Fujifilm is on a roll with their X cameras. In 2010 they hit us with the wildly popular X100, which suddenly put little cameras back on the map. Unbelievable digital quality in a camera that looked just like a real camera. They followed up with its little brother, the X10, and you know how much I love that one. Then came the 16MP interchangeable lens X-Pro 1, which rivals full frame sensors in terms of image quality, and the new XE-1, which won best of show at Photokina this year. It’s essentially the X-Pro 1 without the optical viewfinder.

However, the one that I really wanted to see at this year’s PhotoPlus Expo was the new XF1. For this premium point and shoot, Fujifilm took the guts and brain of the X10, stuck them inside an even smaller package and then slapped on some serious style.

The XF1 has the same 2/3″ 12MP EXR CMOS sensor, the same image processor and man of the same features as the X10. Image quality is about the same as the X10, which for a camera of this size is pretty darn good.

However, that’s not even the coolest thing about it. Realizing that it’s the outside stuff that determines how usable a camera really is, the Fuji designers did some serious tweaking in order to make this a fun and workable camera.

The most impressive thing is that the XF1 has a fully mechanical zoom lens that, same as the X10, doubles as the camera’s on-off switch. That’s right. You operate it with your hands (fingers) instead of pushing that little tab back and forth. Just like a real camera.

Of course, you don’t want the thing to be sticking way out there when it’s not needed, so once again, it’s Fuji engineers to the rescue. They made it so that with a simple twist and a click, the entire 25-100mm f/1.8-4.9 zoom lens disappears completely into the body. This makes the XF1 the smallest camera to have a mechanical zoom lens. There’s even a “standby mode” that keeps the lens out for a quick startup, but saves battery power.

Since it’s a much smaller body, the XF1 doesn’t have room for as many exterior controls as the bigger X cameras in the lineup. To make up for this, Fuji added an E-FN button that lets you temporarily change the six back buttons into customizable function buttons. This lets you control more of the camera’s many features right from the back, instead of making you dig into the menus for everything. Again, pretty cool.

I actually got to play around with the XF1 for about an hour, and I have to say, I was definitely impressed. I didn’t want to give it back. Once you get the turning-it-on part down, which is a bit of a mystery if you have no idea what you’re doing, you pretty much forget that you’re using a camera that’s not much bigger than a cassette tape case, for those of you who still remember what those look like.

The mechanical zoom is really nice, and it’s even wider than the 28-112mm lens on the X10. You do lose a little on the telephoto end. Would have been nice to have that, but since the lens itself is smaller, you’re starting to lose some light out there. That said, the glass itself is very good. Fujinon lens quality has been top notch for years.

Features are mostly the same as the X10, and they’ve even added all the fun new filters that are found in the X10 firmware update. One thing that’s missing is external flash control. No, you can’t trigger your battery powered strobes and remote speedlights from your shirt pocket sized camera. However, it does do rear curtain sync.

Other than that, it’s got Full HD video, RAW, EXR auto all the way to full manual control, shutter speed range from 30 seconds to 1/4000, continuous mode that fires up to 10 frames per second, face detection, focus tracking, macro, 3 metering patterns, good low light performance, scene modes, panorama and more.

Shooting with the XF1 is really fun. It’s little. It’s non-obtrusive. You pretty much forget that you’re using something that small, and the same can be said after seeing your pictures. This is a point and shoot camera that will go just about anywhere an iPhone will fit and still produce imagery that’s good enough for pro work when needed.

Very simply, the XF1 is an outstanding little camera. It’s built extremely well, it takes great photos and it has enough features to let you explore your creativity in a variety of both casual and semi-serious shooting situations. With all of this, I see this becoming one of the bets compact cameras in its class.

And it comes in red, tan or black. Total classic style. You know that stuff about the best camera being the one you have with you? Nothing says you can’t bring it and still look good. You know, for those times when even the X10 is too bulky and cumbersome.

The XF1 costs $499 and is available for pre-order. It should ship in a few weeks.

