_DSF2159ARecently, Lensbaby released a lineup of their creative tilt lenses with mounts for mirrorless camera systems. This means that Fuji shooters can now get in on the fun!

Lensbaby currently has mounts for Fujifilm X Series cameras, Sony A, Sony E, Olympus and Panasonic M 4/3, Pentax K and Samsung NX, in addition to their original Nikon and Canon mounts.

I’ve used a few of the Lensbabies and they’re lots of fun. They offer some great creative options, and while you wouldn’t want to use them all the time, they can be really cool tools to have in your kit. I absolutely LOVE this merged Lensbaby panorama shot by pro travel photographer Nevada Wier. She’s long been one of my favorites; I’ve been following her work for a long time, ever since I started shooting back in the early 90s.

Keep in mind, all Lensbaby optics are manual focus and they do not have electronic contacts so they don’t communicate with your camera. With use on Fuji cameras, you must go into the menu and select the “Shoot Without Lens” option. Other cameras may function differently, so you’ll need to check the manual when you get the Lensbaby in hand.

Also, if you already have Lensbaby optics from another system, say you bought them for Nikon and switched to Fuji, you can special order an “empty” Composer Pro in your new mount that you can use with your optics. Any Lensbaby optic can be used with any camera, no matter if they’re DSLR or mirrorless. Contact contact Lensbaby directly at 877-536-7222 or email them at customerhappiness@lensbaby.com.

Here are the Lensbaby models that are currently available for Fuji and other camera systems:

Composer Pro with Sweet 35 Optic

The Composer Pro is the main mount that allows you to swap out different optics. The Sweet 35 Optics is the widest of of the Lensbaby optics, and it allows you to get a very dreamy look a “sweet spot” of focus that’s surrounded by a creamy wash of blur. By adjusting the tilt of the lens, you can control the amount of blur and the location of your in-focus sweet spot. Here’s an example of what you can do with the Sweet 35 optic.

Composer Pro with Sweet 50 Optic

Same design as the above model, but a slightly more narrow angle of view. It also has an aperture range from f/2.5 to f/22, so you have a wide variety of creative options.

Composer Pro with Edge 50 Optic

The Lensbaby Edge Optic system is quite different from the “Sweet” optic system. Essentially a short telephoto lens, the Edge 50 allows you to achieve a totally flat field of focus, just like a standard lens. However, by tilting the lens, you can create a slice of focus that can be manipulated with regards to the amount of focus and blur, and the position of your in-focus subject matter within the frame.

The Edge Optics are my favorite Lensbaby lenses and I’ve used them for a variety of compositions. Here are a few examples. They also have the Edge 80 Optic, which is designed for DSLR cameras.

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Lensbaby Velvet 56 f/1.6

Built like a classic portrait lens, the Velvet 56 is a unique design that offers a short telephoto viewpoint, a very fast aperture and 1:12 macro capabilities.

With a manual focus ring, it delivers a rich, sharp imagery with subtle undertones when you stop down, and a soft, glowing, ethereal effect when you open up the aperture. This gives you some very organic and original creative options to your imagery.

The Lensbaby Velvet 56 is a pretty versatile lens, and it goes from dreamy to crisp with a simple twist of the aperture ring.

5.8mm Circular Fisheye Lens

With a 185 degree angle of view, the Lensbaby Circular Fisheye offers an extreme perspective and the ability to focus at one quarter of an inch in front of the lens. It also has a polished interior barrel that produces a unique flare effect when pointed directly at a light source.

February 3, 2016
See this post
Lensbaby Now Has Mounts for Mirrorless Camera Systems

_DSF1863This past Saturday, I spent the entire day exploring the Matanuska Glacier with 3 other photographer friends. Arriving before sunrise, we hiked out to the ice in the dim hours of twilight and shot for 7 hours, capturing the broken, blue and white landscape with a diverse variety of compositions and light.

I really enjoyed the camaraderie of our icy photo trek. While it was a lot of fun to get lost in the seemingly endless carnival of picture taking opportunities, I also enjoyed bouncing around and seeing what each of the other shooters was focused on at any given time.

Also, we had another added benefit since that everyone is a photographer, there was noone to get bored of waiting for us to be done.

With four distinct personalities, each of which has a different assortment of equipment, creative ideas and photographs styles, it’s always interesting to see the variations with which different photographers can capture the exact same scene, often times with mere minutes or seconds of each other.

_DSF2131The funny thing is that, even if I’ve made images that I’m really excited about, when I see the work of the other shooter, I often look at a particular photo and think, “wow, awesome- how come I didn’t see/notice that?!” 

That’s exactly what I’m talking about- each of us has our own ideas about the subject, and we all respond to different shapes, colors, and relationships in our own personal way. That’s the great thing about photography, and when you shoot with other people, you get to see this in real time.

In my usual type of photography adventures, I’m often the only one with a camera, at least one that’s not a phone or a point and shoot. That’s why I find this kind of exercise so valuable, and so enjoyable. Sometimes I go out with one other shooter, but to spend a whole day with three other photographers in a setting that’s not a workshop type dynamic? I rarely do that, and I had a blast!_DSF1889 _DSF2143

To help illustrate what I’m talking about, I’d like to share some of the images the other three people captured out there during our glacier day. Between these three other shooters, one is a full time pro, one is a part time pro and one is a non-pro.

