When it comes to resources for learning off-camera flash, we Nikon guys have The Hot Shoe Diaries by Joe McNally. Aren’t we lucky. After all, Joe is The Man. We like to gush all over him.

Worry not, Canon people, you have another option for learning your own systems: Mastering Canon EOS Flash Photography by NK Guy. 432 Pages and 15 chapters of Non-Nikon flash instruction, written just for you.

This authoritative guide was written to teach you how to navigate your way through Canon’s own Speedlite system, (of which I know nothing about!) and according to reviews, it does that exceptionally well. It’s been called this the “Missing Manual to Canon Flash.”

Starting with the fundamentals, Mastering Canon EOS Flash Photography covers the basics of Canon flash before delving into key lighting concepts like flash exposure compensation, bounce flash, daylight fill flash and how add a second flash.

Part B is all about technology and Canon’s specific settings. Automatic flash metering, using external Speedlites, ambient vs. flash light metering, A-TTL, E-TTL, High-speed sync, Slow shutter sync, metering patterns- it’s all covered, and then some.

Part C deals with equipment. This section details the entire line of Canon Speedlites, both new and old, as well as a huge range of compatible third-party units. It also covers flash accessories and light shaping tools. Stands, clamps, softboxes, diffusers, reflectors, studio flash, wireless flash control and radio triggers. There are over 150 pages of useful items listed in this chapter alone. It even tells you how to make a Nikon SB-800 play nice with your Canon toys. Imagine that.

Part D covers technique. This is where you learn more about concepts such as light direction, color, intensity and quality. This is where you learn how to build images using your Canon flash. Hard light. Soft light. Ambient light. Wide light. Narrow light. Enough detailed info and examples to really expand your creativity and technical capabilities.

In addition, there are appendices, FAQs, tables, list, flow charts and, of course, tons of great photo illustrations. There’s even a forward by none other than Mr. Strobist himself, David Hobby. And he’s a Nikon user!

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Mastering Canon EOS Flash Photography is a well written, comprehensive manual that will show you how to understand and get the most out of your Canon flash system. If you’re a Canon user, I’d highly recommend this book as a very worthy investment and reference manual to your craft. Even if you’re a novice flash user, it’s something you can grow into as you progress with your gear and skills.

As much as I like to rave about the McNally book, this one actually has way more detailed info about gear, recommended kits for specific types of photography and “How do I…?” type sections.

So go ahead you Canon people, get this book and gush.

September 9, 2011
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Mastering Canon EOS Flash Photography, by NK Guy

When I released How to Become a Pro Photographer eBook, last fall, I couldn’t believe the response. Traffic spiked on my blog and the material presented within was incredibly well received by those who bought the book, as well as those who reviewed it.

Longtime pro shooter and photo industry social media guru Jack Hollingsworth, aka @Photojack, hailed it as a “A 27 page treasure of pertinent information for the aspiring and emerging photographer.” I was honored by that review, because when Jack tweets about the photo business, lots of people pay attention.

Even Fast Track Photographer author Dane Sanders, who has coached thousands of photographers to professional success, linked to the material on his Facebook Page.

Although it’s been out for a few months now, I’d like to reintroduce this great resource to my newest readers and to those people who have been here awhile but haven’t had a chance to check it out.

If you’re considering a career in photography, then this book is for you. Even if you’ve already been working part time as a photographer, this intensive guidebook will tell you the nuts and bolts of what you need to know in order to make a living with your camera. In it, I cover how to get started, equipment and technology, business and marketing, social media and how to put it all together and find success.

Essentially, it’s like sitting down over lunch with someone (me) who has been shooting full time for fifteen years and picking my brain, but on your own time. The reality is that I used to do these kinds of personal consultations for about $50, (one of my former students Keith Ladzinski, has gone on to national fame as an award winning professional shooter.

Unfortunately, as much as I like to help the newer photographers and those who are just starting out, I just don’t have the time for ‘one-on-ones’ anymore. So, instead, I put all that time tested knowledge, info and experience into a single reference manual that costs less than lunch. Less than two pints of Guinness and a tip.

The 27 page PDF download that you can read on your computer, or take with you to refer to on your iPad or other mobile device. There’s even a Kindle Version.

Want to make money with photography? The do what Jack said in his review. “Get busy. Start reading.”

Buy the book or read more about it here.

$8.95

September 7, 2011
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How to Become a Pro Photographer eBook, Revisited

Today, a guest post from Emerging Pro columnist Anne McKinnell, who is currently enjoying an extended road trip away from “real life.”

