe using a PocketWizard in the hot shoe, and it worked perfectly. I used facial recognition focus for some scenes and shot quite a few of the scenes in manual mode, making quick, on-the-spot exposure adjustments with the aperture rings on the Fuji XF lenses.


Overall, the X-T1 performed like a true, job-saving champion during the entire week and I’m incredibly happy with the photos. I shot everything in RAW and the only limitation I found was when using slower memory cards during extended bursts of 8 fps. I’ve got a 240MB/S card, which never slowed down. My older 30 and 45 MB/S cards ran into buffer clogs and sometimes took up to a minute to write a fast 8 fps series, but this has nothing to do with the camera, it just means I need to get some faster cards.

The X-T1 is designed to take advantage of the new UHS-II format SD memory cards, like the SanDisk Extreme Pro 280 MB/S card, which is now shipping. For still subjects and short bursts, slower cards work ok, but when you’re running frame after frame in CH mode, the new faster cards are essential. Even the SanDisk Extreme Pro UHS-I 95 MB/S card would have made a big difference over my older cards.

For lenses, I made heavy use of the XF 14mm f/2.8, the XF 18-55mm f/2.8-4 and the awesome new XF 56mm f/1.2 short telephoto portrait lens. All three performed flawlessly and the combination covered all my bases.

The art director and few people on the production team were very impressed with how nimble I was with my lightweight camera setup, which definitely helped keep things moving during a very tight shooting schedule. We planned 5 days to shoot everything, and got it all done in 4. Producers like this, because on a big production like this, one day can save thousands of dollars.

Most importantly, the clients are extremely happy with not only my imagery, but how fast and adaptable I was with my gear. Hopefully this means I’ll get the call again.

To me, all of this reaffirms even more that the Fuji X-T1 is indeed a professional grade camera capable of shooting a top outdoor, action and adventure photography assignment, because that’s exactly what I did with it during the past week.

Even after putting it to extensive use during the past two months, this was the was the first really big job that I’ve shot with the X-T1. I feel as if I’ve gotten to know that camera even better now and am even more confident with how well it performs in all situations. If you haven’t seen my full review of the X-T1, you can find it here.

Support this site: The Fuji X-T1 is shipping now and you can show your appreciation for the time and effort that it takes me to compile and write all of my articles and reviews by purchasing through the links below. It won’t cost you anything extra and it helps keep this site running. Thanks so much!

Order the Fujifilm X-T1 for only $1,299 (body only) at B&H PhotoAmazon or Adorama

Order the Fujifilm X-T1 with 18-55mm lens for only $1,699 at B&H PhotoAmazon or Adorama

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About the author

Hi, I'm Dan Bailey, a 25+ year pro outdoor and adventure photographer, and official FUJIFILM X-Photographer based in Anchorage, Alaska.

As a top rated blogger and author my goal is to help you become a better, more confident and competent photographer, so that you can have as much fun and creative enjoyment as I do.

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