I won’t tell you which one is which, I’ll just show you a brief selection of their work from that day, all of which I really like. I encourage you to check out more of their work, all of them are outstanding photographers.

To David, Jody and Tim, I’d like to say thanks for a great day and for all the inspiration and photography goodness. Can’t wait to do it agains soon!

If you’re interested in attending my upcoming Matanuska Glacier Photography Workshop, April 1-3, 2016, my deadline for signing up is February 1. Click here for more info.

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Jody Overstreet

David Ryan Taylor

Tim Escher

January 25, 2016
See this post
How Different Photographers Interpret the Same Scene

I have just added two new photograph workshops for 2016, one in May and one in July. This is in addition to the regular Sunset Photo Safari evening workshops and private custom tours I occasionally lead around Anchorage during the summer months.

If you find yourself with plans to come to Alaska this summer, I’d love to have you join me for one of these outings! If you have questions about of these workshops, please don’t hesitate to contact me.

If you aren’t able to make it to Alaska, you can still learn from me online, either through my new video course, Outdoor Photography Essentials, or with one-on-one instruction through The Compelling Image. Both include assignments and personal feedback on your work. I also offer a 90-day Mentorship course, which is tailored around your specific needs and goals with photography.

Action Sports and Outdoor Flash Photography Workshop, May 21-22, 2016

During this two-day intensive workshop, you’ll immerse yourself in the outdoors with me and learn techniques for capturing exciting outdoor and action imagery in the field. This is not a classroom-style seminar, you’ll spend the entire time out on the trials, mountain biking and hiking, while hunting for good light until almost midnight under our late evening sunset and shooting a variety of action adventure sports, like hiking biking and trail running.

You’ll learn how to look for and see potentially compelling photo ops while out on location. You’ll learn firsthand how to gauge light, background and subject matter, and how to bring all of the elements together, quickly and efficiently, in order to create a successful, exciting shot. We’ll also practice with off camera flash techniques and see how to add dynamic light to our subjects in order to make them pop.

Run as organically as possible, with one session on mountain bikes, and one spent hiking in the Chugach Mountains, (you can participate in either session or do the full two-day workshop). We’ll all work together and bounce ideas off of each other for maximum collaboration and the best possible outcome in every situation. Everyone will have input, and you’ll even have the chance to lead the group with your own ideas during the exercises.

Click here for more info.

Midnight Sun Glacier Overnight Photography Workshop, July 15-17, 2016

The key to great photography is great light, and in the summertime in Alaska, this means staying up late. REALLY late. During this special three-day outdoor photography workshop, you’ll have the unique opportunity tocamp outside in the heart of the Chugach Mountains and photograph glacier landscapes under the midnight sun. 

You’ll also have the chance to shoot a few aerial photos of the massive Knik Glacier from the helicopter that will fly us out to our camping spot by Lake George and the Colony Glacier. Also, you’ll have the chance to kayak around the lake and see the icebergs from an amazing, intimate vantage point.

Starting with a Friday evening photo presentation designed to prepare you for the subject matter and conditions we’ll encounter during the next two days. You then spend the night in a rustic cabin perched on the hillside above the wide open Knik River valley.

Then, on Saturday, we’ll all fly out to our location and spend the entire day and evening in the company of massive icebergs that have calved off from the terminus of Colony Glacier. In addition to being able to photograph these incredible icebergs from a relatively close vantage point, you’ll have the chance to see them and then surrounding mountain landscape in the best possible light of the day.

Our camping guide service will provide all of the necessary camping gear and meals, as well as a selection of sea kayaks which you can use to explore the ice up close. The kayaks are very stable and they have a comfortable seat and a large cockpit, so they’re easy to paddle. This could easily be one of the highlight of the trip!

You might have seen some of my aerials and glacier photos, well this is where I shoot many of them. This is one of my favorite places to go in my little yellow bush plane. I’ve been out here during magic hour, and in the middle of the night when the quality of the light is blue and yet there’s still enough light to continue shooting, and I can tell you that it’s simply magical.

I’m really looking forward to this one and I hope you can join me. Click here for more info.

January 21, 2016
See this post
New Photography Workshops Added for Summer 2016

09_X-Pro2_BK_FrontLeft_35mmF1.4This past weekend, Fujifilm celebrated their 5 Year Anniversary of the X Series camera system with a flurry of new product launches, photography exhibitions and dealer events, which, as I heard, included some karaoke.

Of course, the whole party centered around the unveiling of the long awaited, X-Pro2, which, in just days, has already become one of the top selling cameras of any brand, and the #1 top selling mirrorless camera– and it’s not even out yet!

With an exterior design that’s very like the original, that sexy black box sports a number of big advancements inside, including a brand new X-Trans CMOS III 24MP sensor and brand new image processor.

In addition, it has an all new Advanced Hybrid Multi Viewfinder that offers both optical and electronic view, an 1/8,000 sec mechanical shutter, a new Compressed RAW file format, new BW “Arcos” film simulation, a totally upgrade Autofocus system, and a weather resistant body.

The new focusing system is built around a grid of 273 focus points and a small thumb focus lever joystick for navigation around the frame. Approximately 40% of the frame is covered by 77 Phase Detect AF pixels, which means that your fastest focusing is not limited to just the center area of the viewfinder. This is a huge advancement, and one that I would hope gets brought to future versions of the X-T1 and X-T10.

