Yesterday Chase Jarvis wrote a post called 3 Insights on the Evolution of Photography & Filmmaking. It’s good, you should go read it. In it, he talks about the dramatic shifts in technology that have allowed many photographers to start shooting video.

Corey Rich and Michael Clark are two good examples of people who have moved in this direction. Both contemporaries of mine, they started out as still photographers and have now expanded their businesses to include film and video production as well. Good for them, they’re both very talented artists and all around great guys. If you see either one of them, tell ’em I said hi.

I, on the other hand, am one of those photographers who has never shot a frame of video with my camera. I made a short video with my Flip last year called The Snow Bike and the Super Clamp, but that doesn’t really count.

I think the reason that I’ve avoided it so far is that I’m scared I’ll like it too much. The reality is that as busy as I am with still photography and writing, I just don’t see having the time to devote to shooting and producing video. Being somewhat of a control freak with my business, I’d feel compelled to do all the editing, titles, post production, and of course, the music. After all, I do have a degree in audio production and engineering and have the capabilities to score music for film and video. I already run out of hours every day as it is!

But enough about me. This is about you, so here’s my long winded follow up to Chase’s post.

Like he says, if you’re interested in moving towards video, then by all means, now is the time. Dive in, invest and explore your creativity. Video and film production equipment has never been more affordable, and with clients demanding a wider variety of content these days, if you’re good and can market yourself well, you’ll find the work.

However, if you feel, for whatever reason, that shooting professional video is not for you, then don’t feel that it’s something you HAVE to do as an added career, because it’s not. I can say this, because I’ve had numerous industry people tell me that I NEED to start shooting video. Like I said above, I haven’t made the jump and plenty I’m happy, and busier than I’ve ever been.

Video is not the only road to success for photographers in this day and age. It’s ONE possible path, but there are many other creative ways to adapt your business model to evolve with the changing times and industry.

In the end, YOU are the only person who can determine which path is right for you. Don’t ever forget that.

October 4, 2011
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My Thoughts on Photographers And Video: Just Do it. Or Not.

We moved to a new neighborhood this past summer and so I’ve been discovering the expanse of trails that wind through hilly forests just a few blocks away. It’s like having my own outdoor studio right near the house!

Did some trail running photography over there this weekend and snagged this shot at the end of our session. I used the Nikon D700 with my go-to portrait lens, the Nikon 85mm f1.8D. Light was from a single SB-800 Speedlight that was placed inside a Photoflex Octodome NXT off to the side and triggered the from the camera’s pop-up flash.

To me, this shot is a great illustration of why it’s worth the energy and a little bit of extra gear to take a small strobist lighting rig with me no matter where I go. We were inside the forest here, and while the shaded overcast evened up the ambient light some and prevented any overly dark shadows on her face, without the flash, it would have just lost the catchlights, the definition and the “pop” that really bring this image to life.

Strobes do make a difference, and they don’t have to slow you down.

October 3, 2011
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Portrait of a Trail Runner

 

Hey there. See that little box with the orange mountain photo over on the right that says Subscribe to My Newsletter:…? Do me a favor… actually do yourself a favor and fill it out.

Why? I’ll give you 3 reasons why you should:

1. You’ll Never Miss A Post

Let’s face it, your life doesn’t revolve around my blog. My life revolves around my blog, but you’re not me. You’re busy, and as much as you enjoy learning about photography, you have lots of important things that you do in your life that don’t involve reading my blog every single day. Hopefully one of those things is going outside to take photos on a regular basis.

My newsletter is a summary of my recent blog posts that gets delivered right to your inbox. This way, you can look over the topics on your own time and catch up on anything that you might have missed, or that you find relevant and/or interesting as it relates to you own photography.

2. You’ll Get Exclusive Content

Ok, my newsletter is more than just a summary of posts. It’s actually a fun, fact filled electronic publication that’s packed with additional tips, creative ideas, professional insight, interesting links and other content that only YOU get to see. It’s like getting the special deluxe extended version of this blog for free.

3. You’ll Save Money

If you read my newsletter, you’ll hear about my upcoming eBooks and other products before anyone else. Not only that, when I actually bring these ideas to fruition and release them to the public, guess who will be standing at the front of the line holding a number?

And if I decide to run any special offers and discounts, guess who will be notified of them first? That’s right, you. In fact, there will be some special offers that only you’ll hear about. How’s that for special treatment?