———-

During my 17 years of self-employment, I always organized my work so that I could take a month off every summer. I renewed my interest in photography a few years ago and noticed that some of my best images were made during these vacations when I had time to experience new places, find inspiration, and experiment with new techniques.  It’s just not the same when you only have a day on the weekend to create your masterpiece.

When I started planning my career switch into photography, it was hard to take people’s advice to keep my day job. I know it is tough making a living in photography. But I also know that, for me, doing it part-time would not equate to giving it my best shot.  To give this a fair shake it needs my full attention.

So I decided to take a risk. I sold my house in Victoria, BC, took half of the money and put it away for the future, and I’m spending the other half taking a year-long travelling adventure with the goal of photographing as many national parks and beautiful places in North America as I possibly can.

I get different reactions when I tell this story around the campgrounds: all the older people tell me I am wise to take this adventure when I am young while I still can; all the young people look at my like I have two heads and ask me what I’ll do when I get back.

I think the older people understand something that most younger people do not: it’s not about money or success, it’s about enjoying your life, and if you wait until retirement you might not get to do it at all.  There is more to life than money and owning stuff.

So many times I have looked back and wondered where the last year went. Often I would have memories of that month long vacation, a few boating trips, and some visits with the family. All in all I could account for about 2 out of the 12 months being memorable. The rest of it sped by.

So far, in my new life, I have been travelling for 3 months. It seems like a lifetime ago that I lived in my house in Victoria. I have made so many new memories since then. People say time flies when you are having fun, but it seems to be the opposite for me. Years fly by when I’m wasting them doing the same thing day after day. When I’m making new memories, time slows down. Now I am inspired, I have time to imagine new creative ways of expressing myself, I have time to experiment and play.  Now I’m living!

If you want to make a similar change in your life, I have one valuable piece of advice for you that has been the key to the whole thing. Without it there would be no adventure. No Debt. Debt is the one thing that keeps you tied down and prevents you from making choices. Start paying off your debt. Stuff doesn’t matter, sell your stuff, it owns you. When you have no debt you are free.

You don’t need to have a ton of money saved up to travel or to quit your day job to pursue your dream. You can afford it as long as you have no debt. Many people have found ways of travelling or making other life changes with no savings at all. And with a little time on your hands to think, I have no doubt you will find your own creative methods of accomplishing what you really want.

I don’t know if I’ll be successful in my career switch, but now I understand that it isn’t about success.

Take risks:  if you win, you will be happy; if you lose, you will be wise.  ~Author Unknown

To find out more about Anne’s journey, follow her adventures on her blog: http://blog.amckinnell.com

September 6, 2011
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It’s Not About Success, by Anne McKinnell

I like to think that I’m an early riser. However, given difference between Alaska and the places where many of you live, it’s all relative. By the time I’m sitting down at my desk banging on my keyboard, or shooting sunrise photos in the mountains somewhere, chances are you’ve already been working for a few hours.

Anyway, in my continuing quest to inspire, educate, distract, humor and entertain, I’ve decided to focus on three great photography related blog posts that I stumbled across this morning in my bleary eyed pre-breakfast web surfing session. Enjoy.

1. Online critiquing is all a joke by Olivier du Tre

How many of you including Heather have had one of your Flickr photos ripped to shreds by someone you’ve never met? Happens all the time? Where’s the love in that? Healthy debate and constructive critique are one thing, but blatant criticism of someone’s personal imagery is just uncalled for.

Obviously Olivier doesn’t think too much of this either. He shares excellent insight in his rant, and posts a few great links. My favorite ones are the two at the bottom of the page called great-photographers-on-the-internet; basically imaginary negative critiques of famous historical photographs. Check it out.

2. The Eiffel Tower Lightening Photo on the BBC News Website

Lightening photos are always cool, in fact this is only one of a few really good dramatic ones that I’ve seen already this morning. I’ve never been able to capture a good one; they’re pretty hard to get. It’s all about timing and being in the right place at the right moment. Apparently Bertrand Kulik was when this amazing strike happened. It’s a great illustration of the fact that sometimes great photos are 90% just being there.

3. Are You the Future of Photography or The Problem With It? by Chase Jarvis

Crowdsourcing is quickly become a fact of life in this day and age and photography is certainly not immune to this reality. With Twitter, Facebook, Google+ and 537 million photography blogs, it would seem that photographers are taking over the world.

While some lament that so much imagery is undoing the very fabric of creative photography, I would argue that all of this shooting and sharing only drives creativity skyward. In his post, Chase outlines why he thinks the future of photography is “pretty damn interesting.” I concur.