Fuji’s new X-Trans CMOS III APS-C sensor offers even higher resolution, with 24.3MP, a wider array of phase detection pixels and high ISO sensitivity performance. With a max ISO of 12,800, (extendable to ISO 51,200) the X-Pro 2 can produce extremely high resolution imagery with minimal noise.

Quality and performance is also enhanced by Fuji’s new X Processor Pro image processing engine. With increased processing speeds and a higher buffer memory, shutter blackout time has been reduced by nearly half, as has display performance when shooting moving subjects.

One of the things photographers love about the X Series cameras is the retro style look and feel, which includes metal function dials on the top deck.

Improving design even more, the X-Pro2 sports a dual function dial for shutter speed and ISO. Nice.

It also has a front command dial, which can be used to set shutter speeds to 1/3 stop increments. I use this all the time on my X-T1 and X-T10.

Another cool feature on the X-Pro2 is the Dual Card Slot, which can be configured to record as sequential, backup or RAW/JPEG. Nice.

A number of photographers have been testing the X-Pro2 for the past couple of months, and from everything I’ve seen, people are simply blown away by this camera. I’m not surprised. It offers such a high degree of performance, usability and image quality, that many top editorial, assignment and portraits shooters like David Allan Harvey, David Hobby and Zach Arias, pretty much feel that this one is the game changer for them.

The X-Pro1 has garnered such a fanatical user base that has almost bordered on the extreme. In some ways, it’s been funny to read all the forums and see people’s response to all the new cameras Fuji has released in the past few years. No matter what Fuji has come up with, their answer is always, “I’m waiting for the X-Pro2.”

Sometimes I laugh at this, but in the end, it just means that people LOVE their X-Pro1 so much that they can’t imagine shooting with anything but the upgraded version, not matter how long it took to emerge. To that, Fuji deserves credit for building cameras that have longevity and that inspire love, loyalty and confidence from their users. From that standpoint, I guess I understand, because I feel the exact same way about my X-T1.

You can read more about the X-Pro2 on the Fujifilm website.

The X-Pro2 will be available in late February- You can preorder it from B&H Photo or Amazon, or just wait for your local Fuji dealer to get stock, although I imagine that many stores will sell out pretty quickly.

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It’s pretty amazing that the X Series has only been around for five years. I remember when the original X100 was announced, it definitely struck a chord in the industry, but to have invented a camera system from scratch that has such a huge impact in the world of photography in only five years- a world that has been dominated by DSLRs- that’s huge.

I guess this graphic says it all.

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January 18, 2016
See this post
Fuji Announces the Long Awaited X-Pro2

Back when I first started with photography, over twenty years ago, I spent many rainy Saturdays at the Boston Public Library, lost in the stacks as I pulled down book after book, trying to learn as much as I could about the craft. I gained so much of my initial technical and compositional knowledge from books, and two decades later, I’d say that notion still applies.

I’m constantly reading books, eBooks and blog posts trying to pack my brain with additional knowledge. While I’ve gained valuable info from so many different authors over the years, there are a few titles that really stand out in my mind.

Here are the three photography books I feel have made the biggest impact on me. I highly recommend any and all of them.

1. Mountian Light, by Galen Rowell

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Mountain Light by Galen Rowell has always been #1 in my book; it’s my all time favorite landscape and outdoor photography book. Galen Rowell was a remarkable human being, and his legacy with outdoor and adventure shooters will live true for a very long time. Not only was he a great photographer, he was an accomplished climber, mountaineer and explorer, he was an amazing writer.

Where many books give you the nuts and bolts, Galen always gave substance. Going far deeper than “use this technique” or “I use this camera,” he wrote with a high degree of intelligence and insight about the creative, technical and philosophical considerations that influenced his own work.

Mountain Light goes deep, laying out his process for 80 of his favorite adventure, travel and mountain landscape images. With well written essays and thoughtful introspection, Galen covers how to see like the camera and how to translate your own personal vision into a strong images, often by going that extra step, even if it meant running two miles at 15,000′ to line up a rainbow with the best subject matter.

My own copy of Mountain Light is well worn, and I still pull it off the shelf from time to time. Even after all these years, I always find something new.

2. Understanding Exposure, by Bryan Peterson

Considering that Understanding Exposure is one of the best selling photography books on the market, I’m not the only person who thinks that this is one of the best beginning photographer books out there, if not THE best title for people who are new to the craft.

Written in an very easy to understand style, Bryan lays out the basic technical concepts that every photographer should know. With detailed chapters that cover the basics of exposure and the relationship between aperture and shutter speeds, he shows you how to understand and use them in creative ways.

Bryan also talks about how to use the different qualities and directions of light, and he covers techniques such as blur, panning and macro. Written in 1990, the updated 3rd edition is full of info that’s applicable to digital cameras, and even includes a section on multiple exposures and HDR.

Understanding Exposure is illustrated with simple, graphic imagery that clearly shows off not just each concept, but that the best images are often the most simple with regards to subject matter and framing.

I learned a ton from this book when I first started out and I would highly recommend it to any photographer who’s new to the world of cameras and image making.

 

3. The Hot Shoe Diaries, by Joe McNally

The Hot Shoe Diaries by Joe McNally

The Hot Shoe Diaries is a much more recent influence. I stumbled across this book a few years ago, and it made a huge impact on me. I read it, as many photographers have, during a time when I was trying to improve my flash photography.

