_DSF9379Last month, Fujifilm released a major firmware update for the X-T1 camera, which added 27 new features. One of the coolest additions is an electronic shutter (ES) option that lets you shoot at ultra high shutter speeds. If you enable the ES, the camera will switch over when you pass 1/4,000 sec, and allow speeds of up to 1/32,000 second. That’s “one thirty-two thousandth of a second.” Kind of hard is that to say, isn’t it?

Ultra high shutter speeds offer great flexibility in a variety of situations. They allow capture incredibly fast action and freeze the quickest subjects, providing you can trigger the shutter at the right time.

In addition, you can shoot at wide open apertures in extremely high lighting conditions. Imagine shooting portraits in glaring sunshine or creating creamy bokeh with razor thin depth of field in the brightest of light. Or creating relatively dark exposures when shooting directly into the sun.

Doing a quick field test of the new ES on the X-T1, I shot a couple landscapes to test out these awesome new capabilites. The first example above was shot with the ultra fast Fuji XF 56mm f/1.2 lens, in an environment of sunshine and highly reflective snow and ice.

My exposure was 1/10,000 sec, wide open at an aperture of f/1.2. This allowed me to come in close and create a very narrow sliver of focus on that first little ridge of ice and drop the rest of the scene into a soft blur. I love shooting landscapes and natural features with wide apertures, it allows you to accentuate specific features in the scene and bring the viewer’s eye right into the subject.

High Shutter speed test. Low sun over the Chugach Mountains, Alaska

My second example was shot with the Fuji XF 18-135mm lens. Exposure was 1/16,000 sec at f/5.6. This was more of an experiment than a great photo opportunity. I could have easily stopped the lens down and shot at 1/4,000, but I wanted to see how high I could get with the shutter and still produce an acceptable shot.

In my mind, this one has kind of a lunar feel- not that I have firsthand visual knowledge of the moon, but it’s a cool effect nonetheless. At any rate, this new ultra high speed ES adds considerable power to the X-T1, which is already a very capable camera.

The only real limitation is that the ES disables the flash, so you can’t do any high speed sync work using this feature. Perhaps Fuji will add some high speed flash capabilities to the X-T1 in a future upgrade.

If you have the X-T1, I highly recommend getting the new firmware update v/3.0. Here’s a list of all the new features it adds. 

January 21, 2015
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Shooting Ultra High Shutter Speeds with the Fuji X-T1

CLARITY-5-BannerThe latest issue of CLARITY: Photography Beyond The Camera is now out, and I’m excited to announce that I’ve got the cover story!

Not only does my photo appear on the front of the magazine, the issue contains an 1,800 word feature story that I wrote called Below Zero: How to Make Amazing Winter Photographs While Protecting Yourself and Your Gear. The piece contains a variety of tips for dealing with winter light, temperatures and compositional ideas, as well as numerous photo examples to illustrate.

NOTE: Due to the recent changes in VAT, the US shopping cart doesn’t work for EU and UK customers. If you’re based in the EU, use this link to get CLARITY, Vol. 5.

CLARITY-5-Story

CLARITY is a quarterly photography lifestyle magazine that puts the emphasis on light and composition ahead of gear. What I really like about CLARITY aside from the fact that it’s visually striking and looks great on mobile devices as well as regular computer screens, is that the PDF e-magazine approaches photography from a fresh new direction. Also, This photo is one of my favorite winter portraits, and so it’s really exciting to see it on the cover of this issue!

CLARITY covers way more than the standard how-to photography techniques and processing tips. Reading each issue, you’ll learn about the stuff that really makes photographers better at their craft – topics like: working with light, developing creativity, how to make images that communicate your own ideas, the role of the digital darkroom, and more. It’s always packed with great photos, articles by a variety of pro photographers and it even contains supplemental video tutorials. This month contains over 30 minutes of video!

I also like the fact that CLARITY is published by a super good guy named Dave Seeram, who pours his heart and soul into developing and designing each issue. From sourcing authors for the articles to packaging a gorgeous looking magazine, CLARITY is the product of a real person who’s following his own passion for photography in such a way to enrich the lives of other people. In today’s world, people and efforts like that are well worth supporting. It all comes back around.