Even if you already subscribe to this blog with email notifications, or if you follow me on Facebook and Twitter, you should still sign up for my newsletter, because you’re not getting any of that additional stuff. You want that stuff, right?

You also want to know what you’re getting into. Click here to read an example newsletter.

Know that your name and email address will be held in strict confidence and only used by me to send you correspondence that relates to me helping you become a better photographer. And, if for whatever reason, you find that you just can’t keep up with all that extra photo goodness, you can always unsubscribe.

So that’s the why. Are you ready? Then scroll back to the top of the page and sign up!!

September 28, 2011
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3 Reasons to Sign up for My Newsletter

Fall is officially underway, which means that it’s time to look back and reflect on all the great adventures that you had this past summer.

Also, as impending October prepares to swing us into the last quarter of 2011, it’s a great time to think about how your photography has shaped up during the past nine months and what you can do to adjust it’s course as you ride out the rest of the year.

2011 began with great promise, and whether you’re a professional or an enthusiast, I know that you had ideas about how you wanted your photography to progress this year. Maybe you wanted to learn some new skills or software and delve into a new style of image making. Perhaps you wanted to try out some new marketing ideas and get more clients or start a photography business. Or maybe you just wanted to buy some new gear and expand on your existing skills and style.

Well, with 2011 now three quarters behind us, I ask you this question: How have you done so far?

Are you satisfied with your professional growth for the year, or with the quality of your imagery? Are you exceptionally excited about what’s coming out of your camera these days? Are you as busy as you hoped you’d be when the year started? Are you more efficient? Are you as proficient with Photoshop as you hoped you’d be?

If you’re not 100% satisfied, (we never are!) then now is a great time to take a quick look at your photography and make the necessary adjustments before charging into the final quarter of the year.

Think about how you want Oct-Nov-Dec to look and what you hope to accomplish, whether it’s creating some exceptionally memorable autumn images or selling more prints for the holiday season, which, I’ll remind you is right around the corner.

Grab your Moleskine, open a blank page in your notebook, start a mind map, comment below, or do whatever it is that you do to brainstorm, and come up with a few new ideas that you feel can help you adjust for the end of the year. Think creativity. Think marketing. Think different. Oh wait… that’s Apple’s motto.

Do it now, because once October hits, those last three months will fly by. 2011 will be over before you even know it.

September 26, 2011
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Photographers, Get Ready for The Last Quarter of 2011

Tomorrow is the Autumnal Equinox, which means, sadly, that the summer of 2011 is all but over. Done. Finished. Curtain closed. Packed up and gone home. See you next year.

Looking back, I can say with much excitement that I had a great summer. Assignment work took me to varying corners of Alaska, places like Barrow, Skagway and Seldovia. I stayed up late under the midnight sun. I hiked mountains in the Chugach. I caught kings, silvers and sockeyes. I bought a little yellow taildragger and found some real adventure flying around Southcentral AK and landing on bush strips and river bars.

And although it seems that I never shoot quite as much as I’d like to, I added a new tripod, more Speedlights, and a few other goodies to my camera bag, shot hiking, trail running, landscapes, people, travel, aviation and watched my skills improve even more. It excites me to think that after fifteen years, I’m still getting better as a photographer. That’s the way it should be, right?

What about you? How did your summer turn out? Did it live up to the hype? What did you shoot? Where did you find adventure? What gear did you buy or try out? Did you get some photography work? Were you happy with what you shot and learned this season?

Love to hear your comments and see links to your favorite shots from the past few months. Post below and, of course, have a great fall!

September 22, 2011
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Photographers, How Was Your Summer?

You want something great? Something inspired? Something that’s beautifully introspective and full of profound insight? Then give a guy like David duChemin a huge block of time with nothing to do but think and write and that’s exactly what you’ll get.

His brand new eBook, The Inspired Eye 3- Notes on Creativity for Photographers is the most inspirational and explanatory book on creativity that I’ve read in a long time. Maybe it’s the best one ever. I don’t know, I’m still reeling from that fact that I wish I’d written this book. Not that I begrudge David, how can you begrudge a guy whose spent the past few months in a wheelchair? (He nearly fell to his death in Venice last year.)