———–

Finally today, I’d like to ask you to sign up for my newsletter. In addition to giving you a summary of my recent posts, in case you missed any of them, I throw in additional creative photography tips, resources, links, tidbits of professional insight and notifications of upcoming eBooks. (I have a few in the pipeline!) It’s like getting the special deluxe expanded version of this blog for free.

Even if you’re already an email subscriber, go ahead and sign up for the newsletter so that you can all that extra special deluxe stuff that I just told you about. And don’t worry, your email address will only ever be seen by me.

As always, thanks for reading. Now go out and be creative today!

Get The Newsletter



September 1, 2011
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3 Great Photography Posts I Found This Morning
Sunrise, Eastern Alaska Range

Fall comes early in the Alaska Range. Come to think of it, fall comes early in all of Alaska and it doesn’t last very long. Up in the high country, where there are no trees to change, maybe just a few short willows, all you have to tell you that the end of summer is here are the thin patches of ice that sit on top of small pools of standing water, the quickly shifting hues on tiny tundra leaves and the increasing chill in the morning air.

I shot this photo as sunrise last week while camped in White Creek basin in the Eastern Alaska Range mountains near Tok. For as much as I love shooting landscapes, I don’t find myself doing it nearly as often as I’d like to, for whatever reason. I get busy. I get lazy. I get caught up in assignment work and marketing for assignment work. Who knows.

One of the things that keeps me inspired, though, is looking at work by some of my other photographer friends and some of the many shooters that I follow on Twitter, Facebook and Google+, people like Carl BattrealOlivier du Tre, Bret Edge, Russ Bishop, Younes Bounhar, just to name a few. Yep, even I need a little prodding sometimes and so I grab motivation wherever I can get it.

Shot this with the Nikon D700 body and trusty Nikon 24mm f2.8D lens on top of my new Manfrotto 732CY Carbon Fiber Tripod and Giottos MH1302 Quick Release Ball Head. I like the overall darkness in the foreground. I tried lightening up the stream in Lightroom, but it just seemed to wash out. Plus it gives it that cold, dark feeling, which matched the feel that the scene had in real life.

You don’t always have to bring everything up to make a nice even histogram. This one’s pretty left heavy, but that’s the way it looked to my eyes. Works for me anyway, what do you think?

August 31, 2011
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Sunrise, White Creek Basin, Eastern Alaska Range
Hiking, Chugach Mountains, Alaska

A few months back I wrote a post called 5 Reasons Why You Should Become a Professional Photographer. (As if anyone needs more convincing to jump on that career ship!) Today we look at 3 more reasons why working for yourself rules. While they’re not all specifically geared towards freelance photography, I’m sure that you can relate to some or all of them.

If for some reason the gloss has worn off of your career, or if you’re not yet a working full or part time photographer, here’s a little reminder as to why you do this, or what you have to look forward to.

1. You Can’t Wait To Go To Work

4:30 AM comes pretty early, especially after a long night of star gazing and beers around the campfire, not to mention after the ten-mile hike in just so that you could catch the sunrise in some particularly gorgeous mountain valley. Sure, the sleeping bag is warm, but the thought of capturing brilliant light on that peak reflecting in the lake yanks you right out into the chilly darkness. Don’t forget your gloves, the tripod legs will be cold after sitting out next to your tent all night.

Or, maybe it’s 3:30 AM, you’re at home and you just can’t sleep. Your brain won’t turn off; it’s humming with ideas and all you want to do is get up and start working. You just don’t want to get going that early unless its yours. That was me this morning, when the idea for this post came to mind. Believe me, I’ve usually got magical sleeping powers. Just ask anybody who has camped with me. However, even sometimes I can’t activate them when I’ve got work on my brain.

2. You Get To Work Half Time

One of the wonderful things about being self employed is that it allows you the flexibility to work half time. Yep, that’s right, half time, and the best part is that you get to choose which 12 hours each day you’re going to put into your business. Oh, and actually, sometimes it ends up being 14 hours, but you get to choose which 14 they are. Don’t worry, you can break them up with an afternoon bike ride and go back to work after dinner.

3. You’d Do It For Free

This is an important one, because when you start out, you may very well be working for free. Not that you’ll shoot jobs for free, but if you add up all the time that you put into your business between photography, office work, marketing, social media, creative brainstorming, and divided up your income by how may hours you actually put into your business, it might not come to much. Especially when you’re starting out.

And you know what? Who cares. You love what you do and you wouldn’t trade it for anything. Not even for a million dollars. Hmmm… well, maybe a million, but only if I get to keep the camera gear.