Joe is the undisputed master of the Speedlight, and whether he’s using a bare bulb flash, or any kind of diffuser, big or small, store bought, homemade or improvised, he makes light that sings. Light that highlights his subjects with the most beautiful, amazing, appealing, and sometimes subtle light you can imagine.

I read The Hot Shoe Diaries in just a few days Then I turned around and read it again. Then, a third time, but with a notebook in hand. I wrote down bullet points, technical and creative tips and gear options that I gained from each chapter.

Having done this, I feel my flash skills have climbed by leaps and bounds. I have so much more confidence with flash now, and even though I’m shooting Fuji cameras now, I still use my Nikon flashes, and I still use the techniques I learned form this book.

If you shoot flash, for portraits, location or even action, I would highly recommend this book. I changed my life and it can change yours.

For further reading, here is a list of the top photography books recommended by my readers.


January 13, 2016
See this post
3 Photography Books that had the Biggest Impact on Me

This is the last installment of my 2015 retrospective. You can also read Part 1, Part 2 and Part 3.

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October

When October 2015 hit, I was still pedaling my Salsa Fargo around Transylvania during my five-week Romanian bikepacking trip. Highlights of the latter part of the trip included crossing the mighty Transfāgārāşan, the 6,699′ pass over the Carpathian Mountains. Consisting of 20 miles of hairpin switchbacks that climb 5,000′ over a forbidding wall of peaks, the Transfāgārāşan is truly one of the great mountain roads of the world.

A few days later, we found ourselves in the small town of Bran, which is where the famed “Dracula castle” of Bram Stoker’s novel lies. The Dracula story is steeped in a shroud of myth, legend and truth, and although Vlad the Impaler never actually lived at Castle Bran, he was said to have passed through there at least once during his life.

Arriving in the very medieval city of Braşov on October 9, we completed our 845 mile circle, washed the bikes, and took a few days rest before returning to Bucharest and flying home.

A week after returning to the USA, I found myself in New York City for the annual PhotoPlus Expo trade show, where I did a presentation at the Fujifilm booth.

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Also in October, I saw the release of my second print book, Backpacker Adventure Photography. Published by Backpacker Magazine and Falcon Guides, this is an easy-to-read pocket field guide for taking great pictures in the outdoors.

Having spent so much time in 2015 and early 2015 writing my two books, it was great to finally see them both in print. I’m extremely proud to have these two physical books out there in the world, and I hope that in the long run, they make a difference for the people who read them.

November

November was a relatively quite month for me, at least compared to action of the previous 10 months. During the first week, I did a presentation for Fujifilm at the Kenmore Camera Digital Photography Expo in Seattle. As with my October PhotoPlus talk, this was titled My Move to Mirrorless, and it was based on my feature article that appeared in the August issue of Outdoor Photographer Magazine.

During the weekend, I did my presentation four times and had a great time meeting and hanging out with other photographers. After that, I headed back to Alaska, where winter was beginning to show its face. Swapping out the Fargo for the Fatback, I switched gears and enjoyed some quality snow biking for the rest of the month and spending time with friends and family.

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December

Ah… the end of what had been an extremely busy year; definitely on the the busiest I can remember. I spent most of December playing guitar, riding my snow bike, having fun at “Global Fat Bike Day,” shooting aerials and flying the little Cessna, and doing things that didn’t involve writing, traveling and being heavily entrenched in work.

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I look back on 2015 with so much excitement for all of the things I did, the places I visited, the photos I shot and the friends I made during the course of my travels. I’m not sure I could top 2015, nor will I even try. At this point, I have no idea what’s in store for me during the next twelve months, and although I have a long list of things I want to do, I’m starting the year easy.

I bought a new guitar amp, which is a signal to myself to make more time for music this year, and I’m looking forward to getting back to some of the things I had to put aside in 2015 because I was so busy.

Being busy is a double edged sword. Busy-ness leads to more success, and if you’re doing what you LOVE to do, then being busy is a good thing, right? Of course, the downside is that the more busy you are, the less time you have to stop and smell the proverbial roses and leave yourself open to unplanned opportunities.

My vow to myself for 2016 is to leave open spaces in my life, so that I have enough room for the unplanned. This means making decisions about what kinds of projects to take on, continuing to streamline my workflow so I don’t get bogged down behind the computer and allowing myself to step away from “work” still on a regular basis. I love what I do, and what I do certainly dominates my life, but I have to make sure it’s not the only thing I like to do in life.

So, thanks for reading, and thanks for following me throughout the past year, whether you stopped by to read just one or two posts, or if you made a point to read my blog on a regular basis. Just for fun, I’d be really curious to know if anyone out there read every single one, or most of my blog posts during the past year!

Finally, I want to express my deepest gratitude to anyone who bought any of my books, ebooks, iOS apps, watched my online video course or took one of my workshops last year. Thank you so much for your support. I hope that I’ve been able to inspire you a little bit or help you become a better photographer.

Thanks for reading my retrospective, best wishes for 2016 and happy new year! -Dan

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January 7, 2016
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A Look Back at 2015, Part 4

Continuing my 2015 retrospective, here’s part 3. If you haven’t seen the first two installments, you can find part 1 here.