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October 31, 2012
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The Stylish New Fujifilm XF1 Camera

I saw lots of cool new items at last week’s PDN PhotoPlus Expo, but the one that jumped right out at me and made me say “I’m buying this!” was the brand new Nikon AF-S 70-200 f/4G ED IF VR Lens.

Featuring Nikon’s 3rd Generation VR, which gives you up to 5 stops of VR in the right shooting conditions, this is a full on pro quality lens. It has 3 ED glass elements, Nikon’s Nano Crystal Coating, AF-S Silent Wave Motor internal focusing, and it can be used on both FX and DX cameras.

Why am I so excited about this lens? Because it’s smaller, lighter and it’s about half the weight of the Nikon 70-200 f/2.8G VRII. Ok, so it’s not faster, but since it’s considerably lighter, it will make me go faster in the outdoors, and often times, that matters more than one stop. Especially when I’m shooting in bright sunlight.

Here’s the thing about f/2.8 lenses. They rock. They’re also heavy, but back in the days of shooting ISO 50 slide film like Fuji Velvia, that extra stop was mandatory for shooting sports and action with long lenses. These days, most digital cameras start at ISO 200. That’s a whole two stops faster than ISO 50, so even if you’re shooting an f/4 lens, you’re already one stop ahead.

I often carry my heavier 80-200 into the backcountry to shoot things like skiing, trail running, mountain biking and climbing, but I’d by lying if I said it didn’t slow me down sometimes. A lens that offers the same focal length with less weight and bulk makes this an ideal telephoto zoom option for adventure and outdoor photographers.

Canon’s had a 70-200mm f/4 lens in their lineup for years now, and it’s been hugely successful, so it only makes sense that Nikon would also bring out a lens like this.

The new Nikon AF-S 70-200 f/4G ED IF VR Lens is set to hit stores on November 29, and it will cost $1399. Yea, that’s another plus. Been thinking of moving to a better, pro quality zoom, but don’t want to fly over the $2K mark? Then you might be as excited about this lens as I am. Pre-order yours below.

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October 30, 2012
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New: Nikon 70-200mm f/4G ED IF VR Lens

I’m back from last week’s PDN PhotoPlus Expo, where I had a great time meeting with clients new and old, hanging with friends, new and old, checking out all the latest photography gear, and of course, eating slices of NY pizza every chance I got.

I’ll spend the rest of this week showing you some of the cool new products that I saw at the show, but before I do that, I wanted to prep you with this idea that I came up with while flying home.

Every time I walk the aisles of a trade show floor and see the endless array of booths filled with cameras, lenses, software, accessories, bags, packs, iGadgets, video doo dads and other photography whiz bangs, it occurs to me just how overwhelming it can be to narrow it all down into a workable kit.

Think about it. Every single item can be used in some way to create great imagery. Each tool and gadget has some kind of value in terms of adding technical capabilities and artistry to whatever kind of photography you do.

Obviously, you can’t use every single item, so you rely on reviews, advice from other photographers and your own experimentation to figure out what gear will be ideal for you and your style. It’s not always easy, though, because we’re all different. Gear and methods that work for one shooter may not work for you, even if your photographic styles are similar.

Keep this in mind: More than style or genre, it’s our own unique methods that set us apart from other photographers. That’s what you need to focus on when you’re thinking about buying new gear. In addition to picturing the type of photography that you could make with that item, consider how it might fit with your own style, budget and methods.

So come back tomorrow for my PhotoPlus Expo rundown, but today, mull over this block of words:

  • There is no right gear.
  • There is no right style.
  • There is no right way.
  • There is only your way.
October 29, 2012
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Your Gear, Your Style, Your Way

My latest promotional piece. Stuff that makes your adventures a little bit more enjoyable. The first batch of these special gift packs hit ad agency desks this week. Want one? Contact me directly and let me know who you are.

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October 23, 2012
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The Dan Bailey Photo Adventure Kit

One year ago I released my eBook, Going Fast With Light. At the time, I had no idea how well it would sell, because as you’ve probably seen, there are a number of really great lighting resources and books out there.

However, my ebook seemed to have struck a chord with a huge number of photographers. These are people who want to experiment with strobes and off camera flashes, but don’t want to carry heavy gear around or spend time dealing with the technical stuff when they’d rather be concentrating on things like light, expression and moment.