CLARITY-5-ContentsThis latest issue of CLARITY, which is Volume # 5 contains some really great pieces and a ton of informative content. Here’s what you’ll find in this issue:

  • Portrait Lighting Patterns: Whether you are shooting with natural light or flash, the position of your lights and your camera have a dramatic impact on your portraits. You’ll learn which lighting patterns work best – including a 19-minute video demonstration!
  • Getting Creative: Creativity is a tough beast to master. In this article, you’ll learn techniques to turn on your creativity anytime.
  • Moving To Film: Why would any photographer choose film over digital in today’s face-paced world? Find out why one photographer made the transition and how it transformed his passion for photography. You might find untapped inspiration here!
  • How to Make Amazing Winter Photographs: There are particular challenges that photographers face when shooting in the cold winter months. In this article, you’ll learn techniques for better photos in winter as well as vital tips for keeping your gear safe.
  • Lightweight Lighting Essentials: Part of lightweight lighting is often not relying on “lighting” at all. When shooting in any type of lighting, you’ll learn how the digital darkroom plays an important role in achieving the perfect look you have in mind.
  • Why Image File Formats Matter in Photography: The age-old debate between RAW vs. JPEG never burns cold. You’ll learn the real pros and cons of each format, but it’s not just about RAW and JPEG anymore – there’s a new player in town…
  • The Beginner’s Path to Great In-Camera Photos: Shooting auto is great when you get your first DSLR, but making the transition to manual is overwhelming and often causes beginners to stick with auto. In this article, you’ll discover a natural path to learning manual mode that will help you make better photographs in-camera.
  • Photography Around the World: In our travel series, Chris Corradino takes us into the heart of Italy through inspirational photography and storytelling.
  • How to Make Amazing Travel Portraits (Part 2): Learn 5 (more) tips for making great portraits when travelling the world. There’s a lot to learn, and Piet Van den Eynde shares his vast experience for coming home from your travels with photographs you’ll be proud of.
  • Small Scale Photography: Experimenting with different photographic techniques is the real key to learning. In many cases, it’s helpful to step outside our usual comfort zones and try something new. This is one technique that requires no special equipment, guaranteed to delivery happiness, and further drive your passion for making creative photographs.
  • Lightroom Video Tutorial: In this video, we look at the role of Lightroom Plug-ins and why you should consider adding 3rd party plugins to your digital workflow.
  • Photoshop CC Video Tutorial: Blown out skies? Learn how to quickly replace the sky in any photograph (even with complicated foregrounds) with this shockingly simple technique.
  • Lightroom for Photographers: In our series on understanding the Lightroom Develop Module, we look at sharpening and noise reduction techniques – all inside Lightroom.
  • Food Photography: What edition of CLARITY would be complete without a good recipe? In addition to some yummy treats, you’ll also learn 4 timesaving tips for better food (or any staged) photography.

CLARITY-Issues

You can get the latest issue of CLARITY Volume 5 with my winter photography cover story for only $8, or you can buy the magazine as a bundle, which gets you Volumes 1-5, plus the next 3 issues for only $40. Essentially, that’s getting 3 issues for free.

Also, by buying the issue, you’re directly supporting Dave and me because  CLARITY is completely free of advertisements. Thanks, and if grab a copy, I hope you enjoy the Magazine!

You can download the issue here.

CLARITY-5-iPad

 

 

January 13, 2015
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Read My Cover Story in the New Issue of CLARITY

LND-CND-1052

When it comes to shooting landscapes, we often default to wide angles. Yes, the wide lenses do work great for capturing grand scenes in the outdoors, but photography is not about always doing the obvious. If you want to expand your style and become more proficient with different compositional techniques, experiment with different lenses and see what happens.

As much as I love glass in the 14-24mm range, I have an equal love for the short telephoto, especially that magic range of around 85mm to 105mm (I have a 56mm for my crop sensor cameras).