July

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After doing a quick bikepacking trip to Nome, Alaska during the last week of June, I turned right around and made a trip to all the way across to the Upper Right Corner of North America. In July 2015, I traveled on the high seas aboard the expedition vessel Ocean Endeavor with Adventure Canada and visited the regions of Newfoundland and Labrador.

I was invited on the ship by Adventure Canada and Fujifilm Canada as an official Fuji X Photographer/instructor. I gave floating workshops aboard the ship and made myself available to anyone who wanted camera advice (Fuji had brought a number of loaner X-T1’s on board) as well as one-on-one tips and general photography advice.

During our twelve days aboard the ship, we sales all the way around Newfoundland and traversed up the entire coast of Labrador, and made shore excursions every day. Labrador is one of the most remote, rugged places in the entire North American continent; in many ways, it’s very similar to Alaska, it’s largely empty, except for boggy forests, bears and mosquitos, and it’s sprinkled with a handful of native Inuit villages.

Northern Labrador is dominated by the impressive Torngat Mountains, which are said to be some of the oldest mountains on earth. This area is extremely remote and very rugged, and it doesn’t get visited by very many people, so it was a real treat to be able to get off and explore some of these amazing landscapes on foot.

The Adventure Canada trip was a unique experience for me, and I look back fondly at the friends I made and the places I saw during those twelve days. You can read my extended photo essay about this trip, WILD LABRADOR, Adventures in the Upper Right Corner.

Also in July, I wrote one of my favorite blog posts of the year, Bring Back the Shadows: The Case Against HDR. As you can imagine, that one got lots of traffic. And, I saw the release of my two instructional iOS Photography Apps, Capturing Action and Capturing Landscapes.

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August

The rest of the summer was devoted to teaching photography around Alaska. During the end of July and the first part of the August, I ran a number of Sunset Photo Safari workshops with Alaska Photo Treks, and was up late many nights chasing good light around Anchorage and the Chugach Mountains until almost midnight.

It was right around then when I first got to try out the new Fuji XF90mm f/2 lens. A full-on pro weather sealed fast prime, the 90 quickly became my new favorite lens. It’s smaller, lighter, faster and less expensive than the XF 50-140 f/2.8 tele zoom.

You obviously give up the longer focal lengths and the ability to zoom, but the with a fixed view that matches the classic 135mm f/2 lens, the XF90mm lens hits a real sweet spot. I was so excited to try out this lens, and I ordered one for myself as soon as it becomes available. You can read my full review of the Fuji XF 90mm f/2 lens here.

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During the second half of August, I co-led an 8-day Denali National Park Photography Workshop with fellow Alaska shooter Jeff Schultz. This was a very special experience for me on multiple levels. In addition to teaching students in a really amazing location, I had the opportunity to learn from Jeff, who is a longtime photography legend here in Alaska.

Also, my dad came up for the workshop and then stuck around a few days afterwords, so we got a chance to do some exploring on our own. I took him flying in my little Cessna and showed him some of my favorite stomping grounds. I’m not running a Denali workshop this year, but I’m exploring the possibility of running it on my own next year. If you think you’d be interested in doing this trip, please drop me a line and let me know.

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Father and son, with our matching X-T1’s.

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Also in August, I traveled to Colorado for a week to film an outdoor adventure photography video course for Craftsy. We shot for four days in the areas around Vail and the end result was an 80+ minute online course called Outdoor Photography Essentials.

I’d worked on the script for weeks beforehand with the producers and I was really excited about how the course came out. I feel it captured perfectly the types of challenges and solutions that I face when I’m out there on location.

Although the general ideas were set, we went into each location blind, not knowing what kinds of images we were going to get, and I worked with our model and the existing light and terrain to bring out a compelling shot that illustrated each concept we were trying to focus on. I feel this gives the viewer genuine instruction on how to bring it all together, because that’s what everyone faces when they’re out there shooting. Nothing ever goes perfect and you have to work to make things happen.

Check out Outdoor Photography Essentials here. If you use this link, you can save $10 on the course. You can watch it anytime online on any device.

Finally, Outdoor Photographer Magazine ran a feature article by me in the August issue called My Move to Mirrorless, which outlines my transition from Nikon DSLR gear to the lighter Fuji X Series cameras for all of my photography work.

The article features a number of my favorite recent images and details how each shot came together, in part because of the technology and form factor advantages that the Fuji mirrorless cameras offer. With the recent firmware updates and new glass, I have full confidence in the Fuji system to get me through kind of situation I can think of shooting. So far, they haven’t let me down.

The bottom line is that cameras are all just tools. DLSRs are great. So are mirrorless cameras. They both offer great things for photographers and you can get amazing, or horrible photos with either. In the end, it’s all about how you use them and how you incorporate them into your vision and your workflow. Read my article in Outdoor Photographer Magazine here.

September

After a very busy year writing, teaching, shooting, working on iOS apps, traveling and filming a video course, it was time for a vacation that I’d been planning for a year. The arrival of September meant one thing for me: Romania.

I’d had the idea to do a bike tour in Romania since last fall, and so all those other bikepacking trips I did earlier in the year were all just perpetration for the Romania trip.

We flew out of here during the second week of September and were gone for over five weeks, most of which was spent bikepacking and pedaling around Transylvania. Here are just a few photos from the first couple weeks of the trip. I still plan to do some kind of longer blog post, or even an eBook travel photography journal sometime in the next few months. Keep an eye out for that.