August 30, 2011
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3 Reasons Why Working For Yourself Rules

Pictures this: You come across a great subject, become filled with creative excitement and then get down to business with the camera. You shoot a couple of initial frames, you know, just to get things started, and then you break out the fancy lighting toys and work the scene like you always do.

Unfortunately, though, after switching lenses, throwing on the flash, dialing in the proper fill, and them moving in close to play around with a number of tried and tested techniques and angles, you fail to come up with anything that’s as good as the first one you shot.

 

So what happened? Who knows. Maybe your model got a little self conscious. Maybe you got a little self conscious. Maybe technique overshadowed creativity, expression and moment. Maybe you blew the flash settings. Maybe you just tried to force it. Maybe the stars just weren’t aligned right.

Yep, sometimes that’s just the way it goes.

This happened to me last week while on assignment down in Seldovia, Alaska. I stumbled across this great looking woman, approached her and asked her if I could photograph her beside her garden. She very politely obliged and let me me spend the next ten minutes of her life telling her where to stand and exactly where to look.

I shot the first image above, then pulled out the SB-800 and Lumiquest Softbox III that I always carry in my bag now. I stuck the flash on a SC-28 TTL Remote Cord and proceeded to do my thing.

However, nine and half minutes later, I had failed to capture anything that captured her easy, soft happiness as she has my first shot, which I quickly snapped under overcast skies from a comfortable distance with the 85mm f1.8 lens.

Great moments are fleeting. Being a good photographers doesn’t ensure that you’ll make a great image every time. I was lucky to get that first shot, and in fact, I could have just as easily missed it.

August 24, 2011
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Sometimes Your First Creative Idea is The Best One

Tell me if this is you. You do your research, find the title you want, then head to the bookstore to make your final purchase. Once there, you discover a number of other titles of the same subject and spend the next hour flipping through them, trying to decide which one to by. Yep that’s me too. Imagine what you could have done with that lost hour.

When it comes to Adobe Photoshop CS5 books, there are a number of great titles out there, all of which are well written and packed with enough info to keep you busy learning the software for months. Problem is, though, that each book is written in a particular style that may or may not present the material in a way that matches your own learning style.

I’ve reviewed each of these books in previous posts on the blog, but today we’ll compare them in terms of your own learning style, your own experience with Photoshop and what you’re looking for in a Photoshop Book.

Guidebook for the Novice Photoshop User

You’ve a new or beginning Photoshop user, or you’ve had a previous version of Photoshop on your computer for some time, but never delved too deeply or learned all that it can do. Maybe you’ve been using Photoshop Elements or some other photo software, but your photography skills and experience are growing and you’re eager to take your imagery to the next level.

You’re not quite ready for one of the bigger manuals, and are looking for some basic instruction to get you started.

You want Adobe Digital Imaging HOW-TOs: 100 Essential Techniques for Photoshop CS5, Lightroom 3 and Camera RAW 6 by Acclaimed Photoshop author Dan Moughamian. Dan’s book starts at the beginning and will help you establish a solid workflow from scratch, while gradually opening you up to some of the more powerful tools that Photoshop has to offer

Read my review of this book.

Jump Right In and Get Your Hands Dirty Style Book

You want to know the fastest way to achieve professional results from your imagery. You want to get in quickly, learn the techniques and methods that the pros use and see how to apply them to your own workflow. Maybe you’re already an experienced Photoshop user, are coming from a previous version and want to learn how to apply the latest tools to your own workflow. You want practical, down to earth, conversational, and you don’t mind a little off the cuff humor or the occasional rant. You want to learn Photoshop with the guy with whom you’d like to share a beer.

You want The Adobe Photoshop CS5 Book for Digital Photographers by Scott Kelby.

Kelby is the world’s leading expert on Photoshop and his books have long been award winning favorites. They’re concise, clearly written in a friendly style, and filled with Scott’s patented “Killer Photoshop Tips” that can help you quickly and efficiently move through each step of the software.

The format and goal of the Kelby CS5 book is to get you up to speed as quickly as possible. Essentially, he walks you through his own digital workflow while showing the exact methods that he uses to edit, process and output his images. With Kelby’s book, you’ll learn pro techniques, insider tips and time saving workarounds that will make you an efficient Photoshop user as quickly as possible.

Ready my review of this book.

Complete Reference Manual

You want to know EVERYTHING about Adobe Photoshop CS5. You want a detailed manual that walks you through all the new tools and actions that have been packed into CS5. You want to know multiple ways of how to sharpen or retouch a photograph and you want all of this info written in a through, intelligent style and no sophomoric humor to get in the way of the learning process.

You want Adobe Photoshop CS5 for Photographers by Martin Evening. Martin is an internationally renowned Photoshop user and an excellent teacher. His books offer step-by-step tutorials, professional tips, and hundreds of illustrations, screen grabs and video lessons.