As you increase your focal length, you’ll slightly compress the scene and bring those background elements forward. This allows you to focus on one or two main subject elements in the foreground and place them your background elements, which will be slightly out of focus. Using this technique narrows down the scene and highlights a few simple elements that suggest the greater world outside the borders of the photo.

This first photo above was shot with a 24mm lens. By switching to the 85mm lens, I’m able to create the first photo below. By simply skiing about 100 feet closer to the mountain, my viewpoint changes, which produces the third vertical photo, where the mountain is slightly out of focus. Even by using the same lens, changing up my vantage point gives a very different look

Which one do you like best out of all three of these shots?

Experimentation goes a long way in photography. Next time you want to change up your creative compositions, try with using different lenses on your scene. Mix it up. If your first inkling is to shoot a particular subject with a wide angle lens, try swapping out to a telephoto and see how that affects your photo.

By the same token, if you’re shooting a portrait and you’ve got the short telephoto on the camera, swap out to a wide angle and see what you get.

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January 12, 2015
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Shooting Winter Landscapes with a Short Telephoto

Fuji50-140Fujifilm has been steadily building a high quality lens system for the X camera system during the past few years.

However, so far, what’s been missing from the lineup has been a fast tele zoom. You know, something along the lines of a 70-200 f/2.8, which is an indispensable tool for sports, action, adventure and assignment photographers.

The wait is over. In the middle of last year, Fuji announced their new XF 50-140 f/2.8 OIS Weather Sealed lens, and it’s now shipping.

This is the lens I’ve been waiting for. Since the moment I got the X-T1 in my hands, I knew that this would be the final nail in the coffin for me to go entirely mirrorless. (It has a view that’s equivalent to a 76-213mm when compared to full frame.)

I actually got a chance to try this lens out back in October while I was at PhotoPlus Expo, and I can report that it’s quite an impressive piece of glass. Sure, it’s bigger and heavier than something like the XF 18-135, which has become a favorite of mine, but it’s a /2.8, so you want the speed, you’ve got to take that tradeoff. Also, it’s got considerably more metal in the consrtuction than the 18-135.

That said, it’s not exceptionally bigger, it’s a similar size and weight to the  Nikon AF-S 70-200mm f/4G ED VR, which became my go-to backcountry Nikon zoom lens during the past few years. ( like to refer to that one as the “Adventure Photographer’s Dream Lens.”) So, we’re talking the feel of an f/4 lens, but it’s f/2.8.

The optics of the XF 50-140 are nothing short of astounding. I was able to shoot a few frames with it in the trade show hall and was blown away by the quality and sharpness this lens is able to produce. In addition the Triple Linear Motor offers incredibly quick and responsive autofocus on the X-T1.

It also has a removable tripod collar, which is something my last two Nikon tele zooms didn’t have, and it’s weather sealed.

Like I said, this is the lens I’ve been waiting for. It’s the lens a lot of X shooter shave been waiting for. It’s the perfect companion lens that will let you take full advantage of the X-T1’s predictive autofocus capabilities when shooting fast action, and it’s built to be pretty rugged as well. I’d venture to say that this will quickly become my new dream lens. Of course, X-Pro1 portrait and wedding shooters are sure to love the sharpness of the XF 50-140, if they don’t mind a little extra weight.

I’ll post photos and a more in-depth review after I get this lens in my hands, but I already know that I’m going to love it. I’ve already made a place for it in my bag.

The XF 50-140 f/2.8 OIS WR lens is on shelves at B&H Photo, and it’s also available at Amazon.

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January 7, 2015
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Fuji XF 50-140 f/2.8 Weather Sealed Lens Now Shipping

Aerial photo of the Chugach Mountain peaks at sunset, winter, Alaska

Brand new journals are great, aren’t they? You start them off by staring at a thick stack of blank pages and reveling in the excitement of how you might fill them during the course of the next few months.

Whether your journal of choice is a fancy Italian made leather bound tome with a string closure, a Moleskine or a 99-cent, college ruled composition book that you grab at the grocery store, they’re not just books, they’re also symbols that stand for all the ideas, thoughts, stories, sketches, drawings and songs that you hope to fill them with. In other words, they represent the possibilities of your own creativity.