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January 6, 2016
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A Look Back at 2015, Part 3

Continuing from Part 1 of my 2015 Retrospective, here is a brief recap of the second quarter of 2015 and the highlights and images that stood out for me.

April

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April was a huge month for me. During the first week of April 2015, I saw the release of my very first print book, Outdoor Action and Adventure Photography. Published by Focal Press, the book was a true labor of love and a huge achievement of what had been a longtime goal for me. It required an enormous amount of effort on my part, and more “inside time” than I probably would have agreed to during many weeks of 2014,

Essentially, I wrote 300 pages and nearly 60,000 words that cover everything I know or have learned about the craft outdoor photography during my almost twenty years as a working pro. From technique, gear recommendations, compositional ideas, in-depth insight, and even interviews with six other pro shooters, it encompasses a massive amount of outdoor photography instruction.

I’m so proud to see my work in print, but I’m also equally excited to share my knowledge and passions with other aspiring and emerging outdoor photographers, simply because I love photography.

Apparently, all that inside time paid off, because Outdoor Action and Adventure Photography has been racking up a number of five-star ⭐️⭐️⭐️⭐️⭐️ reviews at Amazon during the past few months. To every one of my readers who has purchased the book, I want to extend my deepest gratitude. I hope you’re extracting a great deal of useful info from it.

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Shortly after the book came out in April, I went on the local TV affiliate here in Anchorage to talk about it on there morning show. Thanks to my friend Brett Sheppard for setting that up. This was my first TV appearance ever, so it was a pretty big deal.

Also in April 2015, I did something I never thought I’d ever do. I walked into my local camera store and sold all of my Nikon DSLR gear. I’d been a Nikon user for over twenty years, and so I had quite a collection of cameras and Nikon glass, but having spent the previous year shooting nothing but my Fuji X-T1, I saw the writing on the wall. For me, and for much of the photography world, mirrorless cameras represent the future.

This was truly then end of an era for me, but it was also a new beginning. This meant I was putting full faith and 100% confidence in the Fujifilm system, which had hit a home run with the breakthrough X-T1.

Not only was I in love with how much smaller and lighter they are than my heavy DSLRs, the performance gap, especially the autofocus, was quickly closing, not to mention the incredible offering of lenses that Fuji has released for the system.

The bottom line for me was that during the past year, there was not a single time when I wished I’d had a DSLR in my hands instead of my X-T1. I loved the images I was making with it and didn’t feel that it limited my creativity or my technical requirements at all. On the contrary, I only saw it increase my passion and excitement for photography. You can read about my transition to mirrorless cameras and the Fuji system here.

May

May 2015 saw a couple of really fun biking related adventures. During the first half of the month, I spent 10 days bike touring in Oregon, from Portland, to Astoria, then down the coast for a few days before turning and heading straight to PDX, where we wheeled the bikes inside the terminal, packed them up in Alaska Airlines boxes and flew home.

For that trip, I had gotten a pre-releases version of the brand new Fuji X-T10 to try out. Essentially an even smaller, lighter X camera body that had the same sensor and image processor as the X-T1, the X-T10 was loaded with the brand new Fuji version 4.0 firmware that totally revamped Fuji’s autofocus system and added a number of new features.

This new AF system proved to be a game changer for Fuji, and I was excited to be one of the first photographers to try it, and the X-T10, before it was released to the world later in May. I shot a number photos in Oregon with that camera that I consider among my favorites of the year. If you haven’t seen my full review of the Fuji X-T10, you can find it here.

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Then, upon return to Alaska in the middle of May, we turned right around and spent four incredible days bikepacking along the Denali Highway with our good friend Derek Vanderhorst. Although he’s an avid mountain biker, this was Derek’s first multi-day backcountry bike tour, and we showed him an excellent time, complete with miserable rain, incredible scenery and over 150 miles of desolate, wilderness invested gravel.

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Finally, in May, we took delivery of our brand new Alaska Photo Treks van. Alaska Photo Treks is a company I started with two other photographers here in Alaska, and our focus is doing photography workshops and photo tours. Between the three of us, we offer a number of different levels of instruction, and with the addition of the van, which we use for our Sunset Photo Safaris, signaled a milestone for our little company and the beginning of a very busy season of guiding.

That’s me shooting a view of Anchorage on top of the cargo rack, er… I mean the “photographer’s platform.” If you find yourself in Anchorage this summer, come out and chase good light with us!

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June 2015 had me adventuring under the midnight sun and enjoying what is usually the best weather of the year in Southcentral Alaska. I spent quite a few evenings out flying my little yellow Cessna 120, and even used it to take me and some lightweight camping gear out to the Knik Glacier, where I spent the night in front of the ice, shooting sunset at 11:45PM, and eating dinner by the campfire at around 1:30AM, while watching the short, dim evening hours settle briefly over the Chugach Mountains.

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It was during this week when I finally discovered a workable and lightweight solar charging solution for my camera batteries. For years, this technology has eluded us, but with the wide range of lightweight solar panels and battery packs that have USB ports, and with this inexpensive little battery charger that works with most DSLR and mirrorless camera batteries, we now have a kit that will charge camera batteries in the field that fits inside your backpack, or straps right to a bike bag.

For me, this opens up a new world of possibilities, especially for longer backcountry trips and bikepacking adventures.