At 768 pages, this is the Photoshop CS5 Bible. You won’t find a more thorough guide to this program anywhere. It’s the kind of book that you’ll need to grow into if you’re a beginning Photoshop user, but even so, it’s all there if you need it.

Read my review of this book.

Photoshop CS5 Workshop In A Book

You’d really like to take a weekend workshop on Photoshop. Maybe you don’t have the time, or else none of those big name PS guys come to your town. You like to learn material in big chunks, devouring entire chapters and then taking the time to digest and practice what you’ve learned, while being able to go back to the reference manual.

Adobe Photoshop CS5 for Photographers The Ultimate WorkshopYou want Adobe Photoshop CS5 for Photographers: The Ultimate Workshop by Martin Evening and Jeff Schewe. Written by not just one, but a pair of acclaimed Photoshop Gurus, this book is exactly that, a workshop in a book. It’s a compete tutorial that shows you how to master the features and tools that CS5 has to offer and how each method fits into a compete photography workflow.

The book is broken up into 13 topic-based chapters, each of which are designed to replicate a single workshop session. It also comes with a DVD that contains over 3 hours of tutorial content, as well as a number of other goodies.

If you’ve got the time, energy and enthusiasm to spend delving into Adobe Photoshop CS5 on a workshop type schedule, then this book is a great choice. Read my full review here.

August 23, 2011
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Which Adobe Photoshop CS5 Book is Right For You?
Well past midnight in Barrow, Alaska

Here’s something that I learned recently during a recent trip to the far north. Ok, so I didn’t just learn this rule, I learned it a long time ago, just like you did. It’s just that in the course of being a photographer, I keep relearning it over and over again. You probably do too:

Magic Hour Rules.

Plain and simple. It makes everything look better. Take Barrow, Alaska. A really cool place indeed, (no pun intended) but not always the most photogenic location in the middle of the day. Being right on the coast of the Arctic Ocean, they get lots of fog and overcast skies. Photos of Barrow in the summertime at noon, 3:00 PM, 6:00 PM, or even 8:00 PM just don’t always look very appealing.

However, wait until midnight, when the light really starts to get good and it’s a whole different story. Barrow comes alive with color and brilliance that’s seldom seen at any other time. It makes you understand why people might have settled here back in the day. Despite being an extremely harsh environment, it still has the same type of beauty that other, warmer places have too.

Of course, if you go to Barrow in the wintertime, remember, that you might have to wait awhile for Magic Hour. Along with the sun, it’s gone for three months at a time. It comes back, though, and when it does, just imagine what it the place looks like for those brief moments when the low sun illuminates all the snow and ice that covers everything in sight.

Whaling boat

August 22, 2011
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Magic Hour in Barrow, Alaska

Wow, was that fun, or what?!

Two camera bags, four media cases, two greeting card sets and a handful of custom prints- all going out the door to the lucky winners from the “Thousand Fan Thank You Giveaway Extravaganza” that happened over at my Facebook Page last week.

Actually, the coolest thing for me about last week was all the awesome interaction that we had on the page. I had a great time reading about what inspired you to become photographers, what gear you want, where you want to go shoot, and about your funniest photography-related mishap.

And, of course, I really enjoyed looking at your favorite images. Even though I chose the winner of the Lowepro Pro Runner 200 photo backpack at random, I didn’t pick until after I had taken the time to view every single shot and Like or comment on them wherever possible.

I saw last week as a great opportunity for me to get to know you guys as people, colleagues, acquaintances and friends, and not juts as fans. After all, you look at my photos and read my blog posts every week and know me at least well enough as Dan instead of as just Photographer, right?

So, thanks for putting the Social in social media and for playing along. To those of you who won stuff, congratulations. To everyone else, don’t be a stranger. Keep your head up and post a comment every once in awhile to know that you’re still there. I welcome all the interaction that I receive each week. And, maybe you’ll win something in a future contest. You never know, this was so much fun, maybe I’ll start giving away stuff more often!

Also, a special thanks to Lowepro for donating the gear that made this all possible. Do them a favor in return and check out the Lowepro website. They’ve got some great new products, including the Photo Sport AW series. Also, you can sign up to become a Lowepro Preferred Photographer, which will allow you to have some R&D input and receive info about new gear before it’s made available to the public.

Finally, if you missed out on the contest, head on over to my Facebook Page and become a fan. We have lots of fun over there… just ask any one of my fans, friends and colleagues.

August 15, 2011
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Lowepro Giveaway Week a Success!!