You can’t, but you can at least have some envy the vast amounts of solitude that’s he’s had lately. (Don’t you just hate being interrupted when you’re furiously creating?!) Solitude, as David explains in his book, is one of the most necessary elements for creativity, and having just read through the entire book, I can say that he’s used his quite well.

Within the pages of The Inspired Eye 3, which is the third book in his series about creativity, David explores what guides us along in our creative process and also what tends to block it. Of course, if you read it, you’ll see that most of what blocks it is our own excuses, procrastinations, fears, justifications, blah blah blah… you get the idea. We’re our own worst enemy towards being creatively productive. We’re the ones that build the wall.

Exploring such ideas as imagination, visual sketching, risk, talent, action, play, trust, among others, David lays out how each one plays a role in the creative process and how to break through those blocks that hamper our best and most closely held ideas. He interjects fabulous quotes from some of the most famous minds like Albert Einstein, Mozart, Pablo Picasso, John Cleese and Henri Matisse.

Some of the best quotes, however, come from David himself. My favorite is this one, because he seems to have written it just for me.

“Forget the thousand ideas screaming to be brought into the world. If you listen to all of them, you’ll never get to work… Stop it. Pick one. Move forward. And when it’s done, pick another, and finish that one too. But which one to focus on? Who cares!”

What’s that? You say he wrote that for you too? See, I told you he’s good!

Regarding the photography in The Inspired Eye 3, my favorite is the 12-shot series of the pier that illustrates his sketching ideas towards making the final image. This is a great reminder that even perceived giants like David duChemin sketch and work through a process when they make their best imagery. Creativity is work. It takes time, energy, risk and of course, placing the camera up to your eye and snapping the shutter. Even when you don’t trust that what you’ll get will be great.

Having read and reviewed a number of David’s eBooks during the past year I’ve come to this conclusion: Every single one is worth buying. I liken them to quarterly journals that still only cost as much as a monthly magazine or a 16oz cup of chai. I’ve certainly gained a tremendous amount of useful insight from his eBooks, which is why I feel so good about recommending them to you. At only $5, they contain more motivational bang for your buck than just about anything.

So get The Inspired Eye 3- Notes on Creativity for Photographers, tuck yourself into a quiet corner to read it, and then delve into your own process and see what comes out the other side.

As always David, thanks for the inspiration and keep healing.

 

 

September 20, 2011
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The Inspired Eye 3: Brand New eBook by David duChemin

HDR is good. HDR is bad. Think what you want, HDR is here to stay, just like full body scans at the airport.

While I’ve certainly seen my share of HDR imagery, some of which I really like, (Ken Kaminesky, Scott Frederick) I haven’t really had a chance to experiment in the HDR realm with my own imagery.

Part of this is because I’m such a purist. Ok, not really, but I like to pretend that I am sometimes. Really, it’s because I just haven’t devoted any time to it yet. Like anything else, becoming proficient with HDR takes time, and between photographing, writing, playing outside and flying the little yellow Cessna, I find myself a little short on that stuff.

Anyway, while in Seldovia this weekend, I came across what seemed to be a perfect scene for HDR experimentation. Resting my Nikon D700 w/ 24mm f/2.8 lens on the bridge railing, I shot a series of images at different exposures down the slough and merged them together using the Adobe Photoshop CS5 “Merge to HDR Pro” command. After a few quick slider tweaks, I ended up with this shot above. (The lightest and darkest of the 5-image series are below.)

I like it, but I’m new at this. You can tell because it’s still pretty subtle. My purist side is keeping the reins tight, at least for now. I suppose I could have lightened the houses a little more. Let me know what you think. Should I go more drastic or does this work?

In the end, HDR is just a tool that offers increased creativity and I’m excited to keep experimenting with it and looking for possibilities where it might apply in my own photography.

September 19, 2011
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Welcome to HDR: Sunset, Seldovia, Alaska

Just a very quick post this morning- barely even have time to write this one! Anyway, I’d like to feature another talented photographer’s work today. While cruising around on Google+ this morning, I stumbled across some really great shots by California photographer, Steve Sieren.

This is the first time that I’ve seen Steven’s imagery but I really love his work! He’s got a great compositional eye and he produces some stunning landscapes. Check out more of his photos at his Google+ profile. Even a brief visit will be worth your time because you’ll probably come away with a strong dose of daily motivation. I certainly did.

Have a great day.

September 15, 2011
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Landscape Photography By Steve Sieren

I just listened to yet another story about the bad economy this morning on NPR. I keep hearing about how many people are out of work about how they are simply not finding jobs. Even people with jobs are simply treading water, barely keeping their heads above water. The new economy is simply leaving many people behind.

Anyway, this got me thinking, because despite the crash of 2008-2009, my photography business is back on track and is certainly doing better than it had during those lean years when the entire global economy contracted. Assignment work is way up and I have more income streams flowing than I did before the crash.

Is it the same with you?

Before you answer, we need to realize that as self-employed creative types, we are at a distinct advantage when it comes to navigating the changing economy. Hold on, a minute. I’m not saying that it’s easy for us, and yes, we certainly face the continuous battles of educating clients, tightening budgets, lowball pricing, market saturation of imagery and diminishing perceptions about the value of intellectual digital content in today’s world.

However, what we have going for us is that we’re not widget makers or pencil pushers. Many of the jobs that have been lost revolve around manufacturing and middle management, and the hard truth is those jobs are not coming back. Another widget factory is simply not going to spring back in our town and re-employ everyone who got laid off when the first one closed. Read Why Software is Eating The World, by Mark Andreessen.)

Our business models revolve around specialized creative skills that not everyone can replicate. This gives us at least some job security. More importantly, though, we are in control of our own destinies. We have the power to shift our focus and to add new skills, services or products to our business models.

I’ve added writing, blogging, more Speedlights, teaching and a host of other elements to my own model, all of which have contributed to my increasing success during the past two years. You’ve probably done the same thing with your own diverse set of skills as well. Is it paying off?

In his book, A Whole New Mind, Daniel Pink asserts that the future belongs to right brain creative types. If that’s indeed true, then we’ve already got a head start, we just need to keep adapting to the rapid changes that our world an our economy keep throwing at us as it continues to evolve.

So, answer this poll and then leave a comment, telling me what you’ve done to advance your own photography business and increase your potential for new opportunities during the past couple of years, or what you hope to do in order to adapt to the changing economy.

As always, thanks for reading and thanks for your input.

[poll id=”3″]

 

 

 

September 14, 2011
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Poll: Photographers, How is Your Economic Outlook?
Photo ©Jim Goldstein

Jim Goldstein is one of many contemporary photographers who really inspires me. He not only produces beautiful work, he writes with great introspection, intelligence and insight.

He’s got a great blog, and although I really enjoy reading his posts, I don’t spend as much time over there as I’d like to. So today, I spent a while poking around his archives and came up with three posts that I’d like to share with you. Check them out, and then, if you have time, root around for awhile and grab some of the inspiration that you’re likely to find there.

1. 10 Tips to Photograph The Unexpected

So much of what I love about photography and life, for that matter, is rooted in the unexpected. I’ve often said that if you always know what’s going to happen, then you’re missing out on the adventure of life.

However, trying to photograph the unexpected can be difficult. If you’re ready at the dra, you’re likely to miss then. Jim’s 10 tips will help prepare you to catch those fleeting moments should they unfold in front of you.

2. Discovering Artistic Impression in Your Photography

As someone who loves music as much, and possibly even more than photography, I really enjoyed this post. In it he talks about the singular expression that each person imparts into his or her own work, whether it be an image or a collection of sound waves.

To accompany his insight, Jim has included a video called “Chlandi Singing,” where an artist’s voice creates patterns in salt that’s poured onto a metal plate. If you’ve never seen this kind of thing before, it’s pretty cool to see.

According to Jim, “We do not capture a clinically sterile view of the world around us. We inject our own unique perspectives, styles, areas of focus, life experiences and personalities into our work.”

How true. Well said, man.

3. One of Photography’s Great Paradoxes

In this post, Jim explores the age old paradox between the journey and the end result. Photography is certainly no immune to this and at whether we know it or not, we all get caught up in this idea every time we go out with our cameras.

It’s even more prevalent when we interject the vision thing. As creative image makers, we spend so much time and energy trying to define a strong vision for our work so that we don’t just head out blindly and snap away, hoping to merely chance a spectacular shot.

However, if we don’t leave ourselves open to the element of chance, then we’re likely to miss out on all the wonder that lies outside of the peripheral edges of our our vision.

Great posts, Jim. Keep it up and thanks for the inspiration!!

-Dan

September 13, 2011
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Three Great Blog Posts by Jim Goldstein