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I also spent a lot of time in June mountain biking. During one particularly fun evening with my friend Ryan Greef, we came across a pack of local teens rocking their homemade BMX jumps in the neighborhood dirt patch, which gave me a good opportunity to test out the AF capabilities of my new Fuji X-T10.

After that, we pedaled some great singletrack into the late hours of the day, and were rewarded with some fantastic light as the sun set over the Cook Inlet. As I said, June rocks in Alaska. And I wrote a fun blog post called Mirrorless Cameras and the Legacy of Photography, where I shared my thoughts about where we’ve come and where technology has brought us to this point.

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Finally, at the very end of June, while packing for a big trip that was just around the corner in July, we managed to put a last minute trip to spend four days bikepacking the Teller Highway in Nome. Woke up one Tuesday morning, bought tickets on the phone with miles, packed the bikes up, and were riding out of Nome at 11:00PM that night. Adventure at the last minute. Just the way I like it.

The Teller Highway is a 73 mile stretch of gravel that traverses through the foothills of the Kigluaik Mountains and ends in the tiny native village of Teller, Alaska, on the shores of the Bering Sea. It’s a fantastic route that passes through amazing wilderness. When the weather is calm, you’ll experience trillions of mosquitos, and when it’s not… well, let’s just say that Bering Sea weather can be pretty rough.

We had it all during our four days riding out and back, but fortunately only had to endure mosquitoes on the first night. Look closely at the first picture below and you can see the pack of mosquito dots chasing us over the tundra.

Along with Oregon and the Denali Highway, the Nome trip was yet another chance to tweak and refine my lightweight bikepacking setup in preparation for a big trip I had in mind I was hoping to take later in the year. Between my Salsa Fargo drop bar mountain touring bike, the Revelate Designs bags, my new solar charging camera battery kit and my ultra lightweight beer can stove/cook kit, I felt I was ready for anything.BIKPACK-AK-NOME-01046 BIKPACK-AK-NOME-01101 BIKPACK-AK-NOME-01244 BIKPACK-AK-NOME-01294BIKPACK-AK-NOME-01289

 

January 5, 2016
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A Look Back at 2015, Part 2

Happy New Year to all of my readers. It’s always exciting to launch into the next numerical year, and as we like to do, it’s fun to take a quick and ceremonial look back to reflect on what happened during the previous twelve months.

2015 is now history. There’s something weirdly nostalgic about that notion, knowing that all the events and milestones we experienced during that period of time are now just pieces of our past; just memories that have contributed to where we are as people who are now standing at the front edge of 2016.

I like to say that Near Years are like Blank Journals, which was the title of the blog post I wrote one year ago, at the beginning of January 2015. Just as the pages of an empty Moleskine are filled at this point with nothing but potential, so are the days, weeks and months that lie ahead.

However, before I open that proverbial blank journal for myself, I’d like to take a quick look back at what happened in my photography life during the past calendar year. 2015 was an amazing year for me, and one of my busiest, most productive years I can remember, with two books published, a video course, and multiple trips to some really amazing places I’d never visited before. Sometimes things got a little too busy, but I managed to get through the year intact.

So, in three parts, here’s my brief 2015 retrospective.

What will you do this year in 2016? Great things I hope. Let me know what you have in store for the coming months.

January

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I started off the year by shooting aerials over the Chugach Mountains. This shot of the moonrise over Mount Gannett was made with the Fuji X-T1 and XF18-135mm lens on January 9, 2015.

Having shot the X-T1 for almost a year at that point, I was still very excited about the camera, but with the December 2013 firmware update, which added 27 new features, including the high speed electronic shutter that allows the camera to fire up to 1/32,000 second, I was excited for the expanded creative possibilities that were now open to an already amazing little camera.

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I shot quite a bit of snow biking around Anchorage in January, but due to our lack of snow, much of it ended being more ice biking than anything. This shot is my friend Eric Parsons of Revelate Designs cruising around the frozen mud flats of the Cook Inlet.

Also in January, I had the cover photo on Volume 5 of CLARITY: Photography Behind the Camera, which is one of my favorite online photography magazines. Finally, the I spent the beginning of January furiously writing and editing in order to finish up the manuscript for my second book and meet my publisher deadline.

February

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By February, we had a little bit more snow, so I continued to shoot show biking around Southcentral Alaska. Right around that time, I got the chance to try out the new Fuji XF50-140 f/2.8 lens, which in my mind, was the final nail piece in the puzzle for me to use mirrorless cameras full time.

This is a full-on pro weather sealed fast telephoto f/2.8 zoom lens that’s lighter than the Nikon f/2.8 version. Since this type of glass had long been my bread and butter DLSR lens, this suddenly made my X-T1 even more capable for shooting action and adventure sports. If you haven’t seen my review of the Fuji 50-140 f/2.8 lens, you can find it here.

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Here’s another one of my favorite snow biking images I made in February 2015. I always love shooting wide angle action, because I can move in close and focus on specific details of the landscape and still show the subject matter in their environment.

February also saw more aerials, including this shot below, which is one of my all time favorite aerials photos of the Chugach. I love the subtle light and almost symbolic representation of the abbreviated landscape. Minimalism applied to landscape photography. Short and sweet. Less is more.