I’ve found that there are many photographers out there who recognize that using supplemental lighting can make a huge difference in their outdoor images, but they’re either intimidated by the gear or the technical aspects of using flash. They either don’t have or don’t want to lug studio gear into the outdoors. Can’t say that I blame them! In short, my eBook shows you how to get great light without sacrificing mobility

I wrote Going Fast With Light to reflect my own style of moving and shooting quickly in the outdoors, which is something that I figured would relate to other photographers as well. Since I often find myself out in the world without assistants, whether hiking, biking, skiing, or just traveling with with a backpack in the mountains, I pretty much have to carry all of my gear. Also, I often don’t have the luxury to plan out entire shoots and work all day to make them happen. More often than not, I see dynamic scenes begin to unfold outside, and I work to capture them quickly. That’s called going fast with light.

As a working pro, I need to create images that stand up to professional standards, which often means bringing some kind of light with me. Over the years, I came up a system of carrying, supporting, using, modifying and triggering off camera flashes in ways that fit with my fast moving, dynamic style. I became a better photographer just writing the book, and from all the response I’ve received, I can pretty much guarantee that you’ll get better by reading it. If you buy the book and don’t get anything out of it, I’ll give you your money back.

In Going Fast With Light, I show you effective lighting schemes that allow you to get great light with just one or two flashes. I also show different methods for triggering remote flashes, and I present an entire array of tips, techniques, equipment and light modifying tools that you can adapt for use in your own style. These are lighting rigs that are all highly portable, that let you achieve professional results without compromising your own fast moving style.

In addition, I run through an entire flash workflow that clearly explains all the steps needed to effectively use flashes. I break flash down into an easy-to-understand series of simple decisions that help you determine how your picture will look. I even show you how to make flash not look like flash, which is crucial for many types of outdoor work.

If you’ve ever had a hard time fully understanding how to use flash, or if you want to learn how to get dramatic, creative and professional imagery without making things too complicated for yourself, check out Going Fast With Light. With 83 pages, almost 100 images, and over 20,000 words of text, this eBook contains a tremendous amount of practical information and enough ideas to inspire your own creativity and advance your confidence with using off camera flash. As I said when I first released it, this book will change your photography. One year later, I still believe that.

Why? Because in the end, good light doesn’t have to slow you down.

Going Fast With Light has become my bestselling eBook. If you’re one of the people who’s read GFWL during the past year, then I’d like to give you my deepest thanks for supporting my teaching efforts and letting me help you become a better photographer. If not, then accept my guarantee and give it a try!

Regular Price: $19.95

Get it now for only $14.95 before the price goes up!

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Testimonials:

Here’s what others have to say about Going Fast With Light:

“A great resource for exploring the strobist life. I can see it being a great help to those who are new to using off-camera flash. Wish I had [a book] like this when I was just starting out!” -Tim Snow, Professional Montreal Photographer

“Going Fast with Light,” has a great straight forward and simple approach. The traveling light part without a ton of gear, helps reduce the intimidation factor of using flash. It’s full of great techniques, example photos, and proven methods used in the field regularly.” – Chance Woodridge, IL

“Going Fast With Light covers the full gamut of what you’ll need to know in order to get really beautiful off-camera lighting in outdoor photography situations.” – Janine Fugere, Boulder, CO

October 22, 2012
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Going Fast With Light eBook, Revisited

Creative Photography Techniques – 20 Tips for Stronger Images is just that: 20 simple tips to that help you break out of your creative rut and start making more powerful, more compelling photographs.

These tried and true techniques are designed to help you think actively about your image making process. Learn how to make images instead of just grabbing whatever subject matter happens to be in front of you at any given time.

Creative Photography Techniques is only available at the Amazon Store in Kindle format, however, with the Free Kindle Apps, you can read it on any device: computers, iPad, iPhone, Windows 7 and Blackberry phones or Android tablets.