New years are very much the same. The first week of January is like starting with enthusiasm at your new journal, because you know that it’s filled with unending potential for new ventures and productive compositions. It’s the blank canvas for your next opus!

What are you going to do this year? What new ideas do you have, or what special projects lay on the horizon that you hope to start or complete this year? What kinds of pictures do you hope to take this year? Are there certain photography skills that you’d like to learn or improve upon, or is there subject matter that you’ve been dying to explore?

Before you dive in, be sure and spend some time in the next few days reflecting on what this year will mean for you and your photography. How will you quench your thirsts for adventure and creativity this year?

That said, for some people, too much thinking can be paralyzing. Sometimes you just need to dive in and get your hands dirty, because for all your careful planning, once you jump into the mud puddle of a new project, it all goes out the window, and you end up adapting to whatever new circumstances come your way.

Here’s to the new year- I hope it brings you lots of success, adventure and excitement, and I hope you’ll keep reading during the next few months as I explore more ideas about creativity and photography.

Oh, and by the way, I shot the aerial photo of the Chugach Mountains above with the Fuji X-T1 and 56mm f/1.2. I really dig shooting landscapes with short telephotos, and I just love how fast and sharp that lens is!

January 6, 2015
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New Years are Like Blank Journals

_DSF8518Here we stand on the cusp of 2015, reflecting on what fortune, wisdom and changes the previous twelve months brought us. I hope that 2014 brought you a great deal of enrichment and valuable life experiences and I hope that you look forward to another year of adventure and exploration in whatever areas of life intrigue you.

This past year brought a significant change to my photography. For me, 2014 was the year of the Fuji X-T1. It was the year I went mirrorless and jumped with both feet into a new arena of technology.

365 days ago, I never would have imagine that such a statement would come out of my mouth. Although I ended 2013 as a beta tester for the X-T1 (I shot the above image with the early prototype), I began 2014 still very entrenched with my DSLR gear. Having been a 20+ year pro DSLR shooter, I figured that when the real X-T1 arrived, I’d just insert it into the mix as a second/travel body, much like I had done with my X20 and X-E1.

X-T1a

However, when the production version X-T1 arrived on my doorstep in early February, I was blown away.

I instantly fell in love with how small and compact it was, and how ergonomically beautiful it was, with its traditional styling and fingertip controls. It reminded me very much of my very first Nikon FM2 that I’d bought back in February 1990, almost 24 years ago to the day.

This was love at first sight.

Although I’d already packed my camera gear for Iceland, I thew my big pack full of DLSR gear back on the shelf and instead flew to Reykjavik with the X-T1 and four Fuji XF lenses, all of which still weighed half of what I’d been planning on taking with me in the first place.

During the course of that wonderful week-long nordic winter sojourn, my love only grew for the X-T1. There wasn’t a time when I wished that I’d brought the big camera, and in fact, I shot some photos that made me feel as if I was in the cradle of camera that was made just for me. It not only did everything I asked of it, it performed with such capable confidence, whether I was shooting action, landscapes, people, travel scenes, the northern lights.

_DSF0541It wasn’t just about looks, though. No, this one had brains too. For starters, a brand new, highly responsive predictive AF system with 9 phase detect sensors that track moving subject at up to 8 frames per second.

Wow!! On a mirrorless camera? And it had the amazing new 2.6 million pixel high eyepoint electronic viewfinder. OMG. You’d have to see it to believe just how stunning it is.

In good light, it was almost like looking through a real pentaprism. In really ow light, I could actually see the subject, which you can’t do with a regular optical viewfinder.

And, of course, it had the X-Trans sensor- this little 16MP engineering marvel with the 6×6 random color pixel array that produces unbelievably sharp images with amazing definition and depth.

Plus all those fun effect filters and the wonderful looking Fuji film simulations that brought back the colors that I remember from my days as an emerging photographer- Velvia, Provia, Astia, they all made me feel young again.

As all new lovers are, I was concerned that the affair wouldn’t last when I got back home. Was this just a temporary flame? Were those days spent capturing the beauty of life and evenings spent sharing images to the rest of the world with the X-T1’s built in Wi-Fi capabilities just a passing trist? _DSF2148

When I got home, I introduced the X-T1 to my regular life, as well as my friends and my favorite activities. We went skiing together and we went soaring over the Chugach Mountains at sunset together in my little yellow Cessna. We even went on long winter snow bike rides when it was below zero, and although battery life was lessened, it still worked fine.

In March, I was totally psyched that Fujifilm used one of my photos for use in the very first X-T1 magazine ad, that appeared in PDN. They also selected me to be an official X Photographer, a position that I hold with great honor and enthusiasm.

Fuji-X-T1-PDN-Ada

As winter turned into spring, I still kept my DLSR on hand for assignment work, but during a shoot in mid-April, the big camera got wet and blanked out from too much snow being driven into it by prop wash from a helicopter. Through all of my adventures, I’d never actually had a camera fail. I didn’t panic, though. I pulled the X-T1 off the bench and stuck it right up front and center and shot the rest of the job with great results, even during a setup that involved flash and lots of water, which was no match for the X-T1s rugged, all metal body and 80 points of weather sealing. Again flying colors.

Outventure-Fall-2189After that assignment, I had my DSLR repaired, but all I did was stick it back on the shelf. As 2014 went on, the X-T1 remained the starting player in my photography lineup and and it cruised  through every single challenge and leaped over ever obstacle I threw at it. Our love grew to new heights over the next few months as I tried out different lenses, like the new weather sealed XF 18-135 zoom lens, an extraordinary piece of glass that was designed as the perfect compliment for the X-T1.

During the summer, we went hiking and backpacking and even bike packing on the Denali Highway, and I marveled at the new sense of liberation I felt with such a small, lightweight camera setup. I even went back to my old method of carrying the camera in a chest pouch while hiking in the backcountry. Again, reliving the familiar experiences of my youth, or at least my early career as a pro photographer. And this fall, I put it to the fast action test of shooting cyclocross racing, which in my mind, is a good benchmark for performance.

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Amy Sebby descending Pepper Peak, Eklutna Lake, Chugach Mountains, Alaska

Nearly a year later, I’m still as much in love with the Fuji X-T1 as I was when I spent my first romantic days with it Iceland. This amazing and transformative camera that offers a very high “fun factor” and beautiful picture quality has changed my life and rekindled my passion for photography, because after lugging heavy DSLR gear around the world, I suddenly find myself with the camera I’ve always wanted. Even though I’ve always liked my DLSRs, the X-T1 was built just for me, or at least for people exactly like me.

That said, the really cool thing is that the X-T1 can do anything, and as I look around, I’m not alone. I see other people who are just as much in love with it, who aren’t necessarily action adventure photographers. I see portrait and wedding photographers, commercial shooters, and landscape, street and travel photographers all using it with excellent results.

Fuji truly knocked it out of the park with the X-T1. In fact, earlier this month, the X-T1, along with the X100T were selected as “Japanese Historical Cameras” by the Japanese Camera Industry Institute Museum for the “significant technological advancement.”

Also this month, Fujifilm released a big firmware update that added 27 new features to the X-T1, including shutter speeds up to 1/32,000 sec, a new Kodachrome style film simulation, Q-menu customization and new video frame rates. It’s like getting a whole new camera, without having to buy one. That’s one of the things I really like about Fujifilim; they strive for continuous improvement with their cameras.

Basalt Columns, Iceland

As I said above, I never would have imagined that I’d go entirely mirrorless this year. I haven’t gotten rid of my DSLR gear yet, but these days it just sits on the shelf, unused. Sometimes I walk by and look at it, fondly, remembering all the great adventures we had together. Then I reach for the X-T1, because that’s where my future lies.

X-T1c

I’d like to extend my immense gratitude and thanks to Fujifilm, for not only developing such an amazing camera, but for bringing me on board as an X Photographer and an initial X-T1 tester. I look forward to subjecting it to much more abuse and shooting many more photos with it in 2015.

I’d also like to wish a very happy new year and the best of fortune to all of my readers. Thank you so much for tuning in this past year, whether you checked in each week, a couple times per month, or if this was your first visit. I look forward to bringing you more insight, tips and entertainment during the coming year.