Ok, full disclosure, I actually shot this image on January 31 of last year, but I didn’t get it edited and catalogued into Lightroom until the next day. Does that count?

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March

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March began for me with a trip to sunny California, where I spent warm days pedaling around dry singletrack trails in short sleeves and shooting photos NOT in the cold. Always refreshing after slugging it out with weeks of cold and ice in Anchorage.

After returning to Alaska, I ran my Knik Glacier Photography Workshop, which was a huge success. I had 5 awesome participants and we all had a great time shooting glacier aerials and photographing out on the ice, walking around beneath the massive icebergs of the Knik Glacier Lagoon.

Here’s the full recap of the workshop, which includes a testimonial from one of the participants. I’m mixing things up this year, and this season, I’m running a weekend photography workshop at the Matanuska Glacier. This promises to be a great opportunity for shooting amazing winter glacierscapes in an ice environment that’s a little different, and in some ways, a little more intimate than the Knik.

Check out the info about my 2016 Matanuska Glacier Photography Workshop here. It runs April 1-3, 2016.

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I closed out March with an amazing trip I took with two good friends, Josh Spice and Glenn Charles. We did a weekend bikepacking trip out to the Knik Glacier, where we rode our fat bikes around the massive icebergs of the Knik, then spent the night right there next to the ice and watched the northern lights dance in the sky above the icebergs.

It was a real adventure that involved getting lost, riding through huge ice-filled puddles, pushing through giant, deep muddy sections, bushwhacking will fully loaded fat bikes through thick willowy forests and losing a memory card full of my best photos of the trip which was almost lost forever, until… well, you can read all about it here.

All in all, the trip was one of my favorite adventures from 2015. You can read my full Knik Glacier Bikepacking photo essay here. And, it gave me a chance to REALLY test the weatherproofing on on Fuji X-T1.

Here’s Part 2.

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January 4, 2016
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A Look Back At 2015, Part 1

Turnagain PanoA

Last week I flew an aerial photography mission over the Turnagain Arm, southeast of Anchorage. We’d had a blanket of the usual morning ice fog, which lasted until after noon, so I wasn’t even sure I’d be able to get up in the sky that day.

Making the fly/no-fly call at noon normally wouldn’t be a big deal, but with our early winter sunsets, which come around 3:45PM in late December, that doesn’t give me much wiggle room. Especially considering that winter flying involves preheating the plane with my MSR stove and aluminum stovepipe for about 45 minutes and dealing with snowy wing covers before even getting into the cockpit.

However, I’ve got my system pretty well dialed, so when the fog broke around 12:30PM, I quickly got my flight gear together and headed over to Merrill Field. After a smooth preflight, I was up in the air with my X-T1 around my neck, shooting my first photos out the open window alongside the Chugach foothills at around 2:45PM.

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Although the skies had cleared up enough to fly, there was still a misty cloud ceiling hovering at around 5,000′, which limited my options for shooting at higher altitudes. My favorite sweet spot for shooting mountain aerials in this area is between 7,000-8,000 feet. Flying and photography both demand a certainly level of flexibility, so instead of heading directly over the Chugach, I headed south of Anchorage towards the Turnagain Arm, which was almost completely covered by another layer of low clouds that lay just above the water.

As I turned the corner at the southwest edge of the Chugach Mountains, and flew between these two cloud layers, I caught some amazing views down the Arm. The bottom layers of that 5,000 foot cloud ceiling were filtering the rays of the setting sun and taking on dramatic pink and purple hues that got richer by the minute.

I spent some some shooting some of the taller summits at the edge of the arm, like McHugh and Rainbow Peak, switching between the new Fuji XF35mm f/2, which has quickly become my new favorite aerial photography lens, and the XF90mm f/2, which lets me zoom in on the more distant scenes.

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I was happy with some of the photos I was getting, but as I circled back around for another pass, I suddenly saw the potential for a very wide panorama scene of the entire north side of Turnagain Arm. Up to this point, I’d never tried shooting panos from the plane, but this seemed like as good an op as any to give it a try.

Switching back to the wider 35mm lens, I lined up and shot a series of 18 photos, which involved a bit of fancy rudder work in order to not get the wing strut in some of my frames.

My series encompassed a view of about 25 miles from side to side before the landscape disappeared into the fog. I continued to shoot until all of the colors from the sky faded, all the while, eager to get home and see how well my pano would stitch together.

Inside Photoshop CC, I opened up a series of 9 frames and hit the File> Autotmate > Photomerge command and crossed my fingers. This is what came out:

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Sometimes you don’t know how everything will merge when shooting panos, but this one seemed to work quite well. After cropping, the image narrowed down to this image below. After cropping, I hit the File> Export> Zoomify… command and created a Zoomify Panorama. If you’ve never done this, it’s pretty fun- it creates a webpage with a scrollable panorama of your image, at whatever size you wish.

For this one, I exported at full size, then reduced the resolution to 72dpi, so that it would load faster on the screen. Go ahead and click here, or click on the image below to see the full size Zoomify version of this panorama. Once inside, you can scroll around and zoom in to see all the detail in the final image. I’ve created theses Zoomify images before, but never one this cool.

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Thanks for reading. If you’ve got a cool panorama that you think would work as a Zoomify image, create one and post the link here in the comment section below so that I and other readers can check it out.

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December 29, 2015
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Aerial Panorama of the Turnagain Arm, Alaska