Download your copy today and stick it on your mobile device for instant reference whenever you need a little bit of inspiration. Or read it cover to cover at home and get some new insight into tips that you might already be somewhat familiar with. At the price of Free, you only stand to gain, even if you already know some of this stuff.

Finally, if you do pick up a copy, be sure and leave a comment and let your other photographers friends know about the book.

Thanks!

October 17, 2012
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Get My Creative Photography Techniques ebook

Week 6: The 2012 Arctic Cross cyclocross race series finished up here in Anchorage last Saturday with an early October snowstorm. Who wouldn’t be psyched about that?

With exciting riding conditions and even better options for dynamic action photography, I headed out to Goose Lake Park with my bike, my Lowepro Photo Sport 200 pack and the Nikon Tilt Shift lens that I rented from BorrowLenses.com.

If you’ve been following along during the past few weeks of photographing an entire season of cyclocross races, then you know I’ve been trying to approach each race a little differently. Not knowing that it would snow, I came into this week with new glass. I’ve long been curious about trying out the Nikon 45mm f/2.8D PC-E Tilt Shift Lens, but being a very specialized lens that costs almost $2K, I’ve just never pulled the trigger on one.

Enter Borrowlenses.com. I’ve used them before with great results, and so it made perfect sense to get the lens for them for just a few days instead of shelling out two mortgage payments for a lens that wouldn’t get used all that often. I just have to plan for an extra day to ship to Alaska.

Of course shooting action with a tilt shift lens is way different than sitting around a few days before the race saying, “I think I’ll try using a tilt lens this week…” For one thing, just like Lensbabies, they’re manual focus, so nailing sharp images can be really challenging. I’ve found that the best way to stick it is to just keep firing and hope for the best. Try to pick out a single subject, follow it while adjusting your focus and don’t let up on the shutter until they go by. Yea, this is where the REALLY old school sports shooters are laughing now. Can’t you just hear them? “Young punks… we didn’t even have autofocus back in my day!!”

Also, since I only got the lens the afternoon before the race, I hardly had any time to play around with it and get a feel for how it works. Oh well, that’s different from any other part of my life how?

Then there’s the whole thing of deciding how much to tilt and which direction to bend the lens. The Nikon PC-E lenses have a knob for tilting, one for shifting and a tab for rotating the lens on the barrel so that you can align your tilt effects in any direction. Since shifting is more for architecture photography and correcting parallax error, I only tilted.

Depending on what you’re going for, there’s a huge amount of creative leeway you have in terms of what’s going to be in focus and what’s not. For common subjects that we see all the time, such as bicycles, sometimes you don’t even need to have the main subject in focus. Then it becomes all about mood and feel. When it comes to faces and expressions, though, you generally want to nail that, because it will really help anchor the picture down.

Combine all that wild shifting with slow shutter speeds, motion blur, panning and other compositional techniques, and you can definitely get some cool imagery. Of course, just like any technique, too much tilting can quickly get old, which is why I advocate renting a lens like this. Honestly, every time I get a big check, I think about getting this lens, but then I pull back and ask myself, “How else could I spend two grand?” The answer comes pretty quickly and the mood wears off.

Not to be left out in the cold, my 80-200mm lens saw heavy action on Saturday as well. I always love shooting through falling snow with the telephoto. Sometimes the autofocus actually grabs the snowflakes just in front of the subject, which always makes for cool photos. Also, the compressed perspective of a long lens makes the snow look even thicker. I never get tired of shooting in the snow- it was like an early Halloween present this year!

Final thoughts: Overall, my six week immersion into the sport of Alaska cyclocross was a huge success. Since I practiced with different techniques and equipment each time, I absolutely became a better photographer. I loved using the 45mm tilt shift lens, it’s bomber glass and offers awesome creativity. (Canon has one too.) I’d definitely rent again. Try it out for yourself, it’s a whole lot cheaper than buying.

And, having jumped into the racing part myself, I managed to grab 3rd place overall in my division for the season. (Below is a shot of me rounding the sandy hairpin on the beach that my wife took with the Fuij X10.) I’m not usually an organized activity guy, but with all the fast twitch sprinting, jumping, running uphill with the bike, tight quarters competition and great camraderie, I’m hooked. Besides, it’s bikes. What’s not to love? Finally, I made lots of new friends. Thanks for all the memories, wipeouts and excitement, everyone, I look forward to next year!