Support this site. If you’d like to explore a photography romance with the X-T1 or any other gear, please consider purchasing through these links. It won’t cost you anything extra, you’ll still get the lowest prices available and it will help me out.

Order the Fujifilm X-T1 for only $1,299 (body only) at B&H Photo or Amazon

Order the Fujifilm X-T1 with 18-55mm lens for only $1,699 at B&H Photo or Amazon

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December 31, 2014
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2014 Was The Year of the Fujifilm X-T1

Knik15HeaderI’m excited to announce my first workshop offering for 2015, my Knik Glacier Winter Photography Workshop, which is scheduled for the weekend of March 20-22 here in Alaska.

Over the two-night weekend of the spring equinox, you’ll have the chance to explore one of the most amazing and rugged locations that Southcentral Alaska has to offer, the glaciers and winter landscapes of the Knik River valley and the Chugach Mountains.

Due to its close proximity to Anchorage, the Knik valley offers an incredible opportunity for photography and aerial exploration of incredible scenery without having to travel very far. I’ve shot out here extensively. You’ve probably seen a number of my photos from this location, I’ve ridden out to the glacier on my fat tire snow bike and I fly out there quite a bit in my little Cessna 120 bush plane.

This is your chance to experience the very same thing- During our “big day”, we’ll fly out to the glaciers by helicopter, which will give you the chance to shoot amazing glacier aerials on the way out and back. We’ll also spend a number of hours on the ground to intimately explore and photograph these otherworldly landscapes of ice and rock. Of course, I’ll be right there with you, providing full, personal instruction and teaching you the ins and outs of winter landscape photography.

 

Weather permitting, you’ll have the chance to catch the late afternoon warm winter Alaska light on the Chugach Mountains, which is simply awesome this time of year. By this time, we’re back up to nearly 12 hours per day, so we’ll have lots of time for shooting. We can even focus on doing some action photography if people are interested.

After the sun goes down, we’ll do some “night sky photography” as well. Hopefully you’ll be able to capture the aurora borealis if the Northern Lights are out. If the skies don’t cooperate, we’ll focus on light painting and other slow shutter speed photography styles.

The last day will be geared around shooting winter landscapes and other subjects near the lodge with more personal instruction from me.  You’ll also have some time to edit and show your glacier photos from the day before during our final instructional presentation and critique session. We’ll actually have a couple of evening presentations during the course of the weekend where I’ll share some of the technical and creative methods I like to use in my photography.

During the workshop, we’ll be based at the Knik River Lodge, where you’ll stay in one of the deluxe and enjoy comfortable cabins in a beautiful wilderness setting with classic meals done Alaska style. This is a really cool place with nice amenities and a very rustic feel, and it’s situated right above the massive river bar that runs out of the bottom of the Knik glacier. ​

I’m super excited about this workshop- it’s something I’ve wanted to do for a long time. Essentially it’s my opportunity to share with you the amazing glacier stoping grounds that have captured my fascination ever since I started flying in Alaska. It offers you the chance to capture some absolutely stunning images in this otherworldly location in a way that you may never get to see otherwise.

Limited Space Available – Only 4 spots left!

Please note that since we’re limited by how many seats our helicopters can carry, this workshop only has 7 spots available, so if you’re interested, be sure and sign up now. You can even reserve your spot with a deposit.  The trip is being run through Alaska Photo Treks, so visit the official workshop page to see all the details regarding pricing, gear, clothing, etc.

I sincerely hope that you can join me – Please let me know if you have any questions.

IcebergHIK-AK-1158
December 22, 2014
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My Knik Glacier Photography Workshop, March 20-22, 2015

X-T1cOne of the things I really like about Fujifilm is that they develop their cameras and lenses with the Japanese philosophy of “Kaizen“, which refers to the concept of continuous improvement. Rather than simply release a new product and make the previous one obsolete, they strive to build cameras that they can keep improving with firmware updates.

Today, Fuji released a major firmware update for some of the cameras in the X-Series. The X-T1 gets the biggest update by far. This update adds some amazing new features, including a high speed electronic shutter that has a maximum speed of 1/32,000 sec. This function was built into the X-T1 Special Graphite Silver Edition, and now it’s available to the regular X-T1.

The X-Pro1, X-E2 and X-E1 also see some improvements as well, although not nearly as many as have been given to the X-T1. Consider them early Christmas presents that make your X cameras even better. If you have any of these models, I highly recommend downloading and installing the update. You can find all the appropriate files and instructions on the Fujifilm website.

X-T1 Updates

In all, there are 27 new features for the X-T1 that increase the power of this amazing little camera even more. Here are some of the updates that v.3.0. adds.

  • Single-button direct AF activation: you no longer have to press a Fn button first.
  • The new Classic Chrome film simulation: reportedly a tribute to vintage Kodachome film.
  • Natural Live View Mode: this shows you the scene “as is” in the EVF, regardless of what film sim you’re using.
  • Unlocked AE-L/AF-L buttons
  • Seamless AF+MF manual focusing
  • Q-Menu customization
  • New video frame rates: 50p/25p/24p
  • Manual shooting in video mode
  • Additional options for Fn button settings: Flash compensation, shutter type, preview picture effect and more.
  • Lock Mode: Prevents accidental changes to cameras settings.
  • 3 New White Balance Settings
  • PC tethered shooting support

X-Pro1 Update

The X-Pro1 v.3.40 update adds the seamless AF+MF focusing function.

X-E2 Updates

The X-E2 v.3.00 update adds the following:

  • AF+MF focusing
  • Wi-Fi Camera Remote Control
  • Classic Chrome film simulation
  • Interval Timer Shooting for time lapse photography

X-E1 Update

The X-E1 v.2.40 update also adds the AF+MF focusing function.

December 18, 2014
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Major Firmware Update for Fuji X-T1, X-Pro1, X-E2 and X-E1

single_2It’s that time again, kids!! Every year, Digital Photography School does a really fun 12 Days of Christmas Sale, and the 2014 version is now underway!

Every day they offer a significant discount on one of their photography eBooks or video tutorials, which they run for just one day. When that particular day is over, so is that deal, but then they unveil a new offer that’s good for the next 24 hours.

12 days, 12 deals. Most of them are around 50% off- and usually even more. You never know what product they’ll feature next, but if you sign up and get on their list, you’ll be notified about each new deal as soon as it goes live for the remaining days of the sale. That means you don’t have to keep checking back and possibly missing something you really would have wanted.

Digital Photography School has a large collection of photography eBooks and tutorials that cover just about every subject matter, including landscapes, travel, portraits, black and white, using color in your photography, post processing and more.

You probably won’t want all of the books in this year’s sale, but I’m betting that there will be at least one product that will make it worth checking it out.

So get in on all the fun and head on over to this year’s 12 Days of Christmas Sale– you might find something that will look great in your stocking or under your tree!!

December 15, 2014
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Digital Photography School 12 Days of Christmas Sale

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Cyber Monday is officially underway, and while I would never condone getting up early and standing in line at the big box store, saving lots of money is usually a pretty good thing, especially if you can do it from the comfort of your own computer.

There are some pretty amazing camera and photo deals going on right now, and if you want or need any of these items, then some of these deals would pretty hard to pass up.

Note: There are still a number of rebates and sales going on right now. Here’s the full list of deals at B&H Photo, and here’s the complete list of Cyber Monday deals at Amazon.

Save $400 on the Sony Alpha a7 Full Frame Mirrorless Camera

Save $400 on the Fuji X100S (Black) Only $849 right now

Save $600 on the Canon EOS 7D w. 28-135mm lens

Save $600 on the Nikon D7100 w. 18-105mm VR DX lens

Save $20 on the Western Digital 4TB Elements Desktop Hard Drive

Save $65 on the Vanguard 283AT Aluminum Tripod. Only $84 – These are really nice!

Save up to $200 on a number of Fuji XF Lenses

 

 

 

 

December 1, 2014
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Check Out These Huge Cyber Photography Deals