Check out the rest of my race photos from last weekend, there are many more cool shots in the collection. As for you, thanks for following along during the past few weeks. If you missed any of the previous posts, you can find them here. If you did read some or all of the articles, let me know what you think of my imagery.

Finally, as I said before, immersing yourself in something is often the best way to get great photographs of any subject. I hope that my little 6-week experiment has inspired you in some way, so I’ll end by asking you thins: What’s your next project?

October 16, 2012
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Photographing Cyclocross, Alaska Style: Snow Included

Fujifilm has just released a brand new firmware update for the X10. The v2.0 update adds two new features to the camera, a quick access Q-Menu and a set of special effect filters that are placed into the ADV shooting menu.

The Q-Menu is similar to the one that’s found on the X-Pro 1 and it gives you fast and easy access to most of the camera’s main shooting parameters. Instead of having to dig into the menu to find these, you can now bring up the Q-Menu by pressing the RAW button on the X10. Pretty handy, especially since I rarely shoot RAW on the X10.

The other feature is a set of 12 filters that bring a little bit of Instagram style fun to your X10. They’re called Toy Camera, Miniature, Pop Color, High Key, Dynamic Tone, and 7 Partial Color filters for red, orange, yellow, green, blue and purple. These let you retain the selected color while rendering everything else in black and white. Nothing you couldn’t do with the HSL sliders in Photoshop or Lightroom, but hey, why not do it in camera and save yourself some time?

There’s nothing groundbreaking with the new firmware, but its free and it certainly adds some fun creative options to your X10 photography, such as HDR, retro, tilt shift lens style effects, increased saturation and the selective color stuff. The only limitation is that you can’t add these effects to any of the other shooting or video modes.

Get the X10 firmware update here.

 

October 15, 2012
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New Firmware for the Fujifilm X10

Here’s one worth mentioning. Peachpit Press is having a huge fall photography sale. Right now, you can take advantage of big savings and grab some of the best photo and digital imaging books and videos out there.

Peachpit Press publishes a huge number of titles by top authors such as Joe McNally, Tom Bol, Michael Clark, Nicole S. Young, Colby Brown, Scott Kelby, John Batdorff, David duChemin, Andrew Gibson, Chris Orwig and many more.

You can save on every single photography book, eBook and video, just enter discount code FALLPHOTO in your shopping cart and you can save 35% on one title, or 40% off on two or more titles.

If you’re like me, you probably didn’t do much book shopping during the summer, so now is a great time to stock up on your fall and winter reading material. With 348 titles in the Peachpit photography book store, there are enough choices for all levels and styles, and enough learning material to help give your photography a huge boost, whether you’re looking to improve your lighting techniques, your computer chops or your business skills.

Here is just a tiny selection of the books and training videos that they offer: (Click on each title for more info.)


This is a great opportunity to save big and become a better photographer. Check out the entire Peachpit catalog to see the rest of their photography titles.

October 11, 2012
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Fall Photography Sale at Peachpit Press

I’m happy to announce that we have a winner in my Lowepro Rover Pro 35L AW adventure camera pack giveaway!

The pack goes to Matthew Everett, an outdoor photographer, freelance writer and pilot from Tennessee. Matt foresees using his new Rover Pro to carry his camera gear on weekend excursions into the Great Smoky Mountains.

Check out Matt’s Website and follow him at www.mattheweverett.org.

 

 

 

I’d like to thank everyone for entering this contest. If you’d like advance notice of future giveaways and special offers, or if you just want to make sure that you never miss a post on my blog, be sure and subscribe to my Adventure Photography Newsletter.

Even if you didn’t win, you can still get a great deal on this pack. Click the banner below, enter code LP20 in your shopping cart and you’ll get an exclusive discount on any item in the Lowepro store. (U.S. customers only.) You can also get the Rover Pro from B&H Photo.

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October 10, 2012
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Winner Announced for the Lowepro Rover Pro 35L